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Background noise : perspectives on sound art / by LaBelle, Brandon.(CARDINAL)282648;
Includes bibliographical references (pages 299-307) and index.Introduction: Auditory relations -- Fade in -- Pt. I. 4'33": sound and points of origin. Sociality of sound: John Cage and musical concepts ; Exposing the sound object: Musique Concrète's sonic research ; Automatic music: Group Ongaku's performative labors -- Pt. 2. Box with the sound of its own making: from gags to sculptural form. Rhythms of chaos: happenings, environments, and fluxus ; Minimalist treatments: La Monte Young and Robert Morris ; Conceptualizations: Michael Asher and the subject of space -- Pt. 3. I am sitting in a room: vocal intensities. Performing desire/performing fear: Vito Acconci and the power plays of voice ; Finding oneself: Alvin Lucier and the phenomenal voice ; Word of mouth: Christof Migone's Little Manias -- Pt. 4. Public supply: buildings, constructions, and locational listening. Tuning space: Max Neuhaus and site-specific sound ; Other architectures: Michael Brewster, Maryanne Amacher, and Bernhard Leitner ; Composing intensities: Iannis Xenakis's multimedia architectures -- Pt. 5. Soundmarks: environments and aural geography. Seeking ursound: Hildegard Westerkamp, Steve Peters, and the soundscape ; Language games: Yasunao Tone and the mechanics of information ; Complicating place: Bill Fontana and networking the soundscape -- Pt. 6. Global strings: interpersonal and network space. Interactions: Achim Wollscheid's production of the local ; Global events: Atau Tanaka and network as instrument ; Live streams: Apo33 and multiplying place -- Fade out -- Conclusion: Auditive pivot.
Subjects: Sound in art.; Sound installations (Art); Site-specific art.; Performance art.; Arts, Modern; Performance art.;
Available copies: 1 / Total copies: 1
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Sound art : beyond music, between categories / by Licht, Alan.(CARDINAL)284274; O'Rourke, Jim,1969-(CARDINAL)284273;
Includes bibliographical references and index.
Subjects: Sound in art.; Arts, Modern; Arts, Modern; Sound installations (Art); Sound sculpture.;
Available copies: 1 / Total copies: 1
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Hishtakfuyot / by Landau, Suzanne.(CARDINAL)146978; Muzeʼon Yiśraʼel (Jerusalem)(CARDINAL)152251;
Includes bibliographical references.
Subjects: Exhibition catalogs.; Art, Modern; Light in art; Time in art; Sound sculpture; Installations (Art);
Available copies: 1 / Total copies: 1
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Flux gourmet [videorecording] / by Strickland, Peter,1973-film director,screenwriter.; Armitage, Serena,film producer.; Greppi, Pietro,film producer.; Butterfield, Asa,1997-actor.(CARDINAL)849116; Christie, Gwendoline,1978-actor.(CARDINAL)782787; Labed, Ariane,actor.; Mohamed, Fatma,1975-actor.; Papadimitriou, Makis,1975-actor.; Bremmer, Richard,actor.; Bill, Leo,actor.; Bankside Films (Firm),presenter.; IFC Productions (Firm),presenter.(CARDINAL)848344; Blue Bear Film & TV (Firm),presenter.; Head Gear Films,presenter.(CARDINAL)606377; Metrol Technology,presenter.(CARDINAL)793392; Lunapark Pictures,production company.; Red Breast Productions,production company.; IFC Midnight (Firm),publisher.;
DVD, NTSC; widescreen (1.78:1) ; Dolby 5.1.English subtitled for the deaf and hard of hearing (SDH); English audio description track.Asa Butterfield, Gwendoline Christie, Ariane Labed, Fatma Mohamed, Makis Papadimitriou, Richard Bremmer, Leo Bill.Cinematographer, Tim Sidell ; editor, M©Łty©Łs Fekete.Rating: Not rated. CHV rating.At an institute devoted to culinary and alimentary performances, a dysfunctional sonic collective faces power struggles, vendettas, and gastrointestinal disorders.
Subjects: Dark comedy films.; Horror films.; Feature films.; Fiction films.; Video recordings for the hearing impaired.; Video recordings for people with visual disabilities.; Sound art; Creative ability in cooking; Artists;
Available copies: 2 / Total copies: 2
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Space, time, sound : conceptual art in the San Francisco Bay Area, the 1970s / by Foley, Suzanne.(CARDINAL)158871; Lewallen, Constance.(CARDINAL)158932; San Francisco Museum of Modern Art.(CARDINAL)148219;
Includes bibliographical references and index.
