Search results for [Human sacrifice in art] at NC Cardinal

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Contemporary synagogue art; developments in the United States, 1945-1965. by Kampf, Avram.(CARDINAL)172405;

Includes bibliographical references (pages 261-263) and index.The Synagogue: A house of prayer, study and assembly -- Synagogue and ancient temple -- A house of the people instead of a house of God -- Worship by prayer and not sacrifice -- Instruction and debate replace magical elements -- New relation of individual to service -- The origin of the synagogue -- Löw's Theory -- From city gate to people's house to synagogue -- The view of S. W. Baron -- conditions for growth of self government in ancient Israel -- The synagogue as institution adapted to survival of religious-ethnic group in many lands -- The synagogue as house of instruction -- Prayer as instruction -- Psychological consequences of daily prayer -- The synagogue as house of assembly -- Community functions of the synagogue --Philo on the synagogue -- The Interpretation of the Second Commandment: Strict and liberal interpretations of the second commandment -- General retarding effect on development of plastic arts -- Sculptures in the biblical temple -- David Kaufmann revises historical view of Jewish attitude toward arts -- The work of Leopold Löw -- Abraham Geiger's Responsum -- View of contemporary scholarship -- The archeological evidence of an ancient Jewish art -- Liberal and conservative talmudic views -- Jewish craftsmen as makers of idols -- The view of Maimonides -- Art among the Jews of Italy and Poland -- Philosophic considerations -- Judaism's preference for the spoken word -- Views of Grätz and Herman Cohen -- The Jewish concept of God -- Attitude toward images reflecting religious situations in the ancient world -- Pervasiveness of a moral view of life -- The American Synagogue Today: The return to the synagogue -- The rise of the synagogue center -- Jewish survival under conditions of freedom -- The quest for Jewish identity -- The expansion of synagogue activities -- The quest for decorum -- Demand for art coming from tradtional sources and new conditions -- The view of Dr. M. M. Kaplan -- The idea of the Holy -- The adoption of modern architecture -- What should a synagogue look like? -- The view of Lewis Mumford -- The need for reconciliation of function and expression in synagogue architecture --The failure of functional planning to satisfy psychological needs -- The need for the work of art -- relationship of art and modern architecture -- the solutions to the problem of art in architecture by Sullivan, Wright, the International Style and the Bauhaus -- Leaders in architecture build synagogues -- The function of art in today's architecture -- Percival Goodman's contribution to the problem -- Collaboration among the arts -- Aft for Today's Synagogue: The expression of the Jewish ethos -- The communal art of a seventeenth-century synagogue -- The breakdown of the traditional Jewish world view -- Jewish theology today -- The function of art in the reestablishment of Jewish communal and religious values -- The artist vis-à-vis the community -- The position of the architect -- The role of the rabbi -- The need for his education in the arts -- art as an avenue of religious experience -- Modern art for the synagogue -- The expansion of the repertoire of Hebrew art -- A monumental scale for Jewish Analytic, expressive, and decorative tendencies of contemporary art in the synagogue -- The problem of communication in modern synagogue art -- The Hebrew letter -- Didactic art -- Synthesis of the abstract and the concrete in synagogue art -- synagogue art and the freedom of the artist -- Existence of Jewish motives in contemporary art of which the synagogue is unaware -- A genuine religious art for which the synagogue is a natural home -- Younger American artist and their Jewish subjects -- The place of the isolated work of art in the synagogue -- Relation of Jewish community to Jewish artists -- The case of Ben-Zion -- Congregation