Search results for [African American men in art] at NC Cardinal

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Black male : representations of masculinity in contemporary American art / by Golden, Thelma.(CARDINAL)209039; Gates, Henry Louis,Jr.(CARDINAL)162666; Alexander, Elizabeth,1962-(CARDINAL)334691; Als, Hilton.(CARDINAL)226553; Whitney Museum of American Art.(CARDINAL)139816;

Includes bibliographical references.

Subjects: Exhibition catalogs.; African American men in art; Masculinity in art; Arts, American; Arts, American;

Available copies: 1 / Total copies: 1

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Glenn Ligon : unbecoming / by Ligon, Glenn,1960-(CARDINAL)218966; Tannenbaum, Judith,1944-(CARDINAL)168862; Meyer, Richard,1966-(CARDINAL)329540; Golden, Thelma.(CARDINAL)209039; Kim, Byron.(CARDINAL)227800; University of Pennsylvania.Institute of Contemporary Art.(CARDINAL)143298;

Bibliography: pages 60-62.

Subjects: Exhibition catalogs.; Ligon, Glenn, 1960-; African Americans in art; African American men in art; Stereotypes (Social psychology) in art; Racism in art;

Available copies: 1 / Total copies: 1

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Kehinde Wiley / by Wiley, Kehinde,1977-(CARDINAL)290780; Golden, Thelma.(CARDINAL)209039;

Includes bibliographical references (pages 236-238).

Subjects: Wiley, Kehinde, 1977-; African American painters.; African American painting.; Portrait painting, American.; African American men in art.; African American gay men.; African American LGBTQ+ people.; Black gay men.; Black LGBTQ+ people.; Gay artists.; Gay painters.; LGBTQ+ artists.; LGBTQ+ arts.; LGBTQ+ people.;

Available copies: 1 / Total copies: 1

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Lyle Ashton Harris : today I shall judge nothing that occurs : selections from the Ektachrome archive / by Harris, Lyle Ashton,1965-artist,photographer.(CARDINAL)884226; Aletti, Vince,contributor.(CARDINAL)682375; Attille, Martina,contributor.(CARDINAL)884280; Baer, Ulrich,contributor.(CARDINAL)680746; Bordowitz, Gregg,contributor.(CARDINAL)873201; Burton, Johanna,contributor.(CARDINAL)279934; Edwards, Adrienne(Art critic),contributor.(CARDINAL)782756; Gaines, Malik,contributor.(CARDINAL)855605; Gallun, Lucy,contributor.(CARDINAL)565504; Harris, Thomas Allen,contributor.(CARDINAL)884387; Johnson, Rashid,1977-contributor.(CARDINAL)353066; Lax, Thomas J.,contributor.(CARDINAL)855500; Lewis, Sarah Elizabeth,1979-contributor.(CARDINAL)281757; Lin, Parissah,contributor.; Lord, Catherine,1949-contributor.(CARDINAL)856456; Marconi, Roxana,contributor.; Newkirk, Pamela,contributor.(CARDINAL)704298; Otis, Clarence,Jr.,contributor.; Reid-Pharr, Robert,1965-contributor.(CARDINAL)278720; Storr, Robert,contributor.(CARDINAL)183035; Thomas, Mickalene,1971-contributor.(CARDINAL)316691; Udé, Iké,contributor.(CARDINAL)884233; Aperture Foundation,publisher.(CARDINAL)195492;