Subjects: Exhibition catalogs.; Conceptual art; Arts, American;
Available copies: 1 / Total copies: 1
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Mellan himmel och helvete / katalogredaktor, Ulf Cederlof. by Cederlöf, Ulf.(CARDINAL)139011; Nationalmuseum (Sweden)(CARDINAL)152240;
Subjects: Exhibition catalogs.; Violence in art; Death in art; Art, Modern; Rock music; Sound recordings;
Available copies: 1 / Total copies: 1
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Canopy : a work for voice and light in Harvard Yard / by Ward, David,1951 June 27-(CARDINAL)212304; Heaney, Seamus,1939-2013.(CARDINAL)145481; Adams, Parveen.(CARDINAL)202459; Gaskell, Ivan.(CARDINAL)203766;
Subjects: Ward, David, 1951 June 27-; Ward, David, 1951 June 27-; Harvard University.; Conceptual art; Sound in art.; Voice in art.;
Available copies: 1 / Total copies: 1
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Fade to black : hard rock cover art of the vinyl age / by Popoff, Martin,1963-author.(CARDINAL)705448; Ioannis,contributor,illustrator.;
Subjects: Illustrated works.; Rock groups; Rock music in art.; Rock musicians; Sound recordings;
Available copies: 1 / Total copies: 1
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Stereophonica : sound and space in science, technology, and the arts / by Ouzounian, Gascia,author.;
Includes bibliographical references and index.The rise of the binaural listener: spatial hearing in the nineteenth century -- Powers of hearing: acoustic defense and technologies of listening during the first World War -- Sound and music in three dimensions: spectacular stereophony at Bell Telephone Laboratories -- Psycho-acoustics: sound control, emotional control, and sonic warfare -- From a poetics to a politics of space: spatial music and sound installation art -- Mapping the acoustic city: noise mapping and sound mapping -- Sonic urbanism in Beirut."Stereophonica examines innovations in the realm of sound and space after 1850, tracing key discoveries across science, technology and the arts"--"The relationship between sound and space has become central to both creative practices in music and sound art and contemporary scholarship on sound. Entire subfields have emerged in connection to the spatial aspects of sound, from spatial audio and sound installation to acoustic ecology and soundscape studies. But how did our understanding of sound become spatial? In Stereophonica, Gascia Ouzounian examines a series of historical episodes that transformed ideas of sound and space, from the advent of stereo technologies in the nineteenth century to visual representations of sonic environments today. Developing a uniquely interdisciplinary perspective, Ouzounian draws on both the history of science and technology and the history of music and sound art. She investigates the binaural apparatus that allowed nineteenth-century listeners to observe sound in three dimensions; examines the development of military technologies for sound location during World War I; revisits experiments in stereo sound at Bell Telephone Laboratories in the 1930s; and considers the creation of "optimized acoustical environments" for theaters and factories. She explores the development of multichannel "spatial music" in the 1950s and sound installation art in the 1960s; analyzes the mapping of soundscapes; and investigates contemporary approaches to sonic urbanism, sonic practices that reimagine urban environments through sound." --
Subjects: Sound; Sounds; Acoustical engineering; Music; Sound in art;
Available copies: 1 / Total copies: 1
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Lost in language & sound, or, How I found my way to the arts : essays / by Shange, Ntozake.(CARDINAL)121356;
From analphabetic to script obsessed -- a history : for colored girls who have considered suicide/ when the rainbow is enuf -- unrecovered losses/ black theater traditions -- my pen is a machete -- takin' a solo/ a poetic possibility/ a poetic imperative -- how I moved anna fierling to the southwest territories or my personal victory over the armies of western civilization -- getting where I haveta be/ the nature of collaboration in recent works -- why i had to dance// -- movement/ melody/ muscle/ meaning/ mcintyre -- did i hear the congregation say amen? -- a celebration of black survival/ black dance america/ brooklyn academy of music/ April 21-24, 1983 -- bang on! -- 2 live crew -- the couch -- the dark room -- dear daddy, "el amor que tu me das--" -- ellie, who is my mother -- on silk -- in search of a home -- however you come to me -- mr. wrong -- justice -- porque tu no m'entrende? whatcha mean you can't understand me? -- letter to a young poet -- first love.Explores language, music, and dance as interpreted though the author's works, combining memoir and essay to explore her deconstruction of English in her celebrated play "For colored girls" and her views on life as a woman and a black individual.
Subjects: Essays.; Shange, Ntozake.; Creation (Literary, artistic, etc.); Creative ability.;
Available copies: 5 / Total copies: 6
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