B'nai Israel in Millburn, New Jersey: Contemporary artists in the service of the synagogue -- Artwork integrated into exterior -- Sculpture aiding architecture in expressing the building's purpose -- The burning bush -- Use of new materials and new techniques -- A mural on the theme of the temple wall -- Inscriptions on the walls of the prayer hall -- A congregation remembers -- Stones from destroyed synagogues -- Torah curtains designed by artist and executed by women of congregation -- The signs of the curtain -- The reaction of the congregation -- The aims and achievements of the artist -- Artwork on Synagogue Exteriors -- The pillar of fire in hammered bronze -- The creation of the world and the liberation from bondage in sgraffito, terrazzo and metal -- Eight relief sculptures on persistent ideas of Judaism -- "Not by might but by my spirit..." -- The use of Hebrew mythology for representation of spirit and might -- "On three things the world is founded" -- A bronze sculpture of Moses and the burning bush -- A menorah designed in brick -- The pillar of fire and pillar of smoke in concrete, and a menorah resembling a chariot -- Five tile murals on Jewish ideas from the Bible -- A sculptural metaphor on theme of the menorah -- Sculpture in wrought iron -- The ladder, the Torah and the crowns -- A sculpture in metal and glass -- Artwork in the Vestibule: House of prayer, house of study , house of assembly, a mosaic mural on the contemporary synagogue -- the burning bush and the Messianic hope -- The yoke of Torah, a ladder to heaven -- Jacob's dream --The Messianic theme, another version of a mosaic mural -- The Miracle -- Artwork in the Prayer Hall-Part I: The ark as receptacle for the Torah scrolls -- Ark and bimah, two centers competing for attention -- The bimah, from a small platform to an imposing structure -- The representation of the ark in ancient Hebrew art -- The enlargement of the ark's frame -- The Torah curtains and the Eternal Light -- The menorah, a cosmic tree transformed as symbol of Judaism -- The memorial light -- The Torah ornaments -- The commanding position of the ark today -- The prayer hall embodying tensions within Judaism--the point of view of a Jewish theologian -- The functions of the synagogue are indivisible -- The need to evoke the numinous -- The use of stained-glass windows -- Different artistic conceptions of the prayer hall -- The wall which shelters the ark -- The ark, free standing and recessed -- The impact of contemporary design and materials on the ark -- The menorah today, search for depth and asymmetry -- A variety of Eternal Light lamps -- The memorial tables -- The use of electricity questioned -- Artwork in the Prayer Hall-Part II: Interiors designed by Erich Mendelsohn -- The evocation of the Holy by darkness and emptiness -- The bimah of Temple B'nai Israel in Bridgeport, Conn. -- The Beth El, Springfield, Mass. -- The primitive invades a modern synagogue -- Evocation of time and mobility in the arks of the Hebrew Congregation in Indianapolis, Ind. -- Silver ark doors narrate the biblical story in Temple Beth El in Great Neck, N.Y. -- Sculptured lead doors which recall the Holocaust -- Human figures and artist's self portrait carved on ark doors -- A modern carving of an old Hebrew fold motif -- The winged ark at Brandeis University -- The meeting of man with God -- The bronze ark of Temple B'rith Kodesh in Rochester, N.Y. -- Stained-Glass Windows: Stained-glass windows -- Man and community -- The windows in Temple B'nai Aaron, St. Paul, Minn. -- Stained-glass walls at the Milton Steinberg House in New York City and at Temple Shalom in Newton, Mass. -- Jewish history in stained glass at Har Zion in Philadelphia, Pa. -- Aspects of American Jewish history at Tree of Life Synagogue in Pittsburgh -- Stained-glass windows as backdrop for the ark in New York City -- Fragments of old stained-glass windows worked into a modern design -- the unity of man, god, and the universe -- Abraham Rattner bases the design of a window on the cabala -- Bibliography -- Notes -- Index.

