Search:

Camera clues : a handbook for photographic investigation / by Nickell, Joe.(CARDINAL)164294;
Includes bibliographical references (pages 206-226) and index.The history of photography. The development of the photographic process ; Daguerreotype : the first practical process ; Ambrotypes : the early wet-plate process ; Tintypes : later wet-plate photos ; Glass negatives, paper prints ; Dry plates and "snapshots" ; The Kodak and roll film ; Popular photography -- Historical phot mysteries. Identifying and dating old photographs ; Originals, copies, and fakes ; Case studies -- Photography and identification. Photographs for identification purposes ; Identifying people in old photographs -- Investigative photography. Photographing evidence ; Spectral techniques ; Surreptitious photography ; Legal concerns -- Trick photography. Combining images ; Other camera tricks ; Additional darkroom deceptions ; Retouching ; Computer technology ; Detecting trickery -- Phographing the paranormal. Spirit photography ; UFO snapshots ; Pictures of legendary creatures ; Photos of other paranormal subjects -- Paranormal photographs. Miracle pictures ; Photos by spirits ; Psychokinetic photographs -- Appendix : Landmarks in photography.
Subjects: Legal photography.; Photographs; Photography in historiography.;
Available copies: 1 / Total copies: 1
unAPI

Photograph analysis / by Eakle, Arlene H.(CARDINAL)145537;
Subjects: Genealogy.; Photographic interpretation.; Photography in historiography.;
Available copies: 1 / Total copies: 1
unAPI

Gettysburg: a journey in time / by Frassanito, William A.,author.(CARDINAL)169872;
Includes bibliographical references and index.The Gettysburg photographs : a new approach -- The problems of documentation -- Gardner and his men -- Mathew Brady -- The Tyson brothers -- Additional photographers -- The Battle of Gettysburg -- The presentation -- Group I : the first day's field -- Group II : Cemetery Hill -- Group III : Culp's Hill -- Group IV : Little Round Top and Devils Den -- Group VI : The Rose Farm -- The early photographs : a plea for reappraisal.
Subjects: Illustrated works.; Gettysburg, Battle of, Gettysburg, Pa., 1863; Photography in historiography.;
Available copies: 8 / Total copies: 10
unAPI

Lens of war : exploring iconic photographs of the Civil War / by Gallman, J. Matthew(James Matthew),editor.(CARDINAL)197778; Gallagher, Gary W.,editor.(CARDINAL)163162;
Includes bibliographical references and index.
Subjects: Illustrated works.; Case studies.; Photography in historiography; War photography;
Available copies: 5 / Total copies: 7
unAPI

The girl in the middle : a recovered history of the American West / by Sandweiss, Martha A., author.(CARDINAL)136577;
Includes bibliographical references and index."A haunting image of an unnamed Native child and a recovered story of the American WestIn 1868, celebrated Civil War photographer Alexander Gardner traveled to Fort Laramie to document the federal government's treaty negotiations with the Lakota and other tribes of the northern plains. Gardner, known for his iconic portrait of Abraham Lincoln and his visceral pictures of the Confederate dead at Antietam, posed six federal peace commissioners with a young Native girl wrapped in a blanket. The hand-labeled prints carefully name each of the men, but the girl is never identified. As The Girl in the Middle goes in search of her, it draws readers into the entangled lives of the photographer and his subjects.Martha A. Sandweiss paints a riveting portrait of the turbulent age of Reconstruction and westward expansion. She follows Gardner from his birthplace in Scotland to the American frontier, as his dreams of a utopian future across the Atlantic fall to pieces. She recounts the lives of William S. Harney, a slave-owning Union general who earned the Lakota name "Woman Killer," and Samuel F. Tappan, an abolitionist who led the investigation into the Sand Creek massacre. And she identifies Sophie Mousseau, the girl in Gardner's photograph, whose life swerved in unexpected directions as American settlers pushed into Indian Country and the federal government confined Native peoples to reservations.Spinning a spellbinding historical tale from a single enigmatic image, The Girl in the Middle reveals how the American nation grappled with what kind of country it would be as it expanded westward in the aftermath of the Civil War"--
Subjects: Mousseau, Sophie 1860-1936.; Gardner, Alexander, 1821-1882.; 1800-1889.; United States. Indian Peace Commission (1867-1868); Photography in historiography.; Indians of North America ; Indians, Treatment of ;
Available copies: 0 / Total copies: 2
unAPI

