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Bob Blackburn's Printmaking Workshop : the artists of color / by Jemisin, Noah,1943-(CARDINAL)205258;
Includes bibliographical references (page ).
Subjects: Exhibition catalogs.; Blackburn, Robert Hamilton, 1920-2003; Printmaking Workshop; African American printmakers; Prints;
Available copies: 1 / Total copies: 1
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Through a master printer : Robert Blackburn and the Printmaking Workshop. by Columbia Museum of Art.(CARDINAL)132869;
Bibliography: page 5.
Subjects: Exhibition catalogs.; Blackburn, Robert Hamilton, 1920-2003; Printmaking Workshop; Prints; Prints, American;
Available copies: 1 / Total copies: 1
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Paper and ink workshop : printmaking techniques using a variety of methods and materials / by Foster, John,1971-(CARDINAL)466286;
"Go behind the scenes in the creation of incredible pieces of design and art with Paper & Ink Workshop. This book discusses silkscreen, letterpress, and woodblock printing, and explains the techniques needed to produce the final prints. You will not only be amazed and inspired, but also able to quickly take the knowledge learned and apply it to your own work and projects. Get empowered with a new set of tools to help you tackle your client's projects, or find the inspiration to finally start your own business. Either way, you will be forever indebted to this book for providing the spark to move you forward. The market for hand-made prints has exploded, whether through cutting edge gigposters, folksy stationery, retro letterpress or Etsy crafters. Established design icons, experimental students, innovative artists, and brand new entrepreneurs all find the allure to be undeniable, for both those making the prints, and those purchasing them. Filled with unique characteristics, small signed and numbered editions, quirky printing processes, and the human touch, this has fast become one of the most important segments of both the design and small business worlds. Inside Paper & Ink Workshop you will find immediate tools that you can use to improve your skill set, find inspiration, and learn how to successfully create these items yourself. We'll take you behind the scenes with many of the world's leading creatives, as they show you how they brought their prints to life using silk-screening, letterpress, woodblock, and equal parts inspiration and elbow grease. "--Provided by publisher.
Subjects: Prints;
Available copies: 2 / Total copies: 2
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Jerusalem Print Workshop : a decade of printmaking : an exhibition of prints from the archives of the Jerusalem Print Workshop / by Rush, Andrew.; Jerusalem Print Workshop.; Tucson Museum of Art.;
Subjects: Exhibition catalogs.; Jerusalem Print Workshop; Prints, Israeli; Prints;
Available copies: 1 / Total copies: 1
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The complete printmaker : the art and technique of the relief print, the intaglio print, the collagraph, the lithograph, the screen print, the dimensional print, photographic prints, children's prints, collecting prints, print workshop / by Ross, John,1921-2017,author.(CARDINAL)131557; Romano, Clare,author.(CARDINAL)131921; Macmillan Company,publisher.(CARDINAL)153755;
Includes bibliographical references (pages 295-297) and index.The relief print -- The intaglio print -- The dimensional print -- Screen printing -- Lithography -- Photographic techniques -- Care of prints -- The dealer and the edition -- Collecting prints -- The print workshop -- Printmaking for children -- Sources and charts.
Subjects: Art.; Prints; Intaglios; Engraving; Etching; Block printing; Lithography; Prints;
Available copies: 2 / Total copies: 2
On-line resources: Suggest title for digitization;
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Printmaking in Paris : the rage for prints at the fin de siècle / by Rosa de Carvalho, Fleur Roos,author.(CARDINAL)426651; Vellekoop, Marije,author.(CARDINAL)537096; Van Gogh Museum, Amsterdam.(CARDINAL)226725;
Includes bibliographical references (pages 181-182) and index.The original print: all the rage at the fin de siècle / Fleur Roos Rosa de Carvalho -- A glimpse of the workshop: printmaking techniques / Marje Vellekoop -- The suite: refashioning an old formula / Fleur Roos Rosa de Carvalho -- Prints aplenty: the numerous applications of graphic art at the fin de siècle / Fleur Roos Rosa de Carvalho.In the years 1890 to 1905, Paris was swept by a craze for prints. Almost all French artists of the time experimented with lithography, etching, or woodcuts as an artistic medium. Marvellous and often colourful works of art were the result. The Van Gogh Museum holds a significant collection of more than 1,300 prints that illustrate the printmaking of this period in its full glory. The exhibition and the book will display the highlights of this print collection. Artists like Bonnard, Vuillard, Denis, Steinlen, and Toulouse-Lautrec will be represented by limited-edition prints, as well as mass-produced illustrated theatrical programmes, sheet music, books and their world-famous posters. The richly illustrated book contains a fine representative selection from the print collection. Four essays sketch the context for the printmaking craze. The book includes a detailed exposition of the major participants, graphic techniques, and forms of publication. Exhibition: Van Gogh Museum, Amsterdam, the Netherlands (2.2.-23.9.2012).