Subjects: Synagogue art, American.; Synagogue architecture;

Available copies: 2 / Total copies: 2

On-line resources: Suggest title for digitization;

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Seraph of the end: Guren Ichinose. Catastrophe at sixteen. [manga] by Kagami, Takaya,1979-author.(CARDINAL)616242; Asami, Yō,artist.(CARDINAL)872410; Yamamoto, Yamato,1983-illustrator.(CARDINAL)616267; Vanstiphout, Carl,translator.(CARDINAL)413860;

"Desperate to save his retainers and friends, Guren makes the ultimate sacrifice and gives up his humanity to accept the demon in his cursed gear, thereby transforming himself into a demon as well. His newfound demonic powers help him protect the people important to him, but the victory is short-lived. Hours later, the Imperial Demons' presumed heir, Kureto Hiragi, takes all of Guren's family and their followers hostage and presents Guren with an impossible choice: track down and kill his childhood love Mahiru Hiragi within a month, or watch as the Hiragis execute everyone in his clan--starting with his father. Left with no more to go on than cryptic messages about a secret research project that could destroy the world and whispers of an underground city of vampires, Guren must confront the most consequential choice of his life. And all the while, the clock counting down to catastrophe is ticking..." --Provided by publisher.Rated: 16+.

Subjects: Comics (Graphic works); Vampire comics.; Fantasy comics.; Manga.; Graphic novels.; Young adult fiction.; Teenage soldiers; Demonology; Vampires; End of the world;

Available copies: 2 / Total copies: 2

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The aeneid / by Vergil,author.; Bartsch, Shadi,translator.;

Includes bibliographical references (pages 325-326).A fresh and faithful translation of Vergil's Aeneid restores the epic's spare language and fast pace and sheds new light on one of the cornerstone narratives of Western culture. The best version of the Aeneid in modern English: concise, readable and beautiful, but also as accurate and faithful to Vergil s Latin as possible. James J. O Hara, George L. Paddison Professor of Latin, University of North Carolina at Chapel Hill. For two thousand years, the epic tale of Aeneas's dramatic flight from Troy, his doomed love affair with Dido, his descent into the underworld, and the bloody story behind the establishment of Rome has electrified audiences around the world. In Vergil's telling, Aeneas's heroic journey not only gave Romans and Italians a thrilling origin story, it established many of the fundamental themes of Western life and literature the role of duty and self-sacrifice, the place of love and passion in human life, the relationship between art and violence, the tension between immigrant and indigenous people, and the way new foundations are so often built upon the wreckage of those who came before. Throughout the course of Western history, the Aeneid has affirmed our best and worst intentions and forced us to confront our deepest contradictions. Shadi Bartsch, Guggenheim Laureate, award-winning translator, and chaired professor at the University of Chicago, confronts the contradictions inherent in the text itself, illuminating the epic's subversive approach to storytelling. Even as Vergil writes the foundation myth for Rome, he seems to comment on this tendency to mythologize our heroes and societies, and to gesture to the stories that get lost in the mythmaking. Bartsch's groundbreaking translation, brilliantly maintaining the brisk pace of Vergil's Latin even as it offers readers a metrical line-by-line translation, provides a literary and historical context to make the Aeneid resonant for a new generation of readers.

Subjects: Legends.; Aeneas (Legendary character); Epic poetry, Latin;

Available copies: 1 / Total copies: 1

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Joseph Campbell and the power of myth [videorecording] / by Campbell, Joseph,1904-1987.(CARDINAL)128027; Lucas, George,1944-(CARDINAL)299985; Moyers, Bill D.(CARDINAL)158117; Tatge, Catherine.(CARDINAL)327079; Apostrophe S Productions.; Mystic Fire Video, Inc.(CARDINAL)197815; Public Affairs Television (Firm)(CARDINAL)204381; Wellspring Media.; WNET (Television station : New York, N.Y.)(CARDINAL)150050; WTTW (Television station : Chicago, Ill.)(CARDINAL)131401;

Original music composed by Richard Peaslee.Taped at the library of Lucasfilm, Skywalker Ranch, San Rafael, California [and] the American Museum of Natural History, New York in summers of 1986 and 1987.Bill Moyers and Joseph Campbell discuss the themes and roots of human myth which is seen as man's attempt to relate himself to the universe. Starting with various topics Campbell shows both how man creates his universe and is controlled by the myth he has created.DVD.

Subjects: Documentary films.; Video recordings for the hearing impaired.; Campbell, Joseph, 1904-1987; Experience (Religion); Films for the hearing impaired.; Myth.; Religion historians;

Available copies: 3 / Total copies: 4

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Dandadan. [manga] by Tatsu, Yukinobu,author,illustrator.(CARDINAL)868771; Sivasubramanian, Kumar,translator.(CARDINAL)483201; LeBlanc, Jennifer,adapter.(CARDINAL)807142;

A nerd must fight powerful spirits and aliens all vying for the secret power of his "family jewel," so who better to fight alongside him than his high school crush and a spirit granny?! Momo Ayase and Okarun are on opposite sides of the paranormal spectrum regarding what they'll believe in and what they won't. Their quest to prove each other wrong leads them down a path of secret crushes and paranormal battles they'll have to participate in to believe! The Kito clan tosses Okarun and the gang into an alternate-reality version of Jiji's family home as an offering to the serpent god! There they encounter another of the clan's sacrifices, a child who goes on to possess the softhearted Jiji. The two of them become the Evil Eye, who then attacks Okarun and Momo. Okarun decides to take him on alone and sends Momo back aboveground to get help. There she comes up with an ingenious plan to get rid of the giant serpent god...but can she pull it off on her own in time to save Jiji?Parental Advisory. Explicit Content.Rated: M, Mature.

