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Sound unbound : sampling digital music and culture / by DJ Spooky That Subliminal Kid.(CARDINAL)273158;
Includes bibliographical references and index.An introduction, or my (ambiguous) life with technology / Steve Reich -- In through the out door: sampling and the creative act / Paul D. Miller -- The future of language / Saul Williams -- The ecstasy of influence: a plagiarism mosaic / Jonathan Lethem -- Roots and wires remix: polyrhythmic tricks and the black electronic / Erik Davis -- The life and death of media / Bruce Sterling -- Un-imagining utopia / Dick Hebdige -- Freaking the machine: a discussion about Keith Obadike's sexmachines / Keith & Mendi Obadike -- Freeze frame: audio, aesthetics, sampling, and contemporary multimedia / Ken Jordan and Paul D. Miller -- A theater of ideas: an interview with Steve Reich and Beryl Korot on Three tales / David Allenby -- Quantum improvisation: the cybernetic presence / Pauline Oliveros -- The ghost outside the machine / Scanner aka Robin Rimbaud -- The musician as thief: digital culture and copyright law / Daphne Keller -- Integrated systems: mobile stealth unit / Beth Coleman and Howard Goldkrand -- An interview with Moby / Lucy Walker -- Zing! Went the strings / Joseph Lanza -- Renegade academia / Simon Reynolds -- The world of sound: a division of Raymond Scott Enterprises / Jeff E. Winner -- From hip-hip to flip-flop: black noise in the master-slave circuit / Ron Eglash -- South Africa's rhythms of resistance / Lee Hirsch -- The virtual breeding of sound / Manuel DeLanda -- Zoom: mining acceleration / Liminal Product: Frances Dyson and Douglas Kahn -- An interview with Alex Steinweiss / Carlo McCormick -- Stop, hey, what's that sound? / Ken Jordan -- Permuting connections: software for dancers / Scott deLahunta -- On improvisation, temporality, and embodied experience / Vijay Iyer -- Spin the painting: an interview with Nadine Robinson / Alondra Nelson -- Camera Lucida: three-dimensional sonochemical observatory / Evelina Domnitch and Dmitry Gelfand -- Fear of a Muslim planet: hip-hop's hidden history / Naeem Mohaiemen -- Three pieces / Chuck D -- Bells and their history / Brian Eno -- What one must do: comments and asides on musical philosophy / Daniel Bernard Roumain -- An interview with Pierre Boulez / Hans Ulrich Obrist and Philippe Parreno -- Adh'an: the sounds of an islamized orthodoxy / Ibrahim Quraishi -- Theatre of the spirits: Joseph Cornell and silence / Catherine Corman -- Where did the music go? / Jaron Lanier.
Subjects: Music; Music and technology.; Popular culture;
Available copies: 1 / Total copies: 1
unAPI

MLA handbook for writers of research papers. by Gibaldi, Joseph,1942-MLA handbook for writers of research papers.; Modern Language Association of America.(CARDINAL)137700;
MARCIVE 10/07/09Includes bibliographical references (pages 258-260) and index.Chapter 2: Plagiarism And Academic Integrity -- 2-1: Definition of plagiarism -- 2-2: Consequences of plagiarism -- 2-3: Information sharing today -- 2-4: Unintentional plagiarism -- 2-5: Forms of plagiarism -- 2-6: When documentation is not needed -- 2-7: Related issues -- 2-7-1: Reusing a research paper -- 2-7-2: Collaborative work -- 2-7-3: Research on human subjects -- 2-7-4: Copyright infringement -- 2-8: Summing up -- Chapter 3: Mechanics Of Writing -- 3-1: Spelling -- 3-1-1: Consistency -- 3-1-2: Word division -- 3-1-3: Plurals -- 3-1-4: Foreign words -- 3-2: Punctuation -- 3-2-1: Purpose of punctuation -- 3-2-2: Commas -- 3-2-3: Semicolons -- 3-2-4: Colons -- 3-2-5: Dashes and parentheses -- 3-2-6: Hyphens -- 3-2-7: Apostrophes -- 3-2-8: Quotation marks -- 3-2-9: Square brackets -- 3-2-10: Slashes -- 3-2-11: Periods, question marks, and exclamation points -- 3-2-12: Spacing after concluding punctuation marks -- 3-3: Italics -- 3-3-1: Words and letters referred to as words and letters -- 3-3-2: Foreign words in an English text -- 3-3-3: Emphasis -- 3-4: Names of persons -- 3-4-1: First and subsequent uses of names -- 3-4-2: Titles of persons -- 3-4-3: Names of authors and fictional characters -- 3-5: Numbers -- 3-5-1: Arabic numerals -- 3-5-2: Use of words or numerals -- 3-5-3: Commas in numbers -- 3-5-4: Percentages and amounts of money -- 3-5-5: Dates and times of the day -- 3-5-6: Inclusive numbers -- 3-5-7: Roman numerals -- 3-6: Titles of works in the research paper -- 3-6-1: Capitalization and punctuation -- 3-6-2: Italicized titles -- 3-6-3: Titles in quotation marks -- 3-6-4: Titles and quotations within titles -- 3-6-5: Exceptions -- 3-6-6: Shortened titles -- 3-7: Quotations -- 3-7-1: Use and accuracy of quotations -- 3-7-2: Prose -- 3-7-3: Poetry -- 3-7-4: Drama -- 3-7-5: Ellipsis -- 3-7-6: Other alterations of sources -- 3-7-7: Punctuation with quotations -- 3-7-8: Translations of quotations -- 3-8: Capitalization and personal names in languages other than English -- 3-8-1: French -- 3-8-2: German -- 3-8-3: Italian -- 3-8-4: Spanish -- 3-8-5: Latin --Chapter 4: Format Of The Research Paper -- 4-1: Margins -- 4-2: Text formatting -- 4-3: Heading and title -- 4-4: Page numbers -- 4-5: Tables and illustrations -- 4-6: Paper and printing -- 4-7: Corrections and insertions -- 4-8: Binding -- 4-9: Electronic submission -- Chapter 5: Documentation: Preparing The List Of Works Cited -- 5-1: Documenting sources -- 5-2: MLA style -- 5-3: List of works cited -- 5-3-1: Introduction -- 5-3-2: Placement of the list of works cited -- 5-3-3: Arrangement of entries -- 5-3-4: Two or more works by the same author -- 5-3-5: Two or more works by the same authors -- 5-3-6: Cross-references -- 5-4: Citing periodical print publications -- 5-4-1: Introduction -- 5-4-2: Article in a scholarly journal -- 5-4-3: Article in a scholarly journal that uses only issue numbers -- 5-4-4: Article in a scholarly journal with more than one series -- 5-4-5: Article in a newspaper -- 5-4-6: Article in a magazine -- 5-4-7: Review -- 5-4-8: Abstract in an abstracts journal -- 5-4-9: anonymous article -- 5-4-10: Editorial -- 5-4-11: Letter to the editor -- 5-4-12: Serialized article -- 5-4-13: Special issue -- 5-5: Citing non periodical print publications -- 5-5-1: Introduction -- 5-5-2: Book by a single author -- 5-5-3: Anthology or a compilation -- 5-5-4: Book by two or more authors -- 5-5-5: Book by a corporate author -- 5-5-6: Work in an anthology -- 5-5-7: Article in a reference book -- 5-5-8: Introduction, a preface, a foreword, or an afterword -- 5-5-9: Anonymous book -- 5-5-10: Scholarly edition -- 5-5-11: Translation -- 5-5-12: Illustrated book or a graphic narrative -- 5-5-13: Book published in a second or subsequent edition -- 5-5-14: Multivolume work -- 5-5-15: Book in a series -- 5-5-16: Republished book or journal issue -- 5-5-17: Publisher's imprint -- 5-5-18: Book with multiple publishers -- 5-5-19: Brochure, pamphlet, or press release -- 5-5-20: Government publication -- 5-5-21: Published proceedings of a conference -- 5-5-22: Book in a language other than English -- 5-5-23: Book published before 1900 -- 5-5-24: Book without stated publication information or pagination -- 5-5-25: Unpublished dissertation -- 5-5-26: Published dissertation -- 5-6: Citing Web publications -- 5-6-1: Introduction -- 5-6-2: Nonperiodical publication -- 5-6-3: Scholarly journal -- 5-6-4: Periodical publication in an online database -- 5-7: Citing additional common sources -- 5-7-1: Television or radio broadcast -- 5-7-2: Sound recording -- 5-7-3: Film or a video recording -- 5-7-4: Performance -- 5-7-5: Musical score or libretto -- 5-7-6: Work of visual art -- 5-7-7: Interview -- 5-7-8: Map or chart -- 5-7-9: Cartoon or comic strip -- 5-7-10: Advertisement -- 5-7-11: Lecture, a speech, an address, or a reading -- 5-7-12: Manuscript or typescript -- 5-7-13: Letter, a memo, or an e-mail message -- 5-7-14: Legal source -- 5-7-15: Article in a microform collection of articles -- 5-7-16: Article reprinted in a loose-leaf collection of articles -- 5-7-17: Publication on CD-ROM or DVD-ROM -- 5-7-18: Digital file -- 5-8: Work in more than one publication medium --Chapter 6: Documentation: Citing Sources In The Text -- 6-1: Parenthetical documentation and the list of works cited -- 6-2: Information required in parenthetical documentation -- 6-3: Readability -- 6-4: Sample references -- 6-4-1: Citing an entire work, including a work with no page numbers -- 6-4-2: Citing part of a work -- 6-4-3: Citing volume and page numbers of a multivolume work -- 6-4-4: Citing a work listed by title -- 6-4-5: Citing a work by a corporate author -- 6-4-6: Citing two or more works by the same author or authors -- 6-4-7: Citing indirect sources -- 6-4-8: Citing common literature -- 6-4-9: Citing more than one work in a single parenthetical reference -- 6-5: Using notes with parenthetical documentation -- 6-5-1: Content notes -- 6-5-2: Bibliographic notes -- Chapter 7: Abbreviations -- 7-1: Introduction -- 7-2: Time designations -- 7-3: Geographic names -- 7-4: Common scholarly abbreviations and reference words -- 7-5: Publishers' names -- 7-6: Symbols and abbreviations used in proofreading and correction -- 7-6-1: Selected proofreading symbols -- 7-6-2: Common correction symbols and abbreviations -- 7-7: Titles of works -- 7-7-1: Bible -- 7-7-2: Works by Shakespeare -- 7-7-3: Works by Chaucer -- 7-7-4: Other works -- Appendix A: Guides To Writing -- A-1: Introduction -- A-2: Dictionaries of usage -- A-3: Guides to nondiscriminatory language -- A-4: Books on style -- Appendix B: Specialized Style Manuals -- Index.Foreword / Rosemary G Feal -- Preface / David G Nicholls -- Note on the Web component -- Chapter 1: Research And Writing -- 1-1: Research paper as a form of exploration -- 1-2: Research paper as a form of communication -- 1-3: Selecting a topic -- 1-3-1: Freedom of choice -- 1-3-2: Finding an appropriate focus -- 1-3-3: Summing up -- 1-4: Conducting research -- 1-4-1: Modern academic library -- 1-4-2: Library research sources -- 1-4-3: Central information system -- 1-4-4: Reference works -- 1-4-5: Online catalog of library holdings -- 1-4-6: Full-text databases -- 1-4-7: Other library resources and services -- 1-4-8: Web sources -- 1-4-9: Summing up -- 1-5: Compiling a working bibliography -- 1-5-1: Keeping track of sources -- 1-5-2: Creating a computer file for the working bibliography -- 1-5-3: Recording essential publication information -- 1-5-4: Noting other useful information -- 1-5-5: Verifying publication information -- 1-5-6: Converting the working bibliography to the works-cited list -- 1-5-7: Summing up -- 1-6: Evaluating sources -- 1-6-1: Authority -- 1-6-2: Accuracy and verifiability -- 1-6-3: Currency -- 1-6-4: Summing up -- 1-7: Taking notes -- 1-7-1: Methods of note-taking -- 1-7-2: Types of note-taking -- 1-7-3: Recording page or reference numbers -- 1-7-4: Using a computer for note-taking -- 1-7-5: Amount and accuracy of note-taking -- 1-7-6: Summing up -- 1-8: Outlining -- 1-8-1: Working outline -- 1-8-2: Thesis statement -- 1-8-3: Final outline -- 1-8-4: Summing up -- 1-9: Writing drafts -- 1-9-1: First draft -- 1-9-2: Subsequent drafts -- 1-9-3: Writing with a word processor -- 1-9-4: Final draft and the research project portfolio -- 1-9-5: Summing up -- 1-10: Language and style --From the Publisher: The MLA Handbook is published by the Modern Language Association, the authority on MLA documentation style. Widely adopted in high schools, colleges, and publishing houses, the MLA Handbook treats every aspect of research writing, from selecting a topic to submitting the completed paper. The seventh edition is a comprehensive, up-to-date guide to research and writing in the online environment. It provides an authoritative account of MLA documentation style for use in student writing, including simplified guidelines for citing works published on the Web and new recommendations for citing several kinds of works, such as digital files and graphic narratives.1290L
Subjects: Handbooks and manuals.; Report writing; Research;
Available copies: 24 / Total copies: 37
unAPI

MLA handbook for writers of research papers. [large print] by Gibaldi, Joseph,1942-MLA handbook for writers of research papers.; Modern Language Association of America.(CARDINAL)137700;
Includes bibliographical references (pages 258-260) and index.Chapter 2: Plagiarism And Academic Integrity -- 2-1: Definition of plagiarism -- 2-2: Consequences of plagiarism -- 2-3: Information sharing today -- 2-4: Unintentional plagiarism -- 2-5: Forms of plagiarism -- 2-6: When documentation is not needed -- 2-7: Related issues -- 2-7-1: Reusing a research paper -- 2-7-2: Collaborative work -- 2-7-3: Research on human subjects -- 2-7-4: Copyright infringement -- 2-8: Summing up -- Chapter 3: Mechanics Of Writing -- 3-1: Spelling -- 3-1-1: Consistency -- 3-1-2: Word division -- 3-1-3: Plurals -- 3-1-4: Foreign words -- 3-2: Punctuation -- 3-2-1: Purpose of punctuation -- 3-2-2: Commas -- 3-2-3: Semicolons -- 3-2-4: Colons -- 3-2-5: Dashes and parentheses -- 3-2-6: Hyphens -- 3-2-7: Apostrophes -- 3-2-8: Quotation marks -- 3-2-9: Square brackets -- 3-2-10: Slashes -- 3-2-11: Periods, question marks, and exclamation points -- 3-2-12: Spacing after concluding punctuation marks -- 3-3: Italics -- 3-3-1: Words and letters referred to as words and letters -- 3-3-2: Foreign words in an English text -- 3-3-3: Emphasis -- 3-4: Names of persons -- 3-4-1: First and subsequent uses of names -- 3-4-2: Titles of persons -- 3-4-3: Names of authors and fictional characters -- 3-5: Numbers -- 3-5-1: Arabic numerals -- 3-5-2: Use of words or numerals -- 3-5-3: Commas in numbers -- 3-5-4: Percentages and amounts of money -- 3-5-5: Dates and times of the day -- 3-5-6: Inclusive numbers -- 3-5-7: Roman numerals -- 3-6: Titles of works in the research paper -- 3-6-1: Capitalization and punctuation -- 3-6-2: Italicized titles -- 3-6-3: Titles in quotation marks -- 3-6-4: Titles and quotations within titles -- 3-6-5: Exceptions -- 3-6-6: Shortened titles -- 3-7: Quotations -- 3-7-1: Use and accuracy of quotations -- 3-7-2: Prose -- 3-7-3: Poetry -- 3-7-4: Drama -- 3-7-5: Ellipsis -- 3-7-6: Other alterations of sources -- 3-7-7: Punctuation with quotations -- 3-7-8: Translations of quotations -- 3-8: Capitalization and personal names in languages other than English -- 3-8-1: French -- 3-8-2: German -- 3-8-3: Italian -- 3-8-4: Spanish -- 3-8-5: Latin.Chapter 4: Format Of The Research Paper -- 4-1: Margins -- 4-2: Text formatting -- 4-3: Heading and title -- 4-4: Page numbers -- 4-5: Tables and illustrations -- 4-6: Paper and printing -- 4-7: Corrections and insertions -- 4-8: Binding -- 4-9: Electronic submission -- Chapter 5: Documentation: Preparing The List Of Works Cited -- 5-1: Documenting sources -- 5-2: MLA style -- 5-3: List of works cited -- 5-3-1: Introduction -- 5-3-2: Placement of the list of works cited -- 5-3-3: Arrangement of entries -- 5-3-4: Two or more works by the same author -- 5-3-5: Two or more works by the same authors -- 5-3-6: Cross-references -- 5-4: Citing periodical print publications -- 5-4-1: Introduction -- 5-4-2: Article in a scholarly journal -- 5-4-3: Article in a scholarly journal that uses only issue numbers -- 5-4-4: Article in a scholarly journal with more than one series -- 5-4-5: Article in a newspaper -- 5-4-6: Article in a magazine -- 5-4-7: Review -- 5-4-8: Abstract in an abstracts journal -- 5-4-9: Anonymous article -- 5-4-10: Editorial -- 5-4-11: Letter to the editor -- 5-4-12: Serialized article -- 5-4-13: Special issue -- 5-5: Citing nonperiodical print publications -- 5-5-1: Introduction -- 5-5-2: Book by a single author -- 5-5-3: Anthology or a compilation -- 5-5-4: Book by two or more authors -- 5-5-5: Book by a corporate author -- 5-5-6: Work in an anthology -- 5-5-7: Article in a reference book -- 5-5-8: Introduction, a preface, a foreword, or an afterword -- 5-5-9: Anonymous book -- 5-5-10: Scholarly edition -- 5-5-11: Translation -- 5-5-12: Illustrated book or a graphic narrative -- 5-5-13: Book published in a second or subsequent edition -- 5-5-14: Multivolume work -- 5-5-15: Book in a series -- 5-5-16: Republished book or journal issue -- 5-5-17: Publisher's imprint -- 5-5-18: Book with multiple publishers -- 5-5-19: Brochure, pamphlet, or press release -- 5-5-20: Government publication -- 5-5-21: Published proceedings of a conference -- 5-5-22: Book in a language other than English -- 5-5-23: Book published before 1900 -- 5-5-24: Book without stated publication information or pagination -- 5-5-25: Unpublished dissertation -- 5-5-26: Published dissertation -- 5-6: Citing Web publications -- 5-6-1: Introduction -- 5-6-2: Nonperiodical publication -- 5-6-3: Scholarly journal -- 5-6-4: Periodical publication in an online database -- 5-7: Citing additional common sources -- 5-7-1: Television or radio broadcast -- 5-7-2: Sound recording -- 5-7-3: Film or a video recording -- 5-7-4: Performance -- 5-7-5: Musical score or libretto -- 5-7-6: Work of visual art -- 5-7-7: Interview -- 5-7-8: Map or chart -- 5-7-9: Cartoon or comic strip -- 5-7-10: Advertisement -- 5-7-11: Lecture, a speech, an address, or a reading -- 5-7-12: Manuscript or typescript -- 5-7-13: Letter, a memo, or an e-mail message -- 5-7-14: Legal source -- 5-7-15: Article in a microform collection of articles -- 5-7-16: Article reprinted in a loose-leaf collection of articles -- 5-7-17: Publication on CD-ROM or DVD-ROM -- 5-7-18: Digital file -- 5-8: Work in more than one publication medium.Chapter 6: Documentation: Citing Sources In The Text -- 6-1: Parenthetical documentation and the list of works cited -- 6-2: Information required in parenthetical documentation -- 6-3: Readability -- 6-4: Sample references -- 6-4-1: Citing an entire work, including a work with no page numbers -- 6-4-2: Citing part of a work -- 6-4-3: Citing volume and page numbers of a multivolume work -- 6-4-4: Citing a work listed by title -- 6-4-5: Citing a work by a corporate author -- 6-4-6: Citing two or more works by the same author or authors -- 6-4-7: Citing indirect sources -- 6-4-8: Citing common literature -- 6-4-9: Citing more than one work in a single parenthetical reference -- 6-5: Using notes with parenthetical documentation -- 6-5-1: Content notes -- 6-5-2: Bibliographic