Search results for [Art and race] at NC Cardinal

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Saturation : race, art, and the circulation of value / by Tourmaline,contributor.; Alsultany, Evelyn,contributor.; Antwi, Phanuel,contributor.; Brielmaier, Isolde,1971-contributor.; Burton, Johanna,writer of preface.; Chambers-Letson, Joshua Takano,contributor.; Chuh, Kandice,1968-contributor.; Cobb, Jasmine Nichole,contributor.; Cox, Aimee Meredith,1971-contributor.; Fung, Richard,contributor.; Gibson, Jeffrey,1972-contributor.; Giraud, Tiyé,contributor.; Gonzalez, Anita,contributor.; Gopinath, Gayatri,1969-contributor.; Haley, Sarah,contributor.; Hamraie, Aimi,contributor.; Hopkins, Candice,contributor.; Houston-Jones, Ishmael,contributor.; Ibarra, Xandra,contributor.; Johnson, Jasmine,contributor.; Khoshgozaran, Gelare,contributor.; Kim, Byron,contributor.; King, Homay,1972-contributor.; Kuppers, Petra,contributor.; Kwon, Marci,contributor.; Lê, Việt,contributor.; Lamar, M.,contributor.; Lax, Thomas J.,contributor.; Lemon, Ralph,contributor.; Lin, Candice,contributor.; Lowe, Lisa,contributor.; Madison, D. Soyini,contributor.; Montez, Ricardo,1975-contributor.; Murray, Derek Conrad,contributor.; Musser, Amber Jamilla,contributor.; O'Grady, Lorraine,contributor.; Ochieng' Nyongó, Tavia Amolo,contributor.; Pérez, Roy,contributor.; Phillips, Lisa,1954-writer of foreword.; Prosser, Jay,contributor.; Ramos, Iván A.,contributor.; Rifkin, Mark,1974-contributor.; Robinson, Dylan,contributor.; Sandahl, Carrie,1968-contributor.; Schulman, Sarah,1958-contributor.; Silva, Denise Ferreira da,contributor.; Snorton, C. Riley,editor,contributor.; Spillers, Hortense J.,contributor.; Takemoto, T. T.,contributor.; Vazquez, Alexandra T.,1976-contributor.; Yapp, Hentyle,1980-editor,contributor.; MIT Press,publisher.;

Includes bibliographical references and index."The art world is white. In this volume, contributors from different disciplines and backgrounds discuss race, diversity, and inclusion through the lens of "saturation," in art and across institutions written large. The concept of saturation stems from color theory-for Isaac Newton, the centrality of the color white to his visual theory parallels an understanding of race as its periphery in Western thought. From visual saturation to oversaturation of the bodies of minorities as they have to navigate and exist within institutions, this volume employs saturation as a rubric to ask different questions and to push us to demand more from the ways institutions normatively function and how race has come to be imagined and understood. The essays and conversations are the result of a shared curiosity over why changes in representational practices (some at very early stages of saturation and others leading to oversaturation) have not led to any substantive structural change. Much of this book contends with political economy and racial capital to help grapple with institutional critique. Because of the need to center these questions in time and space, the book is organized in two major sections: 1) The Saturation of Institutional Life: Race, Globality, and the Art Market; and 2) Methods of Racial Matter and Saturation Points. This is the forth volume in the New Museum Critical Anthologies in Art and Culture series. It includes Sarah Haley's essay on the relationship between carceral landscapes and the gendered dimensions of racial capitalism, a conversation between philosophers Denise Ferreira da Silva and Phanuel Antwi moderated by coeditor C. Riley Snorton, about modes for thinking race transnationally and in terms of structures-material, poetic, and affective. In artist Candice Lin's chapter on aesthetics of colonization, she discusses how histories of colonial violence inform her artistic practice. Sarah Schulman highlights the dynamics of navigating the publishing industry as it relates to areas considered "niche" like sexuality, race, and gender. Performance and movement theorist Jasmine Elizabeth Johnson examines the corporeal, visual, and institutional structures that delimit the legibility of the black body, and artist Byron Kim contemplates his practices and methods as they relate to formalism that simultaneously is and is not "about" race"--

Subjects: Art and race.; Art and society.;

Available copies: 1 / Total copies: 1

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Race-ing art history : critical readings in race and art history / by Pinder, Kymberly N.(CARDINAL)276774;

Includes bibliographical references and index.