Subjects: Graphic novels.; Manga.; Comics (Graphic works); Paranormal comics.; Science fiction comics.; Fiction.; Extraterrestrial beings; Human-alien encounters; Gods; Supernatural; Spirits; Yōkai (Japanese folklore); Imaginary wars and battles; Comic books, strips, etc.;

Available copies: 6 / Total copies: 12

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Kenya / by Pateman, Robert,1954-(CARDINAL)369674; Elias, Josie.(CARDINAL)498610;

Includes bibliographical references and index.Provides comprehensive information on the geography, history, wildlife, governmental structure, economy, cultural diversity, peoples, religion, and culture of Kenya.Accelerated Reader AR

Subjects: Young adult literature.;

Available copies: 1 / Total copies: 1

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Kehinde Wiley : an archaeology of silence / by Schmuckli, Claudia,author.(CARDINAL)879262; Wiley, Kehinde,1977-artist.(CARDINAL)290780; Cassel Oliver, Valerie,contributor.(CARDINAL)817964; Wilbekin, Emil Kraig,1967-contributor.(CARDINAL)878155; Keegan, Janna,contributor.(CARDINAL)878245; Campbell, Thomas P.(Thomas Patrick),1962-writer of foreword.(CARDINAL)337155; Walker, Darren,1959-contributor.(CARDINAL)859884; Steele, Justin R.,contributor.(CARDINAL)879454; Fine Arts Museums of San Francisco,publisher,organizer.(CARDINAL)152526; DelMonico Books,publisher.(CARDINAL)870896; Distributed Art Publishers,publisher.(CARDINAL)784868; M.H. de Young Memorial Museum,host institution.(CARDINAL)152527; Museum of Fine Arts, Houston,host institution.(CARDINAL)155416; Pérez Art Museum Miami,host institution.(CARDINAL)855974; Minneapolis Institute of Art,host institution.(CARDINAL)625274;

Includes bibliographical references."An Archaeology of Silence presents a collection of monumental paintings and sculptures, expanding on Kehinde Wiley's body of work DOWN from 2008. Initially inspired by Holbein's painting The Dead Christ in the Tomb (1520-22) as well as historical paintings and sculptures of fallen warriors and figures in the state of repose, Wiley created an unsettling series of prone Black bodies, re-conceptualizing classical pictorial forms to create a contemporary version of monumental portraiture, resounding with violence, pain, and death, as well as ecstasy. For this new body of work, Wiley has expanded these core thematic elements to meditate on the deaths of young Black men slain all over the world. Technology allows viewers to witness these graphic depictions of violence against the Black body that were once silenced. Wiley states, "That is the archaeology I am unearthing: The spectre of police violence and state control over the bodies of young Black and Brown people all over the world." In light of the current global conflicts, language concerning power struggles and inalienable human rights are more critical than ever. The new portraits depict young Black men and women in positions of vulnerability that tell a story of survival and resilience, revealing the beauty that can emerge from the horrific. These poses, borrowed from Western European art historical sources, function as beautiful elegies echoing a central metaphor of youth and resilience and stand as monuments to endurance and perseverance in the face of savagery, incorporating a scale that pushes beyond the mere corporeal and into the realm of spiritual icons, of martyrs and saints." -- provided by the artist:"American artist Kehinde Wiley's new body of paintings and sculptures confronts the silence surrounding systemic violence against Black people through the visual language of the fallen figure. It expands on his 2008 series, Down -- a group of large-scale portraits of young Black men inspired by Hans Holbein the Younger's The Dead Christ in the Tomb (1521-1522). Wiley investigates the iconography of death and sacrifice in Western art, tracing it across religious, mythological, and historical subjects. In An Archaeology of Silence, the senseless deaths of men and women around the world are transformed into a powerful elegy of resistance. The resulting paintings of figures struck down, wounded, or dead, referencing iconic paintings of mythical heroes, martyrs, and saints, offer a haunting meditation on the legacies of colonialism and systemic racism." -- provided by publisher:"Kehinde Wiley (b. 1977, Los Angeles) is an American artist best known for his portraits that render people of color in the traditional settings of Old Master paintings. Wiley's work brings art history face-to-face with contemporary culture, using the visual rhetoric of the heroic, the powerful, the majestic and the sublime to celebrate Black and brown people the artist has met throughout the world. Working in the mediums of painting, sculpture, and video, Wiley's portraits challenge and reorient art-historical narratives, awakening complex issues that many would prefer remain muted. In 2018 Wiley became the first African-American artist to paint an official U.S. Presidential portrait for the Smithsonian National Portrait Gallery. Former U.S. President Barack Obama selected Wiley for this honor. In 2019 Wiley founded Black Rock Senegal, a multidisciplinary artist-in-residence program that invites artists from around the world to live and create work in Dakar, Senegal. Wiley is the recipient of the U.S. Department of State's Medal of Arts, Harvard University's W.E.B. Du Bois Medal, and France's distinction of Knight of the Order of Arts and Letters. He holds a BFA from the San Francisco Art Institute, an MFA from Yale University, and honorary doctorates from the Rhode Island School of Design and San Francisco Art Institute. He has held solo exhibitions throughout the United States and internationally and his works are included in the collections of over 50 public institutions around the world. He lives and works in Beijing, Dakar, and New York." -- Biography provided by artist:

Subjects: Exhibition catalogs.; Portraits.; Wiley, Kehinde, 1977-; African American art; African American artists; African Americans in art; Art, American; Art, Modern; Artists; Black people in art; Figure painting; Figure sculpture; Gay artists; Gay artists.; LGBTQ+ artists.; LGBTQ+ arts.;

Available copies: 1 / Total copies: 1

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Chocolate : a cultural encyclopedia / by Collins, Ross F.,author.(CARDINAL)870407;

Includes bibliographical references and index.A natural history of cacao -- Chocolate conquers the world -- Sweet history: chocolate and health -- Bitter history: slaving for chocolate -- The spirit of chocolate: myth and religion / Karl Bakkum -- Putting the sweet in popular culture: chocolate and the arts / Michael J. Stein -- Politics, exploration and military: cocoa for king and country -- Preparation: rituals, recipes and poisons -- Processing cacao -- Chocolate for profit: the business of cacao."Probably no food in history has become as enrobed into world culture as chocolate. Its mythical beginnings tell a tale of ancient empires and great kings. The mysterious Olmecs, the mighty Maya; both civilizations grew to tower over Central America, and then fall into ruin, long before the rest of the world knew they existed. The Aztecs had taken power by the time of Columbus. Early Spanish explorers were dumbfounded to discover an entire culture underpinned by an almond-shaped bean natives called xocolatl. The food was part of Aztec weddings, funerals, harvests and human sacrifice. It was a form of currency. It was a drink of the gods, and a drink of an emperor who, purportedly, relied on it for potency during visits to his mistresses. This was probably not literally true. And yet it was mythically true, in the sense that it became the first of a series of fables and tales, usually fascinating, sometimes lurid, often fanciful, that have for centuries surrounded the lore of chocolate"--"No food in the world can offer as storied a history as chocolate. Chocolate: A Cultural Encyclopedia focuses on cocoa's history from ancient Mesoamerican beginnings as a symbol of ritual, life, and death, to its omnipresence in Europe, North America, and the rest of the world. In 10 thematic chapters covering chocolate in society and culture, 80 shorter entries, recipes, and a comprehensive timeline, this new book takes a closer look at how chocolate has served as a medicine, an indulgence, a symbol of decadence, a door to romance, a tempting taboo, a means of survival, and a snack for children and adults alike.Why did popes and kings so fear their chocolate? Who invented milk chocolate, and why was its formula kept secret? Why did soldiers in World War II despise their chocolate rations? Who makes the most chocolate today? Find out the answers to these questions and more as this book tells you everything you wanted to know-and a lot you didn't even know existed-about the seed from the world's favorite fruit tree"--

Subjects: Chocolate; Chocolate;

Available copies: 1 / Total copies: 1

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Fight club [videorecording] / by Fincher, David,film director.drt(CARDINAL)373496; Milchan, Arnon,1944-film producer.pro(CARDINAL)634800; Linson, Art,film producer.pro(CARDINAL)810204; Chaffin, Ceán,film producer.pro; Bell, Ross Grayson,film producer.pro; Uhls, Jim,1961-screenwriter.aus; Pitt, Brad,1963-actor.act(CARDINAL)305261; Norton, Edward,actor.act(CARDINAL)273634; Bonham Carter, Helena,1966-actor.act(CARDINAL)376729; Meat Loaf(Vocalist),1947-2022,actor.act(CARDINAL)882872; Leto, Jared,1971-actor.act(CARDINAL)535454; Grenier, Zach,1954-actor.act; McCallany, Holt,actor.act(CARDINAL)848859; Bailey, Eion,actor.act; Kaplan, Michael(Costume designer),costume designer.cst; Haygood, James,film editor.flm; McDowell, Alex,production designer.prs(CARDINAL)848498; Cronenweth, Jeff,cinematographer.cng; Motion picture adaptation of (work):Palahniuk, Chuck.Fight club.; Dust Brothers,composer (expression); Fox 2000 Pictures,presenter.(CARDINAL)784935; Linson Films (Firm),production company.(CARDINAL)848422; Regency Enterprises,presenter.(CARDINAL)785784; Twentieth Century Fox Home Entertainment, Inc.,publisher.(CARDINAL)340075; Twentieth Century-Fox Film Corporation,film distributor.(CARDINAL)137420;

