Search results for [LGBTQ artists] at NC Cardinal

Results 1 to 10 of 191 | next »

Kehinde Wiley : Columbus / by Wiley, Kehinde,1977-(CARDINAL)290780; Houston, Joe,1962-(CARDINAL)284828; Columbus Museum of Art.(CARDINAL)138131; Roberts & Tilton Gallery.(CARDINAL)279137;

Subjects: Exhibition catalogs.; Wiley, Kehinde, 1977-; African American gay men.; African American LGBTQ+ people.; Black gay men.; Black LGBTQ+ people.; Gay artists.; LGBTQ+ artists.; LGBTQ+ arts.; LGBTQ+ people.; Gay painters.;

Available copies: 1 / Total copies: 1

unAPI

Mickalene Thomas : something you can feel / by Thomas, Mickalene,1971-(CARDINAL)316691; López Munuera, Iván.(CARDINAL)627184; Brielmaier, Isolde,1971-(CARDINAL)281756;

Includes bibliographical references.

Subjects: Exhibition catalogs.; Thomas, Mickalene, 1971-; African American queer people.; African American LGBTQ+ people.; Black queer people.; Black LGBTQ+ people.; LGBTQ+ people.; LGBTQ+ artists.; LGBTQ+ arts.; Queer art.; Queer artists.;

Available copies: 1 / Total copies: 1

unAPI

Mickalene Thomas / by Thomas, Mickalene,1971-(CARDINAL)316691; Marshall, Kerry James,1955-writer of supplementary textual content.(CARDINAL)267382; Lewis, Sarah Elizabeth,1979-writer of supplementary textual content.(CARDINAL)281757; Rhona Hoffman Gallery,organizer,host institution.(CARDINAL)224439;

Includes bibliographical references.

Subjects: Catalogs.; Thomas, Mickalene, 1971-; African American queer people.; African American LGBTQ+ people.; Black queer people.; Black LGBTQ+ people.; LGBTQ+ people.; LGBTQ+ artists.; LGBTQ+ arts.; Queer art.; Queer artists.;

Available copies: 1 / Total copies: 1

unAPI

Passing/posing : paintings & faux chapel / by Wiley, Kehinde,1977-artist.(CARDINAL)290780; Mosaka, Tumelo,contributor.(CARDINAL)267761; Sirmans, Franklin,contributor.(CARDINAL)269984; Tate, Greg,contributor.(CARDINAL)344285;

Includes bibliographical references (pages 16-17).Beyond likeness : portraits by Kehinde Wiley / Tumelo Mosaka -- Kehinde Wiley : the painting of my familiar / Franklin Sirmans -- Wherein lies the wealth of the world? / Greg Tate.

Subjects: Catalogs.; Wiley, Kehinde, 1977-; African American gay men.; African American LGBTQ+ people.; Black gay men.; Black LGBTQ+ people.; Gay artists.; Gay painters.; LGBTQ+ artists.; LGBTQ+ arts.; LGBTQ+ people.;

Available copies: 1 / Total copies: 1

unAPI

Kehinde Wiley : a new republic / by Choi, Connie H.,writer of added commentary.(CARDINAL)314689; Tsai, Eugenie,editor.(CARDINAL)204411; Wiley, Kehinde,1977-Paintings.Selections.(CARDINAL)615672; Brooklyn Museum,issuing body,host institution.(CARDINAL)142599;