Includes bibliographical references and index.Throughout the late 1980s and early 1990s, a radical cultural scene emerged in cities across the globe, finding expression in the galleries, nightclubs, and bedrooms of New York, London, Los Angeles, and Rome. In Lyle Ashton Harris: Today I Shall Judge Nothing That Occurs, the artist's archive of 35 mm Ektachrome images are presented alongside journal entries and recollections from a host of artistic and cultural figures. It offers a unique document of what Harris has described as "ephemeral moments and emblematic figures shot in the 1980s and '90s, against a backdrop of seismic shifts in the art world, the emergence of multiculturalism, the second wave of AIDS activism, and incipient globalization." As a young artist experimenting with installation, performance, and collage at the time, Harris obsessively photographed his friends, lovers, and individuals who either were, or would become, figures of influence, such as Marlon Riggs, Cornel West, bell hooks, Stuart Hall, Klaus Biesenbach, Nan Goldin, Catherine Opie, Glenn Ligon, and others. The images record the confluence of multiple international communities--gathering points for the exchange of ideas and the development of theoretical positions on art and culture that continue to resonate to this day. Together, these photographs and the journals not only sketch a personal history of a unique time of importance to contemporary art, but also show the development and shaping of Harris's eye and influences as an artist. -- From Publisher's website:Lyle Ashton Harris has cultivated a diverse artistic practice ranging from photography and collage to installation and performance art. His work explores intersections between the personal and the political, examining the impact of ethnicity, gender, and desire on the contemporary social and cultural dynamic. Harris has been widely exhibited internationally, including most recently in "Photography's Last Century" at the Metropolitan Museum of Art, New York; in "Basquiat's 'Defacement': The Untold Story'' and "Implicit Tensions: Mapplethorpe Now" at the Solomon R. Guggenheim Museum, New York; in "United by AIDS" at Migros Museum f|r Gegenwartskunst, Zurich; in "Kiss My Genders" at the Haywood Gallery, London; in "Tell Me Your Story" at Kunsthal KaDE, Amersfoort, NL; in "Elements of Vogue" at the Centro de Arte Dos de Mayo, Madrid (traveled to Museo Universitario del Chopo, Mexico City). Harris's work was included in the 52nd Venice Biennale (2007), the Busan Biennial, South Korea (2008), the Bienal de Ŝo Paulo (2016), the Whitney Biennial (2017), and presented by Ciňma Du Řel at the Centre Pompidou, Paris (2018). Harris is represented in the permanent collections of The Museum of Modern Art (MoMA), New York; the Metropolitan Museum of Art, New York; the Solomon R. Guggenheim Museum, New York; the Whitney Museum of American Art, New York; The Studio Museum in Harlem, New York; the Hessel Museum of Art at Bard College, Annendale-on-Hudson, New York; the Museum of Contemporary Art (MOCA), Los Angeles; the J. Paul Getty Museum, Los Angeles; the Los Angeles County Museum of Art; the Museum of Fine Arts, Boston; P̌rez Art Museum, Miami; the Walker Art Center, Minneapolis; the Tate Modern, London, UK; Museo de Arte Contempor̀neo de Castilla y Le̤n, Spain; Migros Museum f|r Gegenwartskunst, Zurich, Switzerland, among others. Harris has also presented performances at a range of venues, most recently at Volksb|hne Gr|ner Salon sponsored by KW Institute for Contemporary Art, Berlin (2019); a lecture/performance on Andy Warhol presented by the DIA Art Foundation, New York (2018); and an installation/performance at Participant Inc., New York (2018); and a lecture/performance on experimentation, politics and sexuality in the work of filmmaker Marlon T. Riggs at Griffin Art Projects, Vancouver BC, Canada (2020).arris received a fellowship from the John Simon Guggenheim Memorial Foundation (2016), the David C. Driskell Prize from the High Museum of Art, Atlanta (2014), and the Rome Prize Fellowship (2000) among other awards and honors. Harris joined the Board of Trustees of the American Academy in Rome in 2014 and was appointed a trustee of the Tiffany Foundation in 2016. Born in the Bronx, New York, raised in Dar es Salaam, Tanzania, and New York, Harris obtained a Bachelor of Arts degree from Wesleyan University, a Master of Fine Arts degree from the California Institute of the Arts, and attended the Whitney Museum of American Art Independent Study Program. His work is available from the following fine art galleries: Salon 94 (New York, NY, USA); David Castillo (Miami, FL, USA); Albert Merola Gallery (Provincetown, MA, USA); Maruani Mercier (Brussels, BE). Harris is a Professor of Art at New York University and lives in New York.-- From artist's website (January 2024):

Subjects: Harris, Lyle Ashton, 1965-; African American artists; African American gay people; African Americans in art.; Artists, Black; Black people in art.; Gay people, Black; Gay men, Black; Gay people; African American photographers.; Photographers, Black.; Photography, Artistic.; Photography; Vernacular photography.; Queer gaze.; Queer (Verb); Queer art.; Queer artists.; LGBTQ+ artists.; LGBTQ+ arts.; African American queer people.; Black queer people.; Queer people.; LGBTQ+ people.; Black gay men.; Homosexuals.;