notes -- Chapter 7: Abbreviations -- 7-1: Introduction -- 7-2: Time designations -- 7-3: Geographic names -- 7-4: Common scholarly abbreviations and reference words -- 7-5: Publishers' names -- 7-6: Symbols and abbreviations used in proofreading and correction -- 7-6-1: Selected proofreading symbols -- 7-6-2: Common correction symbols and abbreviations -- 7-7: Titles of works -- 7-7-1: Bible -- 7-7-2: Works by Shakespeare -- 7-7-3: Works by Chaucer -- 7-7-4: Other works -- Appendix A: Guides To Writing -- A-1: Introduction -- A-2: Dictionaries of usage -- A-3: Guides to nondiscriminatory language -- A-4: Books on style -- Appendix B: Specialized Style Manuals -- Index.Foreword / Rosemary G. Feal -- Preface / David G. Nicholls -- Note on the Web component -- Chapter 1: Research And Writing -- 1-1: Research paper as a form of exploration -- 1-2: Research paper as a form of communication -- 1-3: Selecting a topic -- 1-3-1: Freedom of choice -- 1-3-2: Finding an appropriate focus -- 1-3-3: Summing up -- 1-4: Conducting research -- 1-4-1: Modern academic library -- 1-4-2: Library research sources -- 1-4-3: Central information system -- 1-4-4: Reference works -- 1-4-5: Online catalog of library holdings -- 1-4-6: Full-text databases -- 1-4-7: Other library resources and services -- 1-4-8: Web sources -- 1-4-9: Summing up -- 1-5: Compiling a working bibliography -- 1-5-1: Keeping track of sources -- 1-5-2: Creating a computer file for the working bibliography -- 1-5-3: Recording essential publication information -- 1-5-4: Noting other useful information -- 1-5-5: Verifying publication information -- 1-5-6: Converting the working bibliography to the works-cited list -- 1-5-7: Summing up -- 1-6: Evaluating sources -- 1-6-1: Authority -- 1-6-2: Accuracy and verifiability -- 1-6-3: Currency -- 1-6-4: Summing up -- 1-7: Taking notes -- 1-7-1: Methods of note-taking -- 1-7-2: Types of note-taking -- 1-7-3: Recording page or reference numbers -- 1-7-4: Using a computer for note-taking -- 1-7-5: Amount and accuracy of note-taking -- 1-7-6: Summing up -- 1-8: Outlining -- 1-8-1: Working outline -- 1-8-2: Thesis statement -- 1-8-3: Final outline -- 1-8-4: Summing up -- 1-9: Writing drafts -- 1-9-1: First draft -- 1-9-2: Subsequent drafts -- 1-9-3: Writing with a word processor -- 1-9-4: Final draft and the research project portfolio -- 1-9-5: Summing up -- 1-10: Language and style.From the Publisher: The MLA Handbook is published by the Modern Language Association, the authority on MLA documentation style. Widely adopted in high schools, colleges, and publishing houses, the MLA Handbook treats every aspect of research writing, from selecting a topic to submitting the completed paper. The seventh edition is a comprehensive, up-to-date guide to research and writing in the online environment. It provides an authoritative account of MLA documentation style for use in student writing, including simplified guidelines for citing works published on the Web and new recommendations for citing several kinds of works, such as digital files and graphic narratives.1290L
Subjects: Handbooks and manuals.; Large print books.; Report writing; Research;
Available copies: 2 / Total copies: 2