Includes bibliographical references (pages 182-188).Foreword / Arnold L. Lehman -- Preface and acknowledgments ; Introduction / Eugenie Tsai -- Kehinde Wiley: the artist and interpretation / Connie H. Choi -- Plate and commentaries / texts by Lee Ambrozy, Elizabeth Armstrong, Richard Aste, Naomi Beckwith, Kirsten Pai Buick, Beth Citron, Sara Cochran, Jeffrey Deitch, Latasha N. Nevada Diggs, Kevin D. Dumouchelle, Quincy Flowers, David J. Getsy, Lewis R. Gordon, Rujeko Hockley, Christine Y. Kim, Venus Lau, Thomas J. Lax, Catharina Manchanda, Kobena Mercer, Valerie J. Mercer, Tumelo Mosaka, Steven Nelson, Molly Nesbit, Tavia Nyong'O, Annie Paul, Megha Ralapati, John B. Ravenal, Joanna Montoya Robotham, Franklin Sirmans, Claire Tancons, Touré, Murtaza Vali, Nicola Vassell, Rebecca Walker, and Deborah Willis.The works presented in Kehinde Wiley: A New Republic raise questions about race, gender, and the politics of representation by portraying contemporary African American men and women using the conventions of traditional European portraiture. The exhibition includes an overview of the artist?s prolific fourteen-year career and features sixty paintings and sculptures. Wiley's signature portraits of everyday men and women riff on specific paintings by Old Masters, replacing the European aristocrats depicted in those paintings with contemporary black subjects, drawing attention to the absence of African Americans from historical and cultural narratives. The subjects in Wiley's paintings often wear sneakers, hoodies, and baseball caps, gear associated with hip-hop culture, and are set against contrasting ornate decorative backgrounds that evoke earlier eras and a range of cultures. Through the process of "street casting," Wiley invites individuals, often strangers he encounters on the street, to sit for portraits. In this collaborative process, the model chooses a reproduction of a painting from a book and reenacts the pose of the painting?s figure. By inviting the subjects to select a work of art, Wiley gives them a measure of control over the way they're portrayed.

Subjects: Exhibition catalogs.; Wiley, Kehinde, 1977-; LGBTQ+ people.; LGBTQ+ artists.; LGBTQ+ arts.; Gay artists.; Gay painters.; African American gay men.; African American LGBTQ+ people.; Black gay men.; Black LGBTQ+ people.;