Envisioning emancipation : Black Americans and the end of slavery / by Willis, Deborah,1948-(CARDINAL)172317; Krauthamer, Barbara,1967-(CARDINAL)316146;
Includes bibliographical references (pages 209-216) and index.The Emancipation Proclamation -- Representing the appeal -- A collective portrait of the Civil War -- Legacies of emancipation."In this pioneering book, renowned photographic historian Deborah Willis and historian of slavery Barbara Krauthamer have amassed nearly 150 photographs--some never before published--from the antebellum days of the 1850s through the New Deal era of the 1930s. The authors vividly display the seismic impact of emancipation on African Americans born before and after the Proclamation, providing a perspective on freedom and slavery and a way to understand the photos as documents of engagement, action, struggle, and aspiration ... From photos of the enslaved on plantations and African American soldiers and camp workers in the Union Army to Juneteenth celebrations, slave reunions, and portraits of black families and workers in the American South, the images in this book challenge perceptions of slavery. They show not only what the subjects emphasized about themselves but also the ways Americans of all colors and genders opposed slavery and marked its end."--Jacket.
Subjects: Illustrated works.; Portraits.; African Americans; African Americans; Documentary photography; Historiography and photography;
Available copies: 8 / Total copies: 11
unAPI

Kerry James Marshall : history of painting / by Marshall, Kerry James,1955-artist,writer of supplementary textual content.(CARDINAL)267382; Cole, Teju,writer of supplementary textual content.(CARDINAL)352988; Foster, Hal,writer of supplementary textual content.(CARDINAL)164853; David Zwirner LTD,host institution.(CARDINAL)853310;
Includes bibliographical references.Preface / Kerry James Marshall -- Shadow cabinet / Teju Cole -- Underpainting, a real allegory / Hal Foster -- Paintings -- Afterword / Kerry James Marshall."With a career spanning almost three decades, Kerry James Marshall is well known for his paintings depicting actual and imagined events from African-American history. His complex and multilayered portrayals of youths, interiors, nudes, housing estate gardens, land- and seascapes synthesize different traditions and genres, while seeking to counter stereotypical representations of black people in society. Marshall also produces drawings in the style of comic books, sculptural installations, photography, and video. As with his paintings, these works accumulate various stylistic influences to address the historiography of black art, while at the same time drawing attention to the fact that they are not inherently partisan because their subjects are black."--
Subjects: Exhibition catalogs.; Illustrated works.; Marshall, Kerry James, 1955-; Marshall, Kerry James, 1955-; Marshall, Kerry James, 1955-; African American artists; African Americans in art; Painting, American;
Available copies: 1 / Total copies: 1
unAPI

Art history in the wake of the global turn / by Casid, Jill H.,editor.(CARDINAL)800742; D'Souza, Aruna,editor.(CARDINAL)354004; Sterling and Francine Clark Art Institute.(CARDINAL)137891;
Includes bibliographical references.With globalisation steadily reshaping the cultural landscape, scholars have long called for a full-scale reassessment of art history's largely Eurocentric framework. This collection of case studies and essays, the latest in the Clark Studies in the Visual Arts series, brings together voices from various disciplinary and theoretical backgrounds, each proposing ways to remap, decentre and reorient what is often assumed to be a unified field.
Subjects: Art; Art and globalization.;
Available copies: 0 / Total copies: 1
unAPI

