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Queering contemporary Asian American art / by Bernabe, Jan Christian,editor,writer of introduction,contributor.(CARDINAL)855538; Kina, Laura,1973-editor,writer of introduction,contributor.(CARDINAL)855537; Lam, Mariam B.,contributor.(CARDINAL)855540; Lee, Kyoo,contributor.(CARDINAL)855544; Min, Susette S.,writer of foreward.(CARDINAL)279816; Park, Eun Jung,contributor.(CARDINAL)855542; Patel, Alpesh Kantilal,contributor.(CARDINAL)855541; Soe, Valerie,contributor.(CARDINAL)855543; Suarez, Harrod J.,1970-contributor.(CARDINAL)855539; University of Washington Press,publisher.(CARDINAL)855545;
Includes bibliographical references (pages 215-226) and index."Queering Contemporary Asian American Art takes Asian American differences as its point of departure, and brings together artists and scholars to challenge normative assumptions, essentialisms, and methodologies within Asian American art and visual culture. Taken together, these nine original artist interviews, cutting-edge visual artworks, and seven critical essays explore contemporary currents and experiences within Asian American art, including the multiple axes of race and identity; queer bodies and forms; kinship and affect; and digital identities and performances. Using the verb and critical lens of 'queering' to capture transgressive cultural, social, and political engagement and practice, the contributors to this volume explore the connection points in Asian American experience and cultural production of surveillance states, decolonization and diaspora, transnational adoption, and transgender bodies and forms, as well as heteronormative respectability, the military, and war. The interdisciplinary and theoretically informed frameworks in the volume engage readers to understand global and historical processes through contemporary Asian American artistic production"--Publisher's website.
Subjects: Art and society; Asian American art; Group identity in art.;
Available copies: 1 / Total copies: 1
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Yinka Shonibare CBE : end of empire / by Sadowsky, Thorsten,editor,contributor.(CARDINAL)783293; Sargent, Antwaun,contributor.(CARDINAL)853177; Schneider, Marijana,contributor.(CARDINAL)853322; MdM Salzburg,host institution.(CARDINAL)853323;
Includes bibliographical references (pages 200-207).Yinka Shonibare CBE makes colourful fabrics with presumed African origins into the trademark of his multimedia artworks. At the same time he examines complex themes like hybrid identities, colonialism and power structures with unique irony. This richly illustrated catalogue focuses on three decades of his fascinating artistic oeuvre. Since the 1990s, the British-Nigerian artist Yinka Shonibare CBE (*1962, London) has developed opulently executed sculptures and installations, colourful collages and theatrically staged photographs and films. To do so he transforms episodes from art and history whose effects influence our present-day lives. The volume takes up the traces of colonialism and its consequences for role models, worldviews and body images in the works of Shonibare. Exhibition: Museum der Moderne Salzburg, Austria (13.03. - 04.07.2021).Catalog of an exhibition held at the Museum der Moderne Salzburg, May 22 - September 12, 2021.
Subjects: Exhibition catalogs.; Shonibare, Yinka, 1962-; Art, Modern; Group identity.; History in art; Sculpture.;
Available copies: 1 / Total copies: 1
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Yinka Shonibare CBE : a tale of today / by Shonibare, Yinka,1962-artist.(CARDINAL)264549; Townsend, Richard P.,author.(CARDINAL)206450; Purtich, Kirstin,writer of supplementary textual content.; Richard H. Driehaus Museum,host institution.(CARDINAL)785464;
Includes bibliographical references."This exhibition features the artist's earlier work, from photography series to sculpture installations. It is presented within the context of one of America's great Gilded Age mansions--the Driehaus Museum's home--creating compelling juxtapositions that will reveal new perspectives on both the art and its setting."--From jacket.
Subjects: Exhibition catalogs.; Shonibare, Yinka, 1962-; Art, Modern; Costume; History in art; Group identity.; Costumes.;
Available copies: 1 / Total copies: 1
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John Singleton Copley in America / by Barratt, Carrie Rebora.(CARDINAL)186306; Metropolitan Museum of Art (New York, N.Y.)(CARDINAL)147619;
Includes bibliographical references and index.
Subjects: Biographies.; Exhibition catalogs.; Portraits.; Copley, John Singleton, 1738-1815; Artists and patrons; Group identity in art; Social status in art;
Available copies: 1 / Total copies: 1
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Dutch Golden Age(s) : the shaping of a cultural community / by Blanc, Jan,editor,writer of introduction,contributor.(CARDINAL)853786; Aresin, Maria,contributor.(CARDINAL)873795; Bohnert, Céline,contributor.(CARDINAL)873451; Bussels, Stijn,contributor.(CARDINAL)872248; Darnell, Lorne,contributor.; Holtrop, Maria,contributor.(CARDINAL)853020; Mallory, Sarah W.,contributor.(CARDINAL)873553; Osnabrugge, Marije,contributor.(CARDINAL)873816; Brepols (Firm),publisher.(CARDINAL)856192;
Includes bibliographical references (pages 213-227) and index.This volume critically (re-)examines the key building blocks of the construct of the Dutch Golden Age, their origins, the numerous and diverse purposes they have served and their long-lasting cultural and historiographical impact. For a long time, the Dutch Golden Age has been regarded as a historiographical construction or reconstruction dating from the second half of the nineteenth century, when the rise of nationalist and even racialist histories and art histories was intended to promote the principle of a Dutch cultural identity, visible and analysable beyond the vicissitudes of time. This volume shows how the notion of the 'Golden Age', built on the ancient notion of aetas aurea, was constructed by the Dutch and for the Dutch, at the end of the sixteenth century, first to try to justify the theoretically questionable revolt of the Northern Netherlands against Spanish rule, and then to give shape to the new state and the new society created. However, we will see that there is not one but several possible definitions of this Golden Age, and consequently that it cannot be confined to one conception, so that it would be preferable to speak of a multitude of Dutch Golden Ages.
