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An-My Lê : between two rivers = giữa hai giòng sông = entre deux rivières / by Lê, An-My,1960-artist.(CARDINAL)884345; Hui, La Frances,contributor.(CARDINAL)885979; Kee, Joan,contributor.; Lowry, Glenn D.,writer of foreword.(CARDINAL)137647; Marcoci, Roxana,editor,contributor.(CARDINAL)272835; Phu, Thy,1975-contributor.(CARDINAL)883359; Ryan, Caitlin(Caitlin Elizabeth),contributor.(CARDINAL)884765; Truong, Monique T. D.,contributor.(CARDINAL)535114; Vuong, Ocean,1988-contributor.(CARDINAL)412308; Distributed Art Publishers,distributor.(CARDINAL)784868; Los Angeles County Museum of Art,host institution.(CARDINAL)137901; Museum of Modern Art (New York, N.Y.),publisher,host institution.(CARDINAL)139062;
Includes bibliographical references and index.Through her photographs, videos, installations and embroidered works, An-My Lê considers the cycles of global history and conflict, the complexities of diaspora and the sensationalizing of warfare. Published to accompany the artist's major survey at the Museum of Modern Art, this volume is the first catalog to present Lê's three-decade practice in different mediums, with seven photographic series presented alongside textiles, installations and newly rediscovered films. The two rivers in the title refer to the Mekong River in Vietnam and the Mississippi River in the southern United States, two important geographic locations that appear in the artist's photography from her earliest to her most recent works. An essay by curator Roxana Marcoci examines the full sweep of Lê's creative practice; essays by scholars La Frances Hui, Joan Kee, Thy Phu and Caitlin Ryan each focus on specific series; and two texts by writers Monique Truong and Ocean Vuong bring poetic sensibility to Lê's singular perspective. --From publisher's description."An-My Lê was born in Saigon, Vietnam in 1960. She currently lives and works in Brooklyn, New York. She was educated at Stanford University and at Yale University and has been the recipient of numerous awards including the Mac Arthur Foundation Fellowship (2012); the Louis Comfort Tiffany Foundation Award (2009); and the Guggenheim Memorial Foundation Fellowship (1997), amongst others. Lê is currently the Charles Franklin Kellogg and Grace E. Ramsey Kellogg Professor in the Arts at Bard College, New York. As a teenager Lê fled Vietnam with her family in 1975. They eventually settled in the United States as refugees. Her work often addresses the impact of war on culture and on the environment. Lê says her "main goal is to try to photograph landscape in such a way that it suggests a universal history, a personal history, a history of culture." In 2021 a major exhibition opened at the Carnegie Museum of Art, Pittsburgh, Pennsylvania, and travelled to the Milwaukee Art Museum, WI, and the Amon Carter Museum of Art, TX. Other solo exhibitions of Lê's work have been presented at the Sheldon Art Museum, Lincoln, Nebraska (2017); Hasselblad Foundation, Gothenburg, Sweden (2015); Baltimore Museum of Art, Maryland (2013); Dia: Beacon, New York (2008); San Francisco Museum of Modern Art, California (2008); and MoMA PS1, Long Island City, New York (2002). Her work has also been included in the Whitney Biennial, Whitney Museum of American Art, New York (2017) and the Taipei Biennial (2014 and 2006). She has been included in numerous international group shows including at the Minneapolis Institute of Art, Minnesota (2019); Metropolitan Museum of Art, New York (2017); the Museum of Modern Art, New York (2016); National Museum of Art, Osaka, Japan (2015); Tate Modern, London (2014); Brooklyn Museum (2012); and the Guggenheim Museum, New York (2010) amongst others. " - Biography from:
Subjects: Documentary photographs.; Exhibition catalogs.; Lê, An-My, 1960-; Documentary photography; Embroidery in art.; Embroidery in art; Photography, Artistic.; Photography, Artistic; Video installations (Art); Video installations (Art); Vietnamese American art; Vietnamese American artists;

Watercolor landscape quilts : quick no-fuss 'fold and sew' technique by Geier, Cathy.(CARDINAL)691649;
Includes bibliographical references.
Subjects: Quilting; Patchwork; Quilting; Patchwork; Landscapes in art;

Donald in Mathmagic Land [videorecording] by Banta, Milt.; Berg, Bill.; Haber, Heinz.; Luske, Hamilton S.; Disney Educational Productions.(CARDINAL)196898; Walt Disney Company.(CARDINAL)187989;
Director of photography, Edward Colman ; editor, Lloyd L. Richardson ; music, Buddy Baker ; animation, Jerry Hathcock ... [et al.].No credits on packaging.Animated. Donald Duck gets a lesson in math appreciation when he is shown the relevance of math in everyday life. Donald wanders into a mysterious land filled with numbers, shapes, and peculiar symbols. "The Spirit of Adventure" (narrator) informs the skeptical duck that he is about to embark on a journey through the wonderland of mathematics. Donald is whisked back to ancient Greece to meet Pythagoras, the father of math and music. After eavesdropping on a secret meeting of Pythagoreans and turning their serene musical trio into a riotous quartet, Donald continues on his journey. He takes on numerous roles, including art critic, nature observer, billiards player, baseball player, and even Lewis Carroll's Alice. Through his adventures in Mathmagic Land, Donald comes to appreciate how measurements, calculations, shapes, and ratios contribute to music, architecture and art, nature, games, and inventions of all kinds, as well as the role of math in the future.Grade level: 4-12.DVD.
Subjects: Educational films.; Duck, Donald (Fictitious character); Animated films.; Children's films.; Mathematics;