The Chinese and the iron road : building the transcontinental railroad / by Chang, Gordon H.,editor.(CARDINAL)773625; Chang, Gordon H.,editor.(CARDINAL)773625; Fishkin, Shelley Fisher,editor.(CARDINAL)739831; Hsu, Roland,1961-contributor.(CARDINAL)787514; Obenzinger, Hilton,contributor.(CARDINAL)514494;
Includes bibliographical references (371-508) and index.Chinese railroad workers and the US transcontinental railroad in global perspective / Gordon H. Chang -- Chinese labor migrants to the Americas in the nineteenth century : an inquiry into who they were and the world they left behind / Evelyn Hu-DeHart --The view from home : dreams of Chinese railroad workers across the Pacific / Zhang Guoxiong, with Roland Hsu -- Overseas remittances of Chinese railroad workers in North America / Yuan Ding, with Roland Hsu -- Chinese railroad workers' remittance networks: insights based on qiaoxiang documents / Liu Jin, with Roland Hsu -- Archaeological contributions to research on Chinese railroad workers in North America / Barbara L. Voss -- Living between misery and triumph : the material practices of Chinese railroad workers in North America / Barbara L. Voss -- Landscapes of change : culture, nature, and the archaeological heritage of transcontinental railroads in the North American West / Kelly J. Dixon -- The health and well-being of Chinese railroad workers / J.Ryan Kennedy, Sarah Heffner, Virginia Popper, Ryan P. Harrod, and John J. Crandall -- Religion on the road : how Chinese migrants adapted popular religion to an American context / Kathryn Gin Lum -- Tracking memory : encounters between Chinese railroad workers and Native Americans / Hsinya Huang -- Railroad frames : landscapes and the Chinese railroad worker in photography, 1865-1869 / Denise Khor -- Les fils du ciel : European travelers' accounts of Chinese railroad workers / Greg Robinson -- The Chinese railroad worker in United States history textbooks : a historical genealogy, 1849-1965 / William Gow -- Representing Chinese railroad workers in North America : Chinese historiography and literature, 1949-2015 / Yuan Shu -- History lessons : rememberingChinese railroad workers in Dragon's gate and Donald Duk / Pin-chia Feng -- The Chinese as railroad builders after Promontory / Shelley Fisher Fishkin -- The construction of the Canadian Pacific Railway and the transpacific Chinese diaspora, 1880-1885 /Zhongping Chen -- Beyond railroad work : Chinese contributions to the development of Winnemucca and Elko, Nevada / Sue Fawn Chung -- The remarkable life of a sometimes railroad worker : Chin Gee Hee, 1844-1929 / Beth Lew-Williams -- The Chinese and the Stanfords : nineteenth-century America's fraught relationship with the China Men / Gordon H. Chang.
Subjects: Central Pacific Railroad Company; Chinese; Foreign workers, Chinese; Railroad construction workers;
Available copies: 2 / Total copies: 2
unAPI

What is African art? : a short history / by Probst, Peter,author.(CARDINAL)854687;
Includes bibliographical references (pages 229-260) and index.Introduction -- Forming a field: colonial collecting, racial omissions, and national rivalries -- Celebrating form: from primitive to primitivism -- Creating visibility and value: photography and its effects -- Discovering the African artist: tradition and tribality in the post-Cold War era -- Acknowledging the contemporary: new forms, new actors -- Extending the horizon: Africa in the Americas -- Intervening the canon: the postmodern, the popular, and the authentic -- Challenging representation: postcolonial critique and curation -- Undoing the empire: duress, defiance, and decolonial futures -- Epilogue."What do we have in mind when we talk about African art? This book examines the shifting answers to that question. Fluidly written, it is the first book to explore the full historical arc of the invention and development of the category of "African art" and the academic field of African art history. It is meant to be an accessible guide through the history of the field, showing us how it started and has changed from its contested beginnings until today. Peter Probst helps the reader understand how Africanists have continuously filled the notion of African art with new meanings and why these shifts manifest wider societal transformations. The book covers three key stages in the field's history, starting with the late nineteenth through mid-twentieth century. Here Probst focuses on museums, processes of collecting, photography's role in disseminating visual culture, and how early anthropologists and art historians-and artists-imbued collected objects with values that spoke to scientific debates about the evolution and diffusion of culture prominent at the time. Probst then explores the rise of Black Atlantic studies in the 1970s and 1980s, when African art history fell under the gaze of African American critique and saw an explosion of interest in contemporary African art. Finally, he examines the postcolonial reconfiguration of the field driven by questions of heritage, reparation, and the "crisis of representation." Probst believes that if the study of African art is to move in productive new directions, we must look to how the field is evolving in Africa for new models of inquiry"-- ǂc Provided by publisher.
Subjects: Art, African; Art, African;
Available copies: 2 / Total copies: 2
unAPI