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Yesterday [videorecording] / by Arnold, Alexander,1992-actor; Barth, Jack(Screenwriter),screenwriter; Bellew, Bernard,film producer; Bevan, Tim,film producer(CARDINAL)533640; Bhaskar, Sanjeev,1964-actor; Boyle, Danny,film directorfilm producer; Curtis, Richard,1956-screenwriterfilm producer; Di Martino, Sophia,actor; Fellner, Eric,film producer(CARDINAL)431530; Fry, Joel,actor; James, Lily,1989-actor(CARDINAL)344892; Lancashire, Sarah,1964-actor; McKinnon, Kate,1984-actor(CARDINAL)340061; Michell, Harry,1991-actor; Patel, Himesh,actor; Sheeran, Ed,1991-actor(CARDINAL)348886; Syal, Meera,actor(CARDINAL)779642; Wilkinson, Matthew James,film producer; Universal Pictures (Firm),presenter(CARDINAL)318695; Universal Pictures Home Entertainment (Firm),publisher(CARDINAL)340102; Wan mei shi jie (Beijing) ying shi wen hua you xian gong si,presenter(CARDINAL)788294; Working Title Films,production company(CARDINAL)532039;
Director of photography, Christopher Ross ; editor, Jon Harris ; score by Daniel Pemberton.Himesh Patel, Lily James, Joel Fry, Ed Sheeran, Kate McKinnon, Sanjeev Bhaskar, Meera Syal, Harry Michell, Sophia Di Martino, Sarah Lancashire, Alexander Arnold.Jack Malik is a struggling singer-songwriter in a tiny English seaside town whose dreams of fame are rapidly fading, despite the fierce devotion and support of his childhood best friend, Ellie. Then, after a freak bus accident during a mysterious global blackout, Jack wakes up to discover that the Beatles have never existed. And he finds himself with a very complicated problem, indeed.MPAA rating: PG-13; for suggestive content and language.Blu-ray, widescreen (2.39:1) presentation, Dolby Atmos, DVS 2.0 (English), Dolby digital plus 7.1 (French, Spanish); 1080p high defintion; requires Blu-ray player.
Subjects: Comedy films.; Feature films.; Fiction films.; Musical films.; Romantic comedy films.; Video recordings for the hearing impaired.; Beatles; Electric power failures; Lyricists; Man-woman relationships; Plagiarism;
Available copies: 4 / Total copies: 4
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Yesterday [videorecording] / by Arnold, Alexander,1992-actor.; Barth, Jack,screenwriter.(CARDINAL)740219; Bellew, Bernard,1964-film producer.; Bevan, Tim,film producer.(CARDINAL)533640; Bhaskar, Sanjeev,1964-actor.; Boyle, Danny,film director,film producer.; Curtis, Richard,1956-screenwriter,film producer.; Di Martino, Sophia,actor.; Fellner, Eric,film producer.(CARDINAL)431530; Fry, Joel,actor.; Harris, Jon,1967-editor of moving image work.(CARDINAL)876368; James, Lily,1989-actor.(CARDINAL)344892; Lancashire, Sarah,1964-actor.; McKinnon, Kate,1984-actor.(CARDINAL)340061; Michell, Harry,1991-actor.; Patel, Himesh,1990-actor.; Pemberton, Daniel,composer (expression); Ross, Christopher,director of photography.(CARDINAL)547949; Sheeran, Ed,1991-actor.(CARDINAL)348886; Syal, Meera,actor.(CARDINAL)779642; Wilkinson, Matthew James,1978-film producer.; Universal Pictures (Firm),presenter.(CARDINAL)318695; Universal Pictures Home Entertainment (Firm),publisher.(CARDINAL)340102; Wan mei shi jie (Beijing) ying shi wen hua you xian gong si,production company.(CARDINAL)788294; Working Title Films,production company.(CARDINAL)532039;
Director of photography, Christopher Ross ; editor, Jon Harris ; score by Daniel Pemberton.Himesh Patel, Lily James, Joel Fry, Ed Sheeran, Kate McKinnon, Sanjeev Bhaskar, Meera Syal, Harry Michell, Sophia Di Martino, Sarah Lancashire, Alexander Arnold.Jack Malik was just another struggling songwriter... but that was yesterday. After a mysterious blackout, Jack discovers he is the only person on earth who remembers The Beatles! As he rockets to fame by passing off the Fab Four's songs as his own, Jack risks losing Ellie--the one person who has loved him and believed in him from the start. Before the door to his old life closes forever, Jack must decide if all he needs is love, after all.MPAA rating: PG-13; for suggestive content and language.DVD, anamorphic wide screen (2.39.1); Dolby digital 5.1 surround, DVS Dolby digital 2.0 stereo.
