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An ocean apart : contemporary Vietnamese art from the United States and Vietnam = Nghìn trùng xa cách : mỹ thuật đương đại Việt Nam ở Hoa Kỳ và ở Việt Nam / by Cohn, Anna R.,1950-writer of foreword.(CARDINAL)855760; Hantover, Jeffrey,author.(CARDINAL)393161; Nguyễn, Ngọc Bích,1937-2016,translator.(CARDINAL)344669; Smithsonian Institution.Traveling Exhibition Service,publisher,organizer,host institution.(CARDINAL)137767;
Subjects: Exhibition catalogs.; Art, Modern; Art, Vietnamese; Vietnamese American art;
Available copies: 1 / Total copies: 1
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Binh Danh : collecting memories / by Đông Hoài.(CARDINAL)300241; Chinn, Lori.(CARDINAL)508541; Roth, Moira.(CARDINAL)174229;
Foreword -- Binh Danh: (re)collecting the history of the American Vietnam War / Lori Chinn -- Email exchange / Binh Danh and Moira Roth -- Works in the exhibition -- Artist's biography.
Subjects: Exhibition catalogs.; Đông Hoài; Photography, Artistic; Vietnamese American art;
Available copies: 1 / Total copies: 1
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Persistent vestiges : drawing from the American-Vietnam war / by Zegher, M. Catherine de.(CARDINAL)210551; Spero, Nancy,1926-2009.(CARDINAL)194018; Rosler, Martha.(CARDINAL)273643; Nguyên, Cong Do.; Nguyên, Van Da.; Nguyen, Hoai-Thu.(CARDINAL)794632; Quang, Tho.; Truong, Hieu.; Vũ, Giáng Hương.(CARDINAL)277984; Lê, Dinh Q.,1968-2024.(CARDINAL)277235; Binh, Danh,1977-; Drawing Center (New York, N.Y.)(CARDINAL)141053;
Drawing like singing drowns out the sound of the bombs / Catherine de Zegher and Katherine Carl - - Remnants & reverberations: drawing(s) in time & space / Moira Roth - - Part 1. Of past, present, and the future. Part 2. View from the horizon, March 2005. Part 3. View from California, April-June 2005. Part 4. Glimpses of art from "the other side," North Vietnam, 1990-2005. Part 5. Of Nancy Spero, New York City, 1966-2005. Part 6. Of Martha Rosler, Brooklyn, and California, 1967-2005. Part 7. Of Dinh Q. Lê, United States, Vietnam, and Cambodia, 1989-2005. Part 8. Letters from Saigon/Ho Chi Minh City, August 10-16, 2005 - - The politics of drawing from photographs of the American-Vietnam War / Boreth Ly - - Chronology / Kavior Moon - - List of works - - Acknowledgments.
Subjects: Exhibition catalogs.; Vietnam War, 1961-1975; Art, American; Art, American; Art, Vietnamese; Art, Vietnamese;
Available copies: 1 / Total copies: 1
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Trinh T. Minh-Ha : traveling in the dark / [additional text by Larys Frogier, and interviews with Ute Meta Bauer, Kaori Nakasone and Mayumo Inoue, Shivani Radhakrishnan, Benjamin Schultz-Figueroa and Patricia Alvarez Astacio]. by Trinh, T. Minh-Ha(Thi Minh-Ha),1952-artist,author,interviewee.(CARDINAL)864824; Astacio, Patricia Alvarez,interviewer.(CARDINAL)884859; Bauer, Ute Meta,interviewer.(CARDINAL)886321; Frogier, Larys,1964-contributor.(CARDINAL)853573; Inoue, Mayumo,interviewer.(CARDINAL)884893; Nakasone, Kaori,interviewer.; Radhakrishnan, Shivani,interviewer.; Schultz-Figueroa, Benjamin,1985-interviewer.(CARDINAL)885182; Mousse Publishing (Milan, Italy),publisher.(CARDINAL)883374; Rockbund Art Museum (Shanghai),host institution.(CARDINAL)853570;
Filmography: page 283.Includes bibliographical references.Traveling in the Dark is an exhibition and a publication by the world-renowned film director, poet, writer, music composer, literary critic, and art theorist Trinh T. Minh-ha, a distinguished professor in the departments of Gender & Women's Studies and Rhetoric at the University of California, Berkeley. The book is a fully fledged artistic project conceived by Trinh from the script and visuals of her film What about China? and expanded with her writings, poems, and aphorisms as well as various interviews that investigate "a relationship to infinity," "memory of the mirror," and the "in-between." The book offers an experience with many possible entries, words, voices, thoughts, images, and pauses. As a visual, poetic, and philosophical experience, Traveling in the Dark invites us to rethink and experience "reality" differently from an approach mainly based on knowledge and re-presentation that we already possess or that is imposed on us. In other words: How can we learn to see our world without a priori seeing and knowing? In a time when the "all-seen" and "all-told" invade and control our daily lives, our private spheres and urban spaces, where are the areas of invisibility and shadows that leave us autonomy to see and to think, to say and to represent, to remember and to imagine? Traveling in the Dark engages the visitor and reader in an open montage of visual, sonic, and poetic textures, whose resonances, vibrations, recollections, exchanges, brushes, reflections, and passages undermine any pretense of fixed identity, historical truth, or prescribed territory. The exhibition and publication are supported by the Rockbund Art Museum, Shanghai. Exhibition: Rockbund Art Museum, Shanghai, China (12.11.2022 - 05.02.2023). -- Provided by publisher."Trinh T. Minh-ha (1952, Hanoi) is a filmmaker, writer, literary theorist, composer and professor. She teaches in the University of California, Berkeley's departments of Rhetoric, and Gender and Women's Studies. Born in Hanoi in 1952, Trinh emigrated to the United States in 1970 where she studied musical composition, ethnomusicology and French literature, completing her PhD dissertation in 1977 under the title: Un Art sans Oeuvre: l'Anonymat dans les Arts Contemporains [An Art Without Oeuvre: Anonymity