Available copies: 1 / Total copies: 1

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Making sweet tea [videorecording] / by Gross, Nora,film producer,screenwriter,film director.; Jackson, John L.,film director,film producer,screenwriter.; Johnson, E. Patrick,1967-film producer,screenwriter,onscreen participant.(CARDINAL)349718; Lewis, Stephen,film producer,screenwriter.(CARDINAL)683508; Random Media (Firm),publisher.;

E. Patrick Johnson.The documentary accompanies southern-born, black gay scholar and performer E. Patrick Johnson on his journey back home to the south to confront his past and narrate the lives of several black gay men whose stories he studies and performs.DVD, all regions NTSC, widescreen (1.78:1); Dolby Digital 5.1; [color]

Subjects: Documentaries and Factual Films; Documentary films.; Video recordings for the hearing impaired.; African American gay men; African American theater; Gay people and the performing arts; Homosexuality in the theater;

Available copies: 2 / Total copies: 2

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Lyle Ashton Harris : ektachrome archive / by Harris, Lyle Ashton,1965-interviewee,artist.(CARDINAL)884226; Allen, Jafari S.,1968-contributor.(CARDINAL)889443; Bost, Darius,contributor.(CARDINAL)889727; Gartenfield, Alex,writer of foreword.; Moreno, Gean,1972-editor,curator,interviewer.(CARDINAL)886360; Institute of Contemporary Art, Miami,organizer,publisher,host institution.(CARDINAL)884721;

Includes bibliographical references."ICA Miami presents "Ektachrome Archive," a seminal body of work by New York-based artist Lyle Ashton Harris (b. 1965, Bronx, New York; lives in New York). Comprising thirty-six documentary photographs and fifteen journals dating from the early 1990s, the installation chronicles the emergence of a new generation of Black cultural producers and scholars in the wake of the Black Arts Movement and the conservative turn of the 1980s, and amid a continuing AIDS epidemic. Among the figures prominent in these documents are late filmmaker Marlon Riggs, curator Thelma Golden, activist scholars bell hooks and Michele Wallace, and artists Glenn Ligon, Gary Simmons, and Carrie Mae Weems. The archive documents critical events that initiated the emergence of radical thinking and artistic work in Black studies and Black cultural production in the mid-1990s, such as the Black Popular Culture and Black Nations/Queer Nations? conferences. It also presents institutional and academic spaces that hosted significant Black artists, such as the Independent Study Program at the Whitney Museum of American Art, New York, which Harris attended in 1992. This archive and the moment it documents are the bedrock--too often neglected or underappreciated--of a great deal of thinking that informs today's activism and critical perspectives of race, gender, and inclusion. "Ektachrome Archive" is the first project in a new initiative by ICA Miami inviting artists to engage in dialogue with Robert Gober's Untitled (1994-95), on long-term view on the museum's ground floor. Dedicated to the exchange of art and ideas, these exhibitions promote dynamic and complex discussions among artistic practices. "Ektachrome Archive" by Lyle Ashton Harris is organized by ICA Miami and curated by Gean Moreno, Director of the Knight Foundation Art + Research Center." -- Exhibition webpage:"Lyle Ashton Harris (b. 1965, New York) is one of the most important and prolific artists of the last thirty years. His work engages pressing questions around identity and queerness. The hundreds of photographs that make up the 'Ektachrome Archive,' shot at the end of the 1980s and in the early 1990s, entwine the personal and the political, the adventures of an artist coming of age in a newly globalized world and the emergence of a trailblazing generation of Black intellectuals and cultural producers asking new and deeply critical questions about race, gender, and empire."-- Back cover.