Available copies: 1 / Total copies: 1

unAPI

Queer / by Getsy, David,editor,writer of introduction.(CARDINAL)302843; Barney, Natalie Clifford,contributor.(CARDINAL)722029; Cocteau, Jean,1889-1963,contributor.(CARDINAL)138321; Bruce, Richard,1906-1987,contributor.(CARDINAL)875074; Genet, Jean,1910-1986,contributor.(CARDINAL)142224; Smith, Jack,1932-1989,contributor.(CARDINAL)872035; Oiticica, Hélio,1937-1980,contributor.(CARDINAL)269982; Manayath, Nithin,contributor.; Ludlam, Charles,contributor.(CARDINAL)743695; Pérez Ocaña, José,1947-1983,contributor.(CARDINAL)873461; Barthes, Roland,contributor.(CARDINAL)142766; Hammond, Harmony,contributor.(CARDINAL)153929; Fani-Kayode, Rotimi,1955-1989,contributor.(CARDINAL)872014; Jarman, Derek,1942-1994,contributor.(CARDINAL)740159; Bordowitz, Gregg,contributor.(CARDINAL)873201; Julien, Isaac,contributor.(CARDINAL)899902; Sillman, Amy,contributor.(CARDINAL)286572; Hudson,contributor.(CARDINAL)408187; Zevallos, Sergio,1962-contributor.(CARDINAL)873583; Riggs, Marlon T.,contributor.(CARDINAL)204216; Wojnarowicz, David,contributor.(CARDINAL)770843; Saint, Assotto,1957-1994,contributor.(CARDINAL)871978; Jacoby, Roberto,contributor.(CARDINAL)871912; González-Torres, Félix,1957-1996,contributor.(CARDINAL)217534; Moyer, Carrie,1960-contributor.(CARDINAL)873515; Pham, Thi Hans,1954-contributor.(CARDINAL)875102; Lord, Catherine,1949-contributor.(CARDINAL)856456; Eisenman, Nicole,1965-contributor.(CARDINAL)873330; Steiner, A. L.,1967-contributor.(CARDINAL)856453; Blas, Zach,contributor.(CARDINAL)873628; Muholi, Zanele,contributor.(CARDINAL)331918; Leonard, Zoe,contributor.(CARDINAL)784596; Corinne, Tee A.,1943-2006,contributor.(CARDINAL)871930; Bowery, Leigh,contributor.(CARDINAL)875085; Ma, Liuming,1969-contributor.(CARDINAL)873318; Blake, Nayland,1960-contributor.(CARDINAL)865198; Tillmans, Wolfgang,1968-contributor.(CARDINAL)283435; Hughes, Holly,1955 March 10-contributor.(CARDINAL)873307; Olesen, Henrik,1967-contributor.(CARDINAL)873368; Shah, Tejal,1979-contributor.(CARDINAL)306373; Fujiwara, Simon,1982-contributor.(CARDINAL)873421; Llopis, María,1975-contributor.(CARDINAL)873598; Brooke, Kaucyila,contributor.(CARDINAL)875078; Lorenz, Renate,contributor.(CARDINAL)856451; Bronson, AA,1946-contributor.(CARDINAL)153573; Campuzano, Giuseppe,1969-2013,contributor.(CARDINAL)873337; De Genevieve, Barbara,1947-contributor.(CARDINAL)875054; Burns, A. K.,1975-contributor.(CARDINAL)873450; Hardy, K8,contributor.(CARDINAL)873305; Müller, Ulrike,1971-contributor.(CARDINAL)873336; Gupta, Sunil,1953-contributor.(CARDINAL)306688; Roysdon, Emily,contributor.(CARDINAL)856447; Hayes, Sharon,1970-contributor.(CARDINAL)873417; Mitchell, Allyson,contributor.(CARDINAL)856439; Segade, Alexandro,contributor.(CARDINAL)873532; Zaʻatarī, Akram,contributor.(CARDINAL)875114; Khaled, Mahmoud,1982-contributor.(CARDINAL)873131; Yan, Xing,contributor.(CARDINAL)871763; Sahib, Prem,1982-contributor.(CARDINAL)873696; Hall, Gordon,1983-contributor.(CARDINAL)873629; Motta, Carlos,1978-contributor.(CARDINAL)873534; Stryker, Susan,contributor.(CARDINAL)393108; Athey, Ron,contributor.(CARDINAL)873178; Opie, Catherine,1961-contributor.(CARDINAL)265349; Acosta, niv,contributor.; Tsang, Wu,1982-contributor.(CARDINAL)784381; Radziszewski, Karol,1980-contributor.(CARDINAL)873437; Preciado, Paul B.,contributor.(CARDINAL)873560; Gaines, Malik,contributor.(CARDINAL)855605; Vo, Danh,1975-contributor.(CARDINAL)873477; Conrad, Ryan,1983-contributor.(CARDINAL)872249; Braden, Scott,contributor.(CARDINAL)872066; Davis, Vaginal,contributor.; Fung, Richard,contributor.(CARDINAL)855505; Dyke Action Machine! (Art project),contributor.(CARDINAL)873580; Elmgreen & Dragset,contributor.(CARDINAL)784371; Fierce Pussy (Artists' group),contributor.(CARDINAL)873588; Gilbert & George,contributor.(CARDINAL)213380; Gran Fury (Artists' collective),contributor.; Lesbian Avengers (Organization),contributor.(CARDINAL)873344; MIT Press,publisher.(CARDINAL)175217; Queer Technologies,contributor.; Ridykeulous,contributor.; Toxic Titties (Group of artists),contributor.(CARDINAL)873485; Whitechapel Art Gallery,publisher.(CARDINAL)152447; Yeguas del Apocalipsis (Artists' collective),contributor.(CARDINAL)874358;

Includes bibliographical references (pages 229-232) and index."Rather than a book of queer theory for artists, this is a book of artists' queer tactics and infectious concepts. In the first such anthology to be centred on artists' writings, numerous conversations about queer practice are brought together from diverse individual, social and cultural contexts. Together these texts describe and examine the ways in which artists have used the concept of queer as a site of political and institutional critique, as a framework to develop new families and histories, as a spur to action, and as a basis from which to declare inassimilable difference"--Back cover.

Subjects: Homosexuality and the arts.; Artists' writings.; Art and design.; LGBTQ+ arts.; Lesbian art.; Gay art.; Bisexual art.; Transgender art.; Queer art.; LGBTQ+ artists.; Lesbian artists.; Gay artists.; Bisexual artists.; Transgender artists.; Queer artists.; Queer gaze.; Queer theory.; Lesbian artists.; Gay artists.; Queer theory.;

Available copies: 1 / Total copies: 1

unAPI

René Treviño : stab of guilt / by Treviño, René,artist.; Jarman, Alexander,curator,contributor.; Adler, Tracy L.,writer of foreword.(CARDINAL)785339; Gayer, Tanya,contributor.; Katz, Jeremy,1988-contirbutor.(CARDINAL)883562; Ruth and Elmer Wellin Museum of Art,publisher,host institution.(CARDINAL)785338;