in Contemporary Arts]. Since the early 1980s she has developed a complex theoretical, visual and poetic response to the implicit politics regulating the production of discourses and images of cultural difference. Working through the multidimensional effects of imperialism and neo-colonial modernity, her works played a pivotal role in the emergence of postcolonial theory and critique. Her now canonical 1989 book, Woman, Native, Other, investigates the contradictory imperatives faced by an 'I' positioned 'in difference' as a 'Third World woman' in the act of writing, as well as in critiquing the roles of the creator, intellectual and anthropologist. Trinh has been making films for over thirty years and among her best known are Reassemblage (1982) and Surname Viet Given Name Nam (1985). Alongside films and installations, she has published numerous essays and books on cinema, cultural politics, feminism and the arts." -- Provided by publisher.
Subjects: Exhibition catalogs.; Trinh, T. Minh-Ha (Thi Minh-Ha), 1952-; Computer art; Vietnamese American art; Vietnamese American artists;
Available copies: 1 / Total copies: 1
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An-My Lê : between two rivers = giữa hai giòng sông = entre deux rivières / by Lê, An-My,1960-artist.(CARDINAL)884345; Hui, La Frances,contributor.(CARDINAL)885979; Kee, Joan,contributor.; Lowry, Glenn D.,writer of foreword.(CARDINAL)137647; Marcoci, Roxana,editor,contributor.(CARDINAL)272835; Phu, Thy,1975-contributor.(CARDINAL)883359; Ryan, Caitlin(Caitlin Elizabeth),contributor.(CARDINAL)884765; Truong, Monique T. D.,contributor.(CARDINAL)535114; Vuong, Ocean,1988-contributor.(CARDINAL)412308; Distributed Art Publishers,distributor.(CARDINAL)784868; Los Angeles County Museum of Art,host institution.(CARDINAL)137901; Museum of Modern Art (New York, N.Y.),publisher,host institution.(CARDINAL)139062;
Includes bibliographical references and index.Through her photographs, videos, installations and embroidered works, An-My Lê considers the cycles of global history and conflict, the complexities of diaspora and the sensationalizing of warfare. Published to accompany the artist's major survey at the Museum of Modern Art, this volume is the first catalog to present Lê's three-decade practice in different mediums, with seven photographic series presented alongside textiles, installations and newly rediscovered films. The two rivers in the title refer to the Mekong River in Vietnam and the Mississippi River in the southern United States, two important geographic locations that appear in the artist's photography from her earliest to her most recent works. An essay by curator Roxana Marcoci examines the full sweep of Lê's creative practice; essays by scholars La Frances Hui, Joan Kee, Thy Phu and Caitlin Ryan each focus on specific series; and two texts by writers Monique Truong and Ocean Vuong bring poetic sensibility to Lê's singular perspective. --From publisher's description."An-My Lê was born in Saigon, Vietnam in 1960. She currently lives and works in Brooklyn, New York. She was educated at Stanford University and at Yale University and has been the recipient of numerous awards including the Mac Arthur Foundation Fellowship (2012); the Louis Comfort Tiffany Foundation Award (2009); and the Guggenheim Memorial Foundation Fellowship (1997), amongst others. Lê is currently the Charles Franklin Kellogg and Grace E. Ramsey Kellogg Professor in the Arts at Bard College, New York. As a teenager Lê fled Vietnam with her family in 1975. They eventually settled in the United States as refugees. Her work often addresses the impact of war on culture and on the environment. Lê says her "main goal is to try to photograph landscape in such a way that it suggests a universal history, a personal history, a history of culture." In 2021 a major exhibition opened at the Carnegie Museum of Art, Pittsburgh, Pennsylvania, and travelled to the Milwaukee Art Museum, WI, and the Amon Carter Museum of Art, TX. Other solo exhibitions of Lê's work have been presented at the Sheldon Art Museum, Lincoln, Nebraska (2017); Hasselblad Foundation, Gothenburg, Sweden (2015); Baltimore Museum of Art, Maryland (2013); Dia: Beacon, New York (2008); San Francisco Museum of Modern Art, California (2008); and MoMA PS1, Long Island City, New York (2002). Her work has also been included in the Whitney Biennial, Whitney Museum of American Art, New York (2017) and the Taipei Biennial (2014 and 2006). She has been included in numerous international group shows including at the Minneapolis Institute of Art, Minnesota (2019); Metropolitan Museum of Art, New York (2017); the Museum of Modern Art, New York (2016); National Museum of Art, Osaka, Japan (2015); Tate Modern, London (2014); Brooklyn Museum (2012); and the Guggenheim Museum, New York (2010) amongst others. " - Biography from:
Subjects: Documentary photographs.; Exhibition catalogs.; Lê, An-My, 1960-; Documentary photography; Embroidery in art.; Embroidery in art; Photography, Artistic.; Photography, Artistic; Video installations (Art); Video installations (Art); Vietnamese American art; Vietnamese American artists;
Available copies: 1 / Total copies: 1
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In the eclipse of Angkor. by Đông Hoài.(CARDINAL)300241; Schulz, Robert,1951-; Moorefield, Amy G.(CARDINAL)356949; Epstein, Joanna Ruth.; Eleanor D. Wilson Museum.(CARDINAL)625710;
The chankiri tree / Robert Schulz -- Imprint: the historic work of Binh Danh / Amy G. Moorefield -- Binh Danh: from memory to memory / Joanna Ruth Epstein -- Exhibition checklist -- Artist biography.