Subjects: Comedy films.; Feature films.; Fiction films.; Musical films.; Romantic comedy films.; Video recordings for people with visual disabilities.; Video recordings for the hearing impaired.; Beatles; Electric power failures; Lyricists; Man-woman relationships; Plagiarism; Rock musicians;
Available copies: 74 / Total copies: 83
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The second ending : a novel / by Hoffman, Michelle,author.(CARDINAL)866337;
"A former prodigy refuses to believe her best years are behind her in this sparkling debut about second chances, unexpected joys, and the miraculous healing power of art and connection. It's a lot of pressure being compared to Mozart. Especially when you're only five. Prudence Childs was once the most famous kindergartner on the planet. She played at the White House, appeared on talk shows, and inspired a generation of children to take up piano. But as adolescence closed in, Prudence began to see that she was just another exploited child star, pushed to unnatural limits by her attention-hungry grandmother. Convinced that her "genius" was mostly a scam, Prudence ran away--both from performing and from her greedy handlers--as soon as she was old enough to vote. This one act of rebellion came with a cost--soon, Prudence was flat broke and utterly alone. Desperate for cash, she took a job writing commercial jingles, which earned her a fortune, but left her creatively adrift. Now forty-eight, after decades of questioning her talent, Prudence is determined to prove she's never lost her musical genius by competing on a wildly popular TV show. Her on-air rival is virtuoso pianist Alexei Petrov, a stunning young Internet sensation with a massive audience and a dreamy Russian accent. But Alexei's many charms are near the end of Prudence's long list of problems. The biggest threat to her comeback--aside from her own wavering confidence--is her terrible ex-husband, Bobby, who has evidence that she plagiarized her first and most iconic commercial jingle. If Prudence doesn't give Bobby the money he wants, he swears he'll use her new spotlight to take her down for good. But throughout the course of this novel brimming with quirky magic, humor, and emotional depth, Prudence might just defy the breathtaking odds and her overwhelming self-doubt--and find that her star still burns bright"--
Subjects: Novels.; Pianists; Divorced women; Secrecy; Reality television programs; Extortion; Secrecy.;
Available copies: 15 / Total copies: 15
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The words [videorecording] by Benaroya, Michael,1981-; Cooper, Bradley.(CARDINAL)342977; Irons, Jeremy,1948-(CARDINAL)809321; Kelly, Tatiana.; Klugman, Brian,1975-; Quaid, Dennis.(CARDINAL)354976; Saldana, Zoë.; Sternthal, Lee.; Wilde, Olivia.(CARDINAL)488264; Young, Jim(James M.); Animus Films (Firm); Beraroya Pictures.; CBS Films.(CARDINAL)340339; Parlay Films.; Serena Films.; Sony Pictures Home Entertainment (Firm)(CARDINAL)282399; Waterfall Media.;
Music, Marcelo Zarvos ; editor, Leslie Jones ; director of photography, Antonio Calvache.Bradley Cooper, Jeremy Irons, Dennis Quaid, Olivia Wilde, Zoë Saldana.A writer at the peak of his literary success discovers the steep price he must pay for stealing another man's work.MPAA rating: PG-13; brief strong language and smoking. Uncut version not rated.DVD, region 1, anamorphic widescreen (1.85:1) presentation ; Dolby digital 5.1 surround.
Subjects: Feature films.; Romance films.; Video recordings for the hearing impaired.; Authors; Plagiarism;
Available copies: 2 / Total copies: 4
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