Subjects: Biographies.; Artists; Arts and society; Arts, Dutch; Arts, Dutch; Arts, Dutch; Group identity in art.;
Available copies: 1 / Total copies: 1
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Fellow men : Fantin-Latour and the problem of the group in nineteenth-century French painting / by Alsdorf, Bridget,author.(CARDINAL)285991; Princeton University Press,publisher.(CARDINAL)817932;
Includes bibliographical references (pages 309-322) and index.Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frédéric Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting. Through close readings of some of the most ambitious paintings of the realist and impressionist generation, Bridget Alsdorf offers new insights into how French painters understood the shifting boundaries of their social world, and reveals the fragile masculine bonds that made up the avant-garde.A dedicated realist who veered between extremes of sociability and hermetic isolation, Fantin-Latour painted group dynamics over the course of two decades, from 1864 to 1885. This was a period of dramatic change in French history and art--events like the Paris Commune and the rise and fall of impressionism raised serious doubts about the power of collectivism in art and life. Fantin-Latour's monumental group portraits, and related works by his friends and colleagues from the 1850s through the 1880s, represent varied visions of collective identity and test the limits of association as both a social and an artistic pursuit. By examining the bonds and frictions that animated their social circles, Fantin-Latour and his cohorts developed a new pictorial language for the modern group: one of fragmentation, exclusion, and willful withdrawal into interior space that nonetheless presented individuality as radically relational. -- Publisher.
Subjects: Portraits.; Fantin-Latour, Henri, 1836-1904; Portraits, Group; Artists; Group identity in art.; Portrait painting, French; Art and society; Identity (Psychology) in art.;
Available copies: 1 / Total copies: 1
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I am radar [sound recording] / by Larsen, Reif.(CARDINAL)495447; Grupper, Adam.nrt(CARDINAL)682179; Recorded Books, LLC.(CARDINAL)561790;
Narrated by Adam Grupper.In 1975, a black child named Radar Radmanovic is mysteriously born to white parents. Though Radar is raised in suburban New Jersey, his story rapidly becomes entangled with terrible events in Yugoslavia, Norway, Cambodia, the Congo, and beyond. Falling in with a secretive group of puppeteers and scientists--who stage experimental art for people suffering under war-time sieges--Radar is forced to confront the true nature of his identity.
Subjects: Audiobooks.; Picaresque literature.; War stories.; Arts, Modern; History, Modern; Identity (Psychology); Quantum theory; Secret societies; Twentieth century;
Available copies: 1 / Total copies: 1
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Abstract art / by Moszynska, Anna,author(CARDINAL)769571;
Includes bibliographical references (pages 253-258) and indexObserving the world : paths to abstraction, 1910-14 -- Looking inwards : investigations, 1912-20 -- Social ideals : constructing the future, 1920-39 -- Abstractions in Europe : 1939-56 -- Focus on expression : USA, 1939-56 -- Objective approaches : abstract art, 1956-78 -- Crises in abstraction : 1979-89 -- Extending the canon : diffusions of identity and place since 1990 -- Abstraction in the expanded field : the twenty-first century"Moszynska examines the pioneering work of Hilma af Klint, Wassily Kandinsky, Kazimir Malevich, and Piet Mondrian alongside the Russian Constructivists, the De Stijl group, and the Bauhaus artists, contrasting European geometric abstraction in the 1930s and '40s with the emphasis on personal expression after World War II. Op, kinetic, and minimal art of the postwar period is discussed and illustrated in detail, and new chapters bring the account up to date, exploring the crisis in abstraction of the 1980s and its revival -- in paint, fabric, sculpture, and installation -- in recent decades."--Publisher description
Subjects: Art, Abstract; Art, Modern;
Available copies: 1 / Total copies: 1
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Monty Python's flying circus. [videorecording] by Chapman, Graham,1941-1989.(CARDINAL)524750; Cleese, John.(CARDINAL)356130; Gilliam, Terry.(CARDINAL)505005; A & E Home Video (Firm)(CARDINAL)218747; New Video Group.(CARDINAL)219113;
Owl-stretching time -- Man's crisis of identity in the latter half of the twentieth century -- It's the arts.Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, Michael Palin.Disc 2 contains episodes 4-6 from the series.MPAA rating: Not rated.DVD; Dolby Digital stereo.
Subjects: Television comedies; Video recordings for the hearing impaired.; English wit and humor.;
Available copies: 1 / Total copies: 1
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Why Asia? : contemporary Asian and Asian American art / by Yang, Alice,1961-1997,author.(CARDINAL)855769; Hay, Jonathan,1956-editor,writer of foreword.(CARDINAL)266836; Young, Mimi,1967-editor,writer of foreword.(CARDINAL)855768; NYU Press,publisher.(CARDINAL)854152;
Includes bibliographical references (pages 150-151).Why Asia? Contemporary Asian and Asian American Art is a ground-breaking investigation into two overlapping and rapidly emerging areas in contemporary art. Extricating them from their current confusion under a generic "Asian" label, Yang reveals the specificity of each. The book consists of lucid discussions on individual artists, exhibitions and theoretical issues. With over sixty illustrations it serves to introduce the current landscape of Asian and Asian American art, with essays on art in China, Taiwan and North America, as well as individual essays on leading artists such as Rirkrit Tiravanija, Xu Bing and Michael Joo. Above all, Yang explores the challenges that contemporary Asian and Asian American art poses to artists, critics, curators and viewers alike.
Subjects: Art, Asian; Asian American art;
Available copies: 1 / Total copies: 1
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