Fear center -- Ground zero -- Insomnia -- Nesting instinct -- Remaining men together -- Power animal -- Marla -- Single serving Jack -- Tyler -- Jack's nice neat flaming shit -- Lament of a sofa -- Odd jobs -- Hit me -- Paper Street -- Welcome to fight club -- Infectious human waste -- Sport fucking -- Tyler's secret formula soap -- Chemical burn -- Middle children of history -- Homework -- Jack's smiling revenge -- Project mayhem -- Human sacrifice -- Space monkeys -- Psycho boy -- Near-life experience -- Tyler says goodbye -- Operation latté thunder -- Déjà vu -- Changeover -- Mea culpa -- Castrating cops -- Kicking and screaming -- Walls of Jericho -- End credits.Costume designer, Michael Kaplan ; music by The Dust Brothers (Michael Sampson and John King); film editor, James Haygood ; production designer, Alex McDowell ; director of photography, Jeff Cronenweth.Brad Pitt, Edward Norton, Helena Bonham Carter, Meat Loaf Aday, Jared Leto, Zach Grenier, Holt McCallany, Eion Bailey."A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground 'fight clubs' forming in every town -- until a sensuous and mysterious woman comes between the two men and ignites an out-of-control spiral toward oblivion."--Back of container.MPAA rating: R.DVD; region 1, NTSC; widescreen presentation; Dolby Digital 5.1 Surround, Dolby surround, THX.

Subjects: DVD-Video discs.; Film adaptations.; Feature films.; Video recordings for the hearing impaired.; Sports films.; Films for the hearing impaired.; Fiction films.; Crime films.; Thrillers (Motion pictures); Film adaptations.; Violence in men; Violence; Young men;

For private home use only.

Available copies: 1 / Total copies: 1

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The Roger Corman collection [videorecording]

Atlas.Bucket of blood.Creature from the haunted sea.Little shop of horrors.She gods of shark reef.Ski troop attack.Swamp women.The last woman on earth.The terror.Wasp woman.Atlas: Evil king Praximedes joins forces with Atlas, until Atlas eventually sees the king's true nature and turns against him.Bucket of blood: Walter Paisley, a geeky waiter and busboy at a happening Beatnik cafe, is intensely jealous of the swinging social lives of the artistic types who hang there. A bizarre twist of fate changes everything when Paisley accidentally kills his landlady's cat, his frantic attempts to hide the body lead him to encase it in a layer of clay, creating a morbid sculpture which is eventually discovered and hailed as an artistic triumph by the unwitting Bohemian art crowd.Creature from the haunted sea: After killing a group of exiles and dumping their bodies in the ocean, two-bit crook Renzo Capeto blames the whole tragedy on a legendary sea monster. When the monster actually surfaces it complicates his plans considerably.Little shop of horrors: In the back of Mr. Mushnick's flower shop, an experiment gives rise to a mutated plant that lives on blood and human flesh.She gods of shark reef: Two men are shipwrecked on an uncharted island populated by women who make human sacrifices in order to appease the shark gods.Ski troop attack: An American ski patrol infiltrates Germany to blow up an important railroad bridge.Swamp women: A group of female criminals is infiltrated by a plucky police woman who uncovers their plan to retrieve a stash of diamonds from a local swamp. Things get ugly when the girl gang takes her hostage.The last woman on earth: Two men and a woman come back from a scuba-diving expedition to discover that the earth's oxygen disappeared temporarily and killed everyone on the planet.The terror: Period chiller sees a young lieutenant drawn to an ancient castle and must unravel the dark mystery within its walls, especially the evil presence of a sinister old baron.Wasp woman: In her desperate search for eternal youth, Janice Starlin creates a cream derived from wasp enzymes. Naturally, she finds herself turning into a wasp.DVD, all regions; Dolby Digital mono.

Available copies: 1 / Total copies: 1

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