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Dorothea Rockburne : new paintings, Pascal and other concerns ; March 5 to April 2, 1988 / by Rockburne, Dorothea.(CARDINAL)190946; Storr, Robert.(CARDINAL)183035; André Emmerich Gallery.(CARDINAL)126729;
Bibliography: pages 38-39.
Subjects: Exhibition catalogs.; Rockburne, Dorothea;
Available copies: 1 / Total copies: 1
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Dorothea Rockburne : patrons and friends 12th annual exhibition, May 7-June 18, 1989 / by Rockburne, Dorothea.(CARDINAL)190946; Belz, Carl.(CARDINAL)150711; Stoops, Susan L.(CARDINAL)224504; Rose Art Museum.(CARDINAL)153522;
Bibliography: pages 56-57.
Subjects: Exhibition catalogs.; Rockburne, Dorothea;
Available copies: 1 / Total copies: 1
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Dorothea Rockburne / by Rockburne, Dorothea,artist.(CARDINAL)190946; Díaz, Eva,1977-editor,introduction,contributor(CARDINAL)563453; Morgan, Jessica,1968-writer of foreword.(CARDINAL)211957; Saletnik, Jeffrey,contributor.(CARDINAL)856576; Lambert-Beatty, Carrie,contributor.(CARDINAL)311903; Lovatt, Anna,contributor.(CARDINAL)899814; Batler, Philip,contributor.; Dia:Beacon (Art museum),host institution,issuing body.(CARDINAL)270223; Yale University Press,distributor.(CARDINAL)332061;
Includes bibliographical references (pages 168-169) and index."This ... retrospective of American abstract artist Dorothea Rockburne's (b. 1932) seven-decade career considers the ... scope and ... range of her ... sculptures, installations, and paintings. Following Rockburne from her time at Black Mountain College in the 1950s, where she developed a lifelong interest in mathematical concepts such as topology and set theory, through her period as a member of the Judson Dance Theater to the present day and her continuing artistic practice, this volume sheds ... light on the mix of ... conceptual thinking and physicality that informs Rockburne's work. Never-before-published archival writings, studies, and drawings accompany essays that focus on different aspects of Rockburne's art, including her ... creative process, use of such nontraditional materials as chipboard, cup grease, paper, and linen, and the ways that Rockburne emphasizes subjectivity and emotion. ... [I]llustrated and featuring scholarship that puts her work in dialogue with feminism, minimalism, and wider contemporary abstraction ... "--Publisher's website.
Subjects: Exhibition catalogs.; Rockburne, Dorothea; Art, Modern; Sculpture, Modern; Geometry in art; Installations (Art);
Available copies: 1 / Total copies: 1
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Dorothea Rockburne : astronomy drawings / by Rockburne, Dorothea.(CARDINAL)190946; Murray, Ann H.(CARDINAL)842321; Beard Gallery.(CARDINAL)849463; Black Mountain College Museum + Arts Center.(CARDINAL)272324; New York Studio School of Drawing, Painting and Sculpture.(CARDINAL)852017;
Preface / David Cohen -- The astronomy drawings : some questions and answers [interview with Dorothea Rockburne by Ann H. Murray] -- Dorothea Rockburne [biography].A student at Black Mountain College in the 1950s, Dorothea Rockburne is a highly influential contemporary artist whose innovative work incorporates ideas based in mathematics and astronomy. Throughout her interesting career she has exhibited widely and received many prestigious awards including a Guggenheim Fellowship and a National Endowment for the Arts Award. She was inducted into the American Academy of Arts and Letters, Department of Art, in 2001 and received the National Academy Museum Artist's Lifetime Achievement Award in 2009. Her work is included in numerous public collections including: The Museum of Modern Art, Fogg Art Museum, Harvard Museum of Art, Whitney Museum of American Art, The Metropolitan Museum of Art, High Museum of Art, Albright-Knox Art Gallery, Brooklyn Museum, Houston Museum of Fine Arts, and The Solomon R. Guggenheim Museum. Rockburne participated in the first Happening at Black Mountain College (1952) and was part of that scene in the 1960s in New York along with Claes Oldenburg, Robert Rauschenberg and others.
Subjects: Exhibition catalogs.; Biographies.; Rockburne, Dorothea; Black Mountain College (Black Mountain, N.C.); Women artists;
Available copies: 1 / Total copies: 1
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More than minimal : feminism and abstraction in the '70's : Lynda Benglis ... [and others] / by Stoops, Susan L.(CARDINAL)224504; Benglis, Lynda,1941-(CARDINAL)173253; Chadwick, Whitney.(CARDINAL)148499; Rose Art Museum.(CARDINAL)153522;
Includes bibliographical references.
Subjects: Exhibition catalogs.; Feminism and art; Art, American; Art, American;
Available copies: 1 / Total copies: 1
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Modern/contemporary works on paper from North and South America / by Elrick-Manley Fine Art Inc.,publisher.(CARDINAL)855566; Elrick-Manley, Marianne,presenter,writer of introduction,writer of supplementary textual content.(CARDINAL)855565;
Acknowledgments -- Introduction / Marianne Elrick-Manley -- Catalogue.
