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      - Maarten van Heemskerck and Dutch humanism in the sixteenth century / by Veldman, Ilja M.,author.(CARDINAL)199821; Heemskerk, Martin van,1498-1574,artist.(CARDINAL)133270; Hoyle, Michael(Translator),translator.(CARDINAL)337498; 
 Includes bibliographical references (pages 159-165) and index. Includes bibliographical references (pages 159-165) and index.
- Subjects: Heemskerk, Martin van, 1498-1574.; Artists; Humanism in art.; Humanism; 
- Available copies: 1 / Total copies: 1
- On-line resources: Click for online content.; 
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      - Bilder von Liebe und Eros in Spatmittelalter und Fruher Neuzeit / by Müller, Markus,1963-(CARDINAL)898179; Herzog Anton-Ulrich-Museum Braunschweig.(CARDINAL)132217; 
 Includes bibliographical references. Includes bibliographical references.
- Subjects: Catalogs.; Herzog Anton-Ulrich-Museum Braunschweig; Love in art.; Art, Renaissance; Art, Renaissance; 
- Available copies: 1 / Total copies: 1
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      - Vermeer [videorecording] master of light / by Bryant, Ellen.pro.; Krakora, Joseph J.drt.; Streep, Meryl.nrt.(CARDINAL)333422; Microcinema, Inc.; National Gallery of Art (U.S.)(CARDINAL)141262; 
 Editor, Tony Black; music, William Kidd; director of photography, Phil Gries.Narrator, Meryl Streep."Vermeer: Master of Light is a visual quest in search of 'what makes a Vermeer a Vermeer.