Subjects: Exhibition catalogs.; Đông Hoài; Photography, Artistic; Vietnamese American art;
Available copies: 1 / Total copies: 1
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Asian American history and culture : an encyclopedia / by Ling, Huping,1956-(CARDINAL)647161; Austin, Allan W.(CARDINAL)541360;
Includes bibliographical references (pages 605-627) and index.Offers coverage of the arts, culture, community, education, family, gender, marriage, occupation, and work of more than twenty national-origin groups, both historically and in contemporary American society.v. 1. The Asian American experience: history, culture, and scholarship ; The Bangladeshi American experience: history and culture ; The Burmese American experience: history and culture ; The Chinese American experience: history and culture ; The Filipino American experience: history and culture -- v. 2. The Indian American experience: history and culture ; The Indonesian American experience: history and culture ; The Japanese American experience: history and culture ; The Korean American experience: history and culture ; The Laotian and Hmong American experience: history and culture ; The Malaysian American experience: history and culture ; The Mongolian American experience: history and culture ; The Nepalese American experience: history and culture ; The Pacific Islander American experience: history and culture ; The Pakistani American experience: history and culture ; The Singaporean American experience: history and culture ; The Sri Lankan American experience: history and culture ; The Taiwanese American experience: history and culture ; The Thai American experience: history and culture ; The Tibetan American experience: history and culture ; The Vietnamese American experience: history and culture.
Subjects: Encyclopedias.; Asian Americans; Asian Americans;
Available copies: 2 / Total copies: 2
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Encyclopedia of the Vietnam War / by Kutler, Stanley I.(CARDINAL)133240;
Includes bibliographical references and index.American perspectives -- Antiwar movement -- Art and literature -- Colonialism -- Diplomacy -- Media and the war -- Prelude to U.S. combat intervention -- Strategy and tactics -- Vietnam -- Vietnamese perspectives -- Gulf of Tonkin Resolution -- Paris Peace Accords -- Medal of Honor winners.
Subjects: Encyclopedias.; Vietnam War, 1961-1975;
Available copies: 2 / Total copies: 2
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What's in a dumpling, Grandma? / by Meeker, Linda,1984-author.(CARDINAL)886810; Eide, Sandra,illustrator.;
Grey and his cousin Mila learn the art of making bánh lọc, Vietnamese dumplings, from their grandmother, who lovingly shares memories of making dumplings and bonding with loved ones over the years.Ages 4-8AD570L
Subjects: Picture books.; Fiction.; Families; Grandparent and child; Grandmothers; Dumplings; Vietnamese Americans;
Available copies: 9 / Total copies: 10
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Unsettled visions : contemporary Asian American artists and the social imaginary / by Machida, Margo,author.(CARDINAL)279815; Duke University Press,publisher.(CARDINAL)290492;
Includes bibliographical references (pages 321-351) and index."In Unsettled Visions the activist, curator, and scholar Margo Machida presents a pioneering, in-depth exploration of contemporary Asian American visual art. Machida focuses on works produced during the watershed 1990s, when surging Asian immigration had significantly altered the demographic, cultural, and political contours of Asian America, and a renaissance in Asian American art and visual culture was well underway. Machida conducted extensive interviews with ten artists working during this transformative period: women and men of Chinese, Filipino, Indian, Vietnamese, Korean, and Japanese descent, most of whom migrated to the United States. In dialogue with the artists, Machida illuminates and contextualizes the origins and intent behind bodies of their work. Analyses of the work of individual artists are grouped around three of the major themes that Asian American artists engaged with during the 1990s: representations of the other; social memory and trauma; and migration, diaspora, and a sense of place."--Jacket.
Subjects: Asian American art; Asian American artists; Asian American arts;
Available copies: 1 / Total copies: 1
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Results 1 to 10 of 33 |