Subjects: Prints, French; Prints, French; Prints; Prints;
Available copies: 1 / Total copies: 1
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Expressive printmaking : a creative guide / by Dalton, Mary,1984-author.(CARDINAL)889579;
Getting started with ink -- Relief work: vegetable stamping and beyond -- Spontaneous monochromes in a single pull -- Expressive paper dry-point -- Mokulito -- Lithino -- Collage in printmaking -- Inks and colour effects -- Celebrating the unique: print beyond paper -- Workshop basics."Expressive Printmaking goes back to first principles to rediscover the full potential of printmaking. Through introducing a tantalising array of techniques, it shows the artist how to communicate stories and emotions through dynamic prints that sing off the page. It covers printing by hand and by press and techniques range from paper dry point to Mokulito and from monoprint to plaster cast impressions. It also explains how to combine techniques and gives advice on line, tone, form, colour and texture. Along with step-by-step projects and some 500 illustrations, this exciting book leads you to create unique prints that challenge you technically, inspire you visually and encourage you to try more"--Publisher's description.
Subjects: Prints;
Available copies: 0 / Total copies: 1
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Benjamin Wigfall & Communications Village / by Wigfall, Benjamin,1930-2017,artist.(CARDINAL)882358; Eckhardt, Sarah L.,author.(CARDINAL)873311; Thompson, Drew A.,author.(CARDINAL)882102; Grantham, Tosha,contributor.(CARDINAL)873254; Hawkins, Cynthia,1950-contributor.(CARDINAL)874317; Holmes, Linda Janet,1949-contributor.(CARDINAL)635376; Choi, Connie H.,contributor.(CARDINAL)314689; Holder, Robin,1952-contributor.(CARDINAL)873249; Johnson, Nuelle R.,contributor.(CARDINAL)882383; Ringle, Hallie,contributor.(CARDINAL)853178; Tkacz, Courtney,contributor.(CARDINAL)882381; Virginia Museum of Fine Arts,organizer,publisher,host institution.(CARDINAL)140785; Samuel Dorsky Museum of Art,host institution.(CARDINAL)782689;
Includes bibliographical references (pages 245-249)."Explore the life and legacy of Richmond native Benjamin Wigfall (1930-2017)--artist, educator, and champion of arts equity. In this first retrospective of his pioneering career, the exhibition highlights the period from his early years in Virginia in the 1950s to his founding of Communications Village, a community art space in Kingston, New York, in the 1970s. Learn about his Richmond roots in the Church Hill neighborhood, his stellar artistic achievements, and his lifelong commitment to building community. Through nearly 50 works of art by Wigfall, numerous video recordings, and a printmaking display, visitors will experience an intimate portrait of his artwork, impact, and legacy. Benjamin Wigfall and Communications Village showcases Wigfall's artistic development, from abstract painting, to printmaking, to his pioneering work in social-practice art and his founding of Communications Village. He was a VMFA Fellowship recipient who art educators and museum leaders regarded highly for his artistry and personal character. Wigfall was also the youngest artist to have his work acquired by VMFA. From Richmond, where his passion for artmaking began, to his pursuit of higher education at Hampton University and Yale, to his professorship at State University of New York (SUNY), New Paltz, Wigfall recognized inequities and dedicated his life to providing access and opportunity. While teaching at SUNY, New Paltz, he selected a close-knit Black neighborhood in nearby Kingston for the location of his studio because it reminded him of Church Hill. Named Communications Village, his studio became a place for making art and mentoring youth. In this inclusive, vibrant setting, Wigfall invited leading African American artists of the era to engage with the local community and to experiment with printmaking as an art form. Benjamin Wigfall and Communications Village traces Wigfall's development as an artist and showcases Communications Village as a major conceptual artwork within his larger body of paintings, assemblages, and prints. The exhibition also features more than 30 major works by Benny Andrews, Betty Blayton, Melvin Edwards, Charles Gaines, Mavis Pusey, and others affiliated with Communications Village." -- Exhibition website:
Subjects: Exhibition catalogs.; Portraits.; Wigfall, Benjamin, 1930-2017; Wigfall, Benjamin, 1930-2017; Communications Village,; Art, Abstract; Painting, Abstract; African American art; African American artists; African American arts; African American prints; Art, American; Art, Modern; Prints, American;
Available copies: 1 / Total copies: 1
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Explorations of self : Black portraiture from the Cochran Collection. by Charlotte & Phillip Hanes art gallery,publisher,host institution.(CARDINAL)856389; Cochran, Wesley,collector.(CARDINAL)856391; Cochran, Missy,collector.(CARDINAL)856390; Soriano, Christina,writer of introduction.; Curley, John J.,contributor.(CARDINAL)396628; Comegno, Sarah,contributor.; Huffard, Lynn,contributor.; Andreini, Livi,contributor.; Bodner, Abigail,contributor.; Starr, Olivia,contributor.; Dermott, Eliza,contributor.; Solomon, Dylan,contributor.; Green, Jazmyn,contributor.; Li, Bingqing,contributor.; Blair, Riley,contributor.; Metz, Neely,contributor.; Dishner, Jacqueline,contributor.; Boykin, Regine,contributor.;
Includes bibliographical references.
Subjects: Exhibition catalogs.; Portraits.; African American art; African Americans; African Americans in art; African diaspora in art; Art, Black; Black people; Black people in art; Portraits;
Available copies: 1 / Total copies: 1
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Jaune Quick-to-See Smith : memory map / by Smith, Jaune Quick-to-See,1940-artist,interviewee,contributor.(CARDINAL)285378; Ambrose-Smith, Neal,1966-contributor.(CARDINAL)856152; Carlson, Andrea,contributor.(CARDINAL)873192; Cornum, Lou,contributor.; Harris, Alicia L.,contributor.(CARDINAL)873670; Hill, Richard William,1967-contributor.(CARDINAL)855563; Hopkins, Candice,contributor.(CARDINAL)357448; Lopez, Josie,contributor.(CARDINAL)872329; Marroquin Norby, Patricia,contributor.; McNeil, Larry,1950-contributor.(CARDINAL)875099; Nez, Larissa,contributor.; Phipps, Laura,author.(CARDINAL)872743; Sims, Lowery Stokes,interviewer,contributor.(CARDINAL)179592; Tremblay, Gail,contributor.(CARDINAL)871805; Weinberg, Adam D.,writer of foreword.(CARDINAL)172857; Woody, Elizabeth,1959-contributor.(CARDINAL)853943; Modern Art Museum of Fort Worth,host institution.(CARDINAL)195607; Seattle Art Museum,host institution.(CARDINAL)121207; Whitney Museum of American Art,publisher,organizer,host institution.(CARDINAL)139816; Yale University Press,distributor.(CARDINAL)332061;
Includes bibliographical references and index."Companion to a major traveling retrospective, this overdue publication celebrates the groundbreaking work of Jaune Quick-to-See Smith and examines how she has fused Indigenous artistic traditions with elements of postwar European and American art in her drawings, prints, paintings, and sculptures"--"Jaune Quick-to-See Smith (An enrolled Salish, The Salish and Kootenai Nation, MT) I am a cultural arts worker because I, not only, paint, do printmaking, some sculpture, draw, make collage, do public art, but I am also an independent teacher/professor and activist. I lecture, teach printmaking workshops, jury, curate, write and organize exhibitions for the Native community. In my work I use humor and satire to present narratives on ethical treatment of animals, humans and our planet. My work is philosophically centered by my strong traditional Salish beliefs." -- Statement and full biography found at
Subjects: Exhibition catalogs.; Interviews.; Smith, Jaune Quick-to-See, 1940-; Smith, Jaune Quick-to-See, 1940-; Art, Modern; Art, Modern; Indian art; Indian art; Indian arts; Indian arts; Indigenous art; Indigenous art; Indigenous arts; Indigenous arts; Painting, Modern; Painting, Modern;
Available copies: 1 / Total copies: 1
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