Director's foreword / Tracy L. Adler -- The universe belongs to all of us / by Alexander Jarman - Tiny plastic donut / by Tanya Gayer -- C. H. F. Peters: Hamilton's first astronomer / by Jeremy Katz"René Treviño's first museum survey features over two hundred artworks from 2008 to the present, including new work created on the occasion of this exhibition. Treviño's multidisciplinary practice encompasses a range of mediums and reflects personal inspirations as well as the artist's research into Maya and Aztec history, Catholic symbolism, astronomy, pop culture, and queer theory to recast his heritage and identity in a new light. Recent explorations into sculpture have resulted in a suite of courtly robes embellished with faux jaguar fur and sequined patches, displayed with Aztec-inspired, feather headdresses and presented on a custom-built stage. Also debuting in Stab of Guilt are twenty mixed-media collages collectively titled Sunspots by Day, Asteroids by Night (2023), which incorporate imagery from nineteenth-century star charts made by C. H. F. Peters, Hamilton College's first professor of astronomy. The series builds upon paintings in which Treviño merges historical Western views of the heavens with scientific perspectives of the Maya and Aztecs and his own idiosyncratic naming conventions. Other works include a grid of paintings comprised of circular images that, taken together, point to our commonalities across geography and cultures--ancient Aztec glyphs sit comfortably next to depictions of Greek pottery and Indigenous American folk art--as well as embellished paintings on leather, based on ancient codices and featuring a mashup of queer and Mesoamerican imagery. René Treviño: Stab of Guilt brings together an exuberant selection of works with wide-ranging themes that illuminate the artist's colorful and complex aesthetic." -- Summary provided by publisher"History is subjective; there are many blurred lines and so much distortion. Context and point of view are very important. One person's hero is another person's villain...it depends on who tells the story. As a gay Mexican-American I have always felt excluded and under represented by history. My work attempts to make our already complicated history even more complicated. The more layers that I present, the closer I can get to something that might resemble truth. I am combining imagery from ancient Mexican codices and pre-Hispanic sculptural objects with popular culture references such as Wonder Woman and Oreo cookies to create a new, queer world that speaks to the future as well as our past. The work is hand-painted/handmade and meticulous, the labor of the work speaks to the generational labor of my Mexican forebearers. Throughout my work are themes of identity; I am interested in challenging traditional ideas of race, love, history, and sexuality. I feel compelled to make thoughtful and beautiful work that confronts societal assumptions and gives new insight into our human experience. My artwork addresses a personal quest for heroism and bravery as well as a need to define my place in the world." -- Artist Statement provided by the Artist, accessed 9/27/2024"René Treviño (b. 1972, Kingsville, Texas) lives and works in Baltimore, Maryland. His work has been exhibited at the Arlington Arts Center (Virginia), Baltimore Museum of Art, Delaware Center for Contemporary Art (Wilmington), Reginald F. Lewis Museum of Maryland African American History and Culture (Baltimore), Pentimenti Gallery (Philadelphia), Wadsworth Atheneum (Hartford, CT), and White Box (New York City). Treviño is a Rubys Artist Grantee and a recipient of the Baltimore Creative Fund Individual Artist Grant and the Trawick Prize. He has been an artist in residence at AIR Serenbe (Serenbe, GA), the Creative Alliance (Baltimore), and the Fine Arts Work Center (Provincetown, MA). Treviño holds a BFA from the School of Visual Arts in New York City and an MFA from the Maryland Institute College of Art in Baltimore." -- Biography p[rovided by publisher

Subjects: Exhibition catalogs.; Treviño, René; Art, Mexican; Art, Modern; Arts, Mexican; Arts, Modern; Mexican American art; Mexican American arts; Queer art; Queer artists; LGBTQ+ artists; LGBTQ+ arts;

Available copies: 1 / Total copies: 1

unAPI

The world stage : Africa, Lagos-Dakar / by Wiley, Kehinde,1977-(CARDINAL)290780; Studio Museum in Harlem.(CARDINAL)165993;

Includes bibliographical references (pages 58-59).