Subjects: Catalogs.; Elrick-Manley Fine Art Inc.; Drawing, American; Drawing, Latin American;
Available copies: 1 / Total copies: 1
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The shape of imagination : women of Black Mountain College / by Black Mountain College Museum + Arts Center,organizer,issuing body.(CARDINAL)272324; Bostic, Connie,writer of supplementary textual content.(CARDINAL)678322; Sebrell, Alice,writer of foreword.(CARDINAL)782954;
Includes bibliographical references.Foreword / by Alice Sebrell -- The other side of the story / by Connie Bostic -- Anni Albers -- Evelyn Williams Anselivicius -- Hazel Larsen Archer -- Nancy Miller Archer -- Ruth Asawa -- Lynn Hatcher Bales -- Mimi French Batchelor -- Adele Milhendler Borouchoff -- Faith Murray Britton -- Carolyn Brown -- Cynthia Carr -- Mary Brett Daniels -- Elaine de Kooning -- Bacia Edelman -- Hope Greer Eisenman -- Mary Fitton Fiore -- Phyllis Franklin -- Wilma Fuerstenberg -- Suzi Gablik -- Lolita Georgia -- Madam Anna Goldowski -- Natasha Goldowski -- Jacqueline Hermann Gourevitch -- Francine du Plessix Gray -- Molly Gregory -- Trude Guermonprez -- Maude Dabbs Haas -- Hannelore Hahn -- Lorna Blaine Halper -- Elizabeth Brett Hamlin -- Dora (Dody) Harrison -- Fannie Hillsmith -- Cynthia K. Homire -- Elizabeth Schmitt Jennerjahn -- Ati Gropius Johansen -- Margaret Kennard Johnson -- Phyllis S. Josephs -- Eva Schlein Jungermann -- Carol Singer Kalbfeld -- Karen Karnes -- Martha King -- Marianne Kopp -- Adele Suska LaBrecque -- Ingeborg Lauterstein -- Gwendolyn Knight Lawrence -- Lore Kadden Lindenfeld -- Katherine Litz -- Joan Potter Sihvonen Loveless -- Gretel Lowinsky -- Jane Slater Marquis -- Jane Mayhall -- Hilda Morley -- Patricia Nelson -- Connie and Kate Olson -- Ginger Osbourne -- Pat Passlof -- Margaret Williamson Peterson -- Elizabeth Pollet -- Barbara Stone Rice -- M.C. Richards -- Sue Spayth Riley -- Martha McMillan Roberts -- Dorothea Rockburne -- Barbara Sieck -- Mim Sihvonen -- Zoya Sandomirsky Slive -- June Elaine Smith -- Tanya Sprager -- Marie Tavroges Stilkind -- Jane Robinson Stone -- Leslie Paul Symington -- Sarah Carlisle Towery -- Elaine Schmitt Urbain -- Jeanne Wacker -- Cora Kelley Ward -- Mary Parks Washington -- Peggy Tolk Watkins -- Sue Weil -- Vera Baker Williams -- Alma Stone Williams -- Patsy Lynch Wood -- Harriet Sohmers Zwerling.
Subjects: Exhibition catalogs.; Black Mountain College (Black Mountain, N.C.); Arts, American; Arts, American; Women artists;
Available copies: 1 / Total copies: 2
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Tell me something good : artist interviews from The Brooklyn rail / by Earnest, Jarrett,editor.(CARDINAL)621100; Zwirner, Lucas,editor.(CARDINAL)356586;
Subjects: Interviews.; Artists;
Available copies: 1 / Total copies: 1
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The experimenters : chance and design at Black Mountain College / by Díaz, Eva,1977-author.(CARDINAL)563453;
Includes bibliographical references (pages 191-207) and index.Introduction : Black Mountain College between chance and design -- Josef Albers and the ethics of perception -- John Cage's chance protocols -- R. Buckminster Fuller's design revolution -- Epilogue : legacies of Black Mountain College."In the years immediately following World War II, Black Mountain College, an unaccredited school in rural Appalachia, became a vital hub of cultural innovation. Practically every major artistic figure of the mid-twentieth century spent some time there: Merce Cunningham, Ray Johnson, Franz Kline, Willem and Elaine de Kooning, Robert Motherwell, Robert Rauschenberg, Dorothea Rockburne, Aaron Siskind, Cy Twombly--the list goes on and on. Yet scholars have tended to view these artists' time at the College as little more than prologue, a step on their way to greatness. With The Experimenters, Eva Diaz reveals the importance of Black Mountain College--and especially of three key teachers, Josef Albers, John Cage, and R. Buckminster Fuller--to be much greater than that. Diaz's focus is on experimentation. Albers, Cage, and Fuller, she shows, taught new models of art making that favored testing procedures rather than personal expression. These methodologies represented incipient directions for postwar art practice, elements of which would be sampled, and often wholly adopted, by Black Mountain students and subsequent practitioners. The resulting works, which interrelate art and life in a way that imbues these projects with crucial relevance, not only reconfigured the relationships among chance, order, and design--they helped redefine what artistic practice was, and could be, for future generations. Offering a bold, compelling new angle on some of the most widely studied creative figures of modern times, The Experimenters does nothing less than rewrite the story of art in the mid-twentieth century"--Jacket.
Subjects: Black Mountain College (Black Mountain, N.C.); Arts;
Available copies: 2 / Total copies: 3
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