The five sides of Marjorie Rice : how to discover a shape / by Alznauer, Amy,author.(CARDINAL)832228; Bron, Anna,1989-illustrator.(CARDINAL)833863;
Includes bibliographical references."When Marjorie Rice was a little girl in Roseburg, Oregon, in the 1930s, she saw patterns everywhere. Swimming in the river, her body was a shape in the water, the water a shape in the hills, the hills a shape in the sky. Some shapes, fitted into a rectangle or floor tilings, were so beautiful they made her long to be an artist. Marjorie dreamed of studying art and geometry, perhaps even solving the age-old "problem of five" (why pentagons don't fit together the way shapes with three, four, or six sides do). But when college wasn't possible, she pondered and explored all through secretarial school, marriage, and parenting five children, until one day, while reading her son's copy of Scientific American, she learned that a subscriber had discovered a pentagon never seen before. If a reader could do it, couldn't she? Marjorie studied all the known pentagons, drew a little five-sided house, and kept pondering. She'd done it! And she'd go on to discover more pentagonal tilings and whole new classes of tessellations."--Ages 7-9.
Subjects: Biographies.; Picture books.; Creative nonfiction.; Rice, Marjorie, 1923-2017; Women; Shapes; Polygons; Geometry; Mathematics;

Renaissance mysteries / by Price, Michael.(CARDINAL)779374;
Includes bibliographical references (volume 1: pages 230-233; volume 2. pages 253-258) and index.v. 1. Natural colour -- v. 2. Proportion and composition.The two volumes are an in-depth examination of a lost painting tradition. The books examine how the physical properties of natural and mineral pigments such as azurite, lapis lazuli, malachite, or chinnabar used by artists of the Europiean Renaissance shaped a painting process in which each painting required a thorough plan or composition which began with the geometry of the format (i.e. the proportion of height to width of a rectangle) -- book cover.Volume I : presents the artist as a painter-craftman with the preparation of natural colour from rocks and crystals and their application in appropriate binding mediums. The difference in colour quality between natural mineral pigment and modern synthetic paint is examined. Chapters include comprehensive step-by-step instruction for the contemporary artist and conservation scientist on how to prepare and paint with the incomparably luminous colours of the Renaissance palette, as well as the preparation of historical painting supports and grounds.Volume II : the artist as a creative intellectual, links the painter's craft with the creative process and elucidates the degree of compositional planning starting with the painting's rectangular format. The demonstrated evidence for the application of Euclidean geometry is based upon exact measurements of painted surfaces on panels, X-radiographs, and infrared images from paintings. The final chapter concludes with the reasons for the demise of this painting tradition and how industrialization and the standardization of art meterials led to a new painting tradition from the nineteenth century.
Subjects: Painting, Renaissance; Painting, Renaissance; Color in art.; Form perception.; Color analysis.; Painting; Composition (Art); Art, Renaissance.; Symmetry (Art);

Baby Newton [board book] : All about shapes [videorecording] / by Aigner-Clark, Julie,creator,puppeteer.(CARDINAL)663796; Weisbach, Bill,composer,musician.(CARDINAL)344040; Burr, Mark,editor,videographer.; Vivaldi, Antonio,1678-1741composer.(CARDINAL)722020; Baby Einstein Company.(CARDINAL)538363; Baby Einstein Music Box Orchestra.(CARDINAL)344038; Buena Vista Home Entertainment (Firm).(CARDINAL)340297;
Music & sound design, Bill Weisbach ; Videographer & editor, Mark Burr ; classical music composed by Antonio Vivaldi.Music Box Orchestra: Aaron Drake, Tom Nazziola, Clive Smith, Bill Weisbach ; puppeteers, Dave Privett, Julie Aigner-Clark.Familiarizes babies and toddlers with circles, squares, rectangles, ovals and triangles within the context of toys, nature, art and everyday items to the compositions by Antonio Vivaldi.Ages 1 and up.DVD, Region 1, NTSC 1, Dolby Digital, encoding, stereo.
Subjects: Children's films.; Shapes; Senses and sensation in infants; Cognition in infants; Intellect; Infants; Educational films;