Subjects: Exhibition catalogs.; Harris, Lyle Ashton, 1965-; African American artists; African American gay people; African American photographers.; African Americans in art.; Artists, Black; Black people in art.; Gay men, Black; Gay people, Black; Gay people; Photographers, Black.; Photography, Artistic.; Photography; Vernacular photography.; African American queer people.; Black queer people.; LGBTQ+ artists.; LGBTQ+ arts.; LGBTQ+ people.; Queer (Verb); Queer art.; Queer artists.; Queer gaze.; Queer people.; Black gay men.; Homosexuals.;

Available copies: 1 / Total copies: 1

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Visible man : Fahamu Pecou / by Pecou, Fahamu,1975-artist.(CARDINAL)356647; Sloan, Mark,1957-editor.(CARDINAL)355512; Halsey Institute of Contemporary Art,issuing body,host institution,publisher,originatoranizer.(CARDINAL)356632; Mary Elizabeth Dee Shaw Gallery,host institution.; University of New Hampshire.Museum of Art,host institution.(CARDINAL)289282; Michael C. Carlos Museum,host institution,originatoranizer,issuing body,publisher.(CARDINAL)225694;

Includes bibliographical resources."Visible Man provides an in-depth look at the work of Atlanta-based artist Fahamu Pecou (born 1975) from the past two decades, showing how Pecou's work investigates the concept of black masculinity and provides new modes for the representation of black bodies. Starting with his self-assumed persona 'Fahamu Pecou is the Shit!' and his early NEOPOP works, in which he places himself on the covers of prestigious art and culture magazines, the catalog shows the trajectory of his work, ending with the 'DO or DIE' and '#BLACKMATTERLIVES' series."

Subjects: Exhibition catalogs.; Illustrated works.; Portraits.; Essays.; Art.; Pecou, Fahamu, 1975-; Pecou, Fahamu, 1975-; Pecou, Fahamu, 1975-; African American painting; African American men in art; Black people; Hip-hop in art; Hope in art; Racism in art; Black lives matter movement; Black Lives Matter movement.;

Available copies: 1 / Total copies: 1

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African-American heroes & heroines : 150 true stories of African-American heroism / by Bel Monte, Kathryn I.,1947-(CARDINAL)645244;

Includes bibliographical references (page xvi).Profiles Afro-American men and women who have succeeded in fields such as politics, medicine, law, science, education, art, sports, business, and the military.

Subjects: Biographies.; African Americans; Heroes; Women heroes; African Americans; Heroes; Women heroes; Women; Women.; Womyn.;

Available copies: 1 / Total copies: 1

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The world stage : Africa, Lagos-Dakar / by Wiley, Kehinde,1977-(CARDINAL)290780; Studio Museum in Harlem.(CARDINAL)165993;

Includes bibliographical references (pages 58-59).

Subjects: Exhibition catalogs.; Wiley, Kehinde, 1977-; African American artists; Arts, American; African American gay men.; African American LGBTQ+ people.; Black gay men.; Black LGBTQ+ people.; Gay artists.; Gay painters.; LGBTQ+ artists.; LGBTQ+ arts.; LGBTQ+ people.;

Available copies: 1 / Total copies: 1

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Kehinde Wiley [videorecording] : an economy of grace / by Chermayeff, Jessica,television producer.; Dupre, Jeff,television director,television producer.; Halpern, Nathan,1978-composer (expression); Hanna, Bob,director of photography.; Held, Wolfgang,1963-director of photography.; Pena, William G.,director of photography.; Ruggiero, Chris,1976-composer (expression); Veselic, Ana,editor of a moving image work,television producer.; Wiley, Kehinde,1977-commentator,on-screen participant.(CARDINAL)290780; PBS Distribution (Firm),publisher.(CARDINAL)309769; Public Broadcasting Service (U.S.),production company,broadcaster.(CARDINAL)189964; Show of Force (Firm),production company.;

Kehinde Wiley.Known for his vibrant reinterpretations of classical portraits featuring African-American men, New York-based painter Kehinde Wiley has turned the practice of portraiture on its head and in the process has taken the art world by storm.9-12.Rating: TV-PG.DVD; NTSC; widescreen presentation; 5.1 Dolby digital; region 1.

Subjects: Biographical television programs.; Documentary television programs.; Nonfiction television programs.; Video recordings for the hearing impaired.; Wiley, Kehinde, 1977-; African American art; African American artists; African American painters; African American women; Portrait painters;

Available copies: 1 / Total copies: 2

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