Subjects: Art and race.; Racism in art.; Sexism in art.; Art;

Available copies: 1 / Total copies: 1

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The image of the Black in African and Asian art / by Bindman, David,1940-editor.(CARDINAL)281097; Blier, Suzanne Preston,editor.(CARDINAL)159495; Dalton, Karen C. C.,1948-editor.(CARDINAL)195877; Gates, Henry Louis,Jr.,editor.(CARDINAL)162666; Hutchins Center for African and African American Research.(CARDINAL)344164;

Includes bibliographical references and index.Introduction / David Bindman -- Part I. Africa. Images of Africans by and of themselves : historical and comparative factors / Suzanne Preston Blier ; The body in African art / Kristina Van Dyke ; Masquerade in Sub-Saharan Africa / John Picton ; The image of the Black in early African photography / Christraud M. Geary ; The image of the Black in modern and contemporary African art / Steven Nelson -- Part II. Asia. The image of the Black in Islamic art : the case of painting / Robert Hillenbrand ; The image of the Black in India / John McLeod and Kenneth X. Robbins ; The image of the Black in Chinese art / Don J. Wyatt ; The image of the Black in Japanese art : from the beginnings to 1850 / Timon Screech ; The image of the Black in Japanese art : nineteenth century to the present day / Alicia Volk.The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representation, but simultaneously with an order and history of their own as well, in the same way that a novel, let's say, by Toni Morrison exists simultaneously in the canon of American literature and of African American literature, among other literary traditions.--

Subjects: Art and race.; Art, African.; Art, Asian.; Black people in art.;

Available copies: 2 / Total copies: 2

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With other eyes : looking at race and gender in visual culture / by Bloom, Lisa E.,1958-(CARDINAL)276794;

Includes bibliographical references (page 249) and index.

Subjects: Feminist art criticism.; Feminism and art.; Art and race.;

Available copies: 1 / Total copies: 1

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Aaron Douglas : art, race, and the Harlem Renaissance / by Kirschke, Amy Helene.(CARDINAL)209340; Douglas, Aaron.(CARDINAL)178437;

Includes bibliographical references (page) and index.

Subjects: Biographies.; Douglas, Aaron.; Douglas, Aaron; African American artists; Harlem Renaissance.; African American artists;

Available copies: 3 / Total copies: 3

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The monstrous races in medieval art and thought / by Friedman, John Block,1934-(CARDINAL)155150;

Includes bibliographical references and index.

Subjects: Race.; Civilization, Medieval.;

Available copies: 1 / Total copies: 1

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My song : a memoir of art, race, and defiance / by Belafonte, Harry,1927-2023.(CARDINAL)176042; Shnayerson, Michael.(CARDINAL)774642;

The popular singer and former UNICEF Goodwill Ambassador shares the story of his life and career, from his impoverished childhood in Harlem and Jamaica and his racial barrier-breaking career to his commitment to numerous civil causes.

Subjects: Autobiographies.; Belafonte, Harry, 1927-2023.; African American musicians; Singers;

Available copies: 1 / Total copies: 1

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Race, sex, and gender : in contemporary art / by Lucie-Smith, Edward.(CARDINAL)139617;

Includes bibliographical references (pages 212-217) and index.

Subjects: Ethnic art.; Minorities in art.; Art and society;

Available copies: 1 / Total copies: 1

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The white card : a play in one act / by Rankine, Claudia,1963-author.(CARDINAL)392978;

"A play about the imagined fault line between black and white lives by Claudia Rankine, the author of Citizen, The White Card stages a conversation that is both informed and derailed by the black/white American drama. The scenes in this one-act play, for all the characters' disagreements, stalemates, and seeming impasses, explore what happens if one is willing to stay in the room when it is painful to bear the pressure to listen and the obligation to respond.."--Publisher's description.

Subjects: Drama.; One-act plays.; African Americans; Art and race; Artists; Race relations;

Available copies: 3 / Total copies: 3

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The portrayal of the Negro in American painting : [exhibition] the Bowdoin College Museum of Art. by Bowdoin College.Museum of Art,issuing body.(CARDINAL)155216;

NCMA Collection,

Subjects: Exhibition catalogs.; African Americans in art.; Art and race.; Black people in art.; Painting, American;

Available copies: 1 / Total copies: 1

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