The golden section : nature's greatest secret / by Olsen, Scott Anthony.(CARDINAL)552530;
Introduction -- The mystery of phi -- Ration, means & proportion -- Plato's divided line -- Phi on the plane -- The Fibonacci Sequence -- Phyllotaxis patterns -- Order behind diversity -- Lucas number magic -- All creatures -- Phi in the human body -- Growth & diminution -- Exponentials and spirals -- Golden symmetry -- Phi in human culture -- Ancient of days -- My cup runneth over -- A sacred tradition -- Phi in painting -- Melody & harmony -- All that glisters -- The golden chalice -- Golden polyhedra -- Phi in the sky -- Resonance & consciousness -- The philosopher's stone -- Appendix. Phi equations ; Fibonacci & Lucas formulae ; The indefinite dyad ; Designer's rectangles ; Golden physics ; More Lucas magic ; Phyllotaxis angles.A concise and useful handbook on the Golden Section--also known as the Golden Ratio and Golden Mean. The Golden Section is a line segment divided into two parts, such that the ratio of the short portion to the longer portion is equal to the ratio of the longer portion to the whole. It is one of the most elegant and beautiful ratios of the mathematical universe because of its combination of elegance and simplicity--hence the divine nature of its name. Drawing on art, architecture, philosophy, nature, mathematics, geometry, and music--and beautifully illustrated in the Wooden Books fashion with all manner of images--The Golden Section will tell the story of this remarkable construct and its wide ranging impact on civilization and the natural world.
Subjects: Golden section.;

Barney: Now I Know my ABCs [videorecording] by Ayers, Jeff,actor.; Franks, Alyssa,actor.(local)tlcaut1488728066922200; Johnson, Julie,actor.(local)tlcaut1488728324499300(CARDINAL)636479; Leach, Sheryl,author.(CARDINAL)642576; Levels, Kayla,actor.(local)tlcaut1488728173523200; Nelson, Kyle,actor.(local)tlcaut1488727981893800; Rowley, Jim.; Stinson, Carey,actor.; Wendt, Dean,actor.; Wilson, Daven,actor.(local)tlcaut1488728249221800; Wirtz, Patty,actor.; Barney Home Video (Firm); HIT Entertainment.(CARDINAL)355145;
Camera, Larry Allen ... [et al.] ; art director, Elizabeth Sagan Velten ; editors, Laura Cargile, Tolbert Pitman, Julie Dunn ; music director, Joseph Phillips ; costume designer, Lisa Odette Albertson ; production designer, Bob LavalleeVoices: Dean Wendt, Julie Johnson, Patty WirtzCarey Stinson, Jeff Ayers, Kyle Nelson, Alyssa Franks, Kayla Levels, Daven Wilson"B" is for Barney, Baby Bop, and BJ! No matter how you spell it, Barney's friends have FUN learning the ABCs, colors, and more. Baby Bop discovers the excitement of writing her name, and the children get everything in shape for the most colorful art show ever. Whether drawing a cat made of triangles or a train made of squares, using their imagination helps kids learn about shapes and colors. Can you guess what Baby Bop will draw that is shaped like a rectangle? It's soft, yellow, and nice to hug! How do you spell "learning?" B-A-R-N-E-Y!MPAA rating: Not ratedDVD, Region 1, full screen presentation; Dolby Digital
Subjects: Barney (Fictitious character); Children's television programs.; English language; Video recordings for the hearing impaired.;

100 essential things you didn't know you didn't know about math and the arts / by Barrow, John D.,1952-2020,author.(CARDINAL)331265;
Includes bibliographical references."At first glance, the worlds of math and the arts might not seem like comfortable neighbors. But as mathematician John D. Barrow points out, they have a strong and natural affinity--after all, math is the study of all patterns, and the world of the arts is rich with pattern. Barrow whisks us through 100 thought-provoking and often whimsical intersections between math and many arts, from the golden ratios of Mondrian's rectangles and the curious fractal-like nature of Pollock's drip paintings to ballerinas' gravity-defying leaps and the next generation of monkeys on typewriters tackling Shakespeare"--Dust jacket flap.
Subjects: Trivia and miscellanea.; Arts; Mathematics; Arts;

Corner / by Zo-O,author,illustrator.(CARDINAL)861891; Jang, Ellen,translator.;
"In this (almost wordless) picture book, the sole character, a crow, finds themselves in a new and completely empty space. With nothing to do, boredom sets in, and the crow decides to take matters into their own hands. The crow starts to decorate, adding a bed, a bookshelf, a lamp, and even a potted plant. Everything is placed neatly in the corner of the room, and slowly the corner begins to reflect the life and personality of its occupant. These furnishings help, but it's not enough. The crow spends time watering the plant, reading, sleeping. However, in the end, there's still not much to do but stare at the wall. "Hello?" the crow calls out. But nobody answers. The crow wonders what else they can add to the space to make it their own. They start small, using a small piece of yellow chalk. The reader watches the plant grow as time passes, and the crow draws squares and rectangles on the walls, filling the space with beautiful, glowing geometric patterns. The room fills with colour as the crow thrives in a space complete with wall art, a healthy plant growing taller, and music for dancing. But something is still missing. So, after thinking on it, the crow adds one last thing - a window! "Hello?" the crow asks once again. And this time, they are greeted in return by a passerby on the other side of the window."--AD120L
Subjects: Fiction.; Picture books.;