Subjects: Exhibition catalogs.; Wiley, Kehinde, 1977-; African American artists; Arts, American; African American gay men.; African American LGBTQ+ people.; Black gay men.; Black LGBTQ+ people.; Gay artists.; Gay painters.; LGBTQ+ artists.; LGBTQ+ arts.; LGBTQ+ people.;

Available copies: 1 / Total copies: 1

unAPI

To see clearly : a portrait of David Hockney / by Turk, Evan,author,illustrator.(CARDINAL)397975;

Includes bibliographical references." 'It's the very process of looking at something that makes it beautiful.' -David Hockney. Growing up under the gray skies of England during WWII, David Hockney used art to brighten his world. He discovered that the more he looked and drew, the more he could see beyond the surface to find beauty, possibility, and new perspectives. In the most ordinary things, whether a splash of water, a changing landscape, or the face of a friend, David always found something to love, uniquely capturing the vibrancy and life of his subjects."--Ages 4 to 8

Subjects: Biographies.; Picture books.; Hockney, David; Art, Modern; Artists; Gay artists; Gay artists.; LGBTQ+ artists.;

Available copies: 7 / Total copies: 7

unAPI

Bernard Perlin : friends and lovers. by Perlin, Bernard,1918-2014,artist.(CARDINAL)875098; Cooney, Dan,writer of introduction.(CARDINAL)463233; Schreiber, Michael(Writer),contributor.; Lobel, Michael,contributor.(CARDINAL)266226; Daniel Cooney Fine Art (Gallery),publisher,host institution.(CARDINAL)873702;

Introduction / Daniel Cooney -- A Kind of Everyday Magic / Michael Schreiber -- Bernard Perlin's Body of Work / Michael Lobel -- Catalogue -- Credits."Bernard Perlin was an American artist most closely associated with the "Magic Realist" school of painting. Born in Richmond, Virginia in 1918, Perlin studied at the New York School of Design, National Academy of Design, and the Art Students League in New York. Early successes included a Kosciusko Foundation Award for study in Poland (1938) and two significant commissions: one from the U.S. Treasury Department for a mural for the South Orange, New Jersey Post Office (1939); the other from the U.S. Maritime Commission for murals for the SS President Hayes (1940). After designing popular propaganda posters for the U.S. Government during World War II, Perlin became a war artist-correspondent for Life and Fortune magazines, embedding with commando forces in occupied Greece and later covering the war in the South Pacific and Asia. He stayed on to document the war's aftermath in Japan and China. Returning to the States, Perlin embarked on a series of "social realist" paintings, recording scenes of life on the Lower East Side of Manhattan. He also became a successful illustrator for magazines such as Harper's and Collier's, continuing his relationship with those magazines as well as with Fortune well into the 1960s. Perlin lived and painted in Italy from 1948 until 1954 with the assistance of a Chaloner Foundation Award and a subsequent Guggenheim Fellowship. There, he began to move away from the social realism of his previous work and instead paint, in his words, "beautiful pictures": landscapes, still lifes, figures. He returned to New York to document the "cocktail culture" of the late 1950s, but in reaction to the rise of Abstract Expressionism, Perlin left the New York art scene for Connecticut in 1959. There, he continued his work as a figurative painter, although in switching from tempera to oil in the mid-1950s, his own work became increasingly more abstract. He continued painting until his passing at age 95 in January 2014. Aside from many illustrious private collections, Bernard Perlin's art is in the collections of the Arkansas Arts Center, Little Rock; Art Institute of Chicago; Ashmolean Museum, University of Oxford; Columbus Museum of Art; Detroit Institute of Arts; de Young Museum, San Francisco; Fitzwilliam Museum, University of Cambridge; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution; Leslie/Lohman Museum of Gay and Lesbian Art; Memorial Sloan-Kettering Cancer Center, New York; Museum of Art, Springfield, Massachusetts; Museum of Modern Art; National Academy Museum; National Portrait Gallery; Nelson-Atkins Museum of Art, Kansas City; Philadelphia Museum of Art; Princeton University Art Museum; Smith College Museum of Art; Smithsonian American Art Museum; Tate Modern, London; Virginia Museum of Fine Arts; and the Whitney Museum of American Art. His papers are held at the Beinecke Rare Book and Manuscript Library, Yale University." -- Biography from artist website:

Subjects: Exhibition catalogs.; Perlin, Bernard, 1918-2014; Art, American; Art, Modern; Artists; Gay artists; LGBTQ+ artists.; LGBTQ+ arts.; LGBTQ+ people.; Gay artists.;

Available copies: 1 / Total copies: 1

unAPI

Results 1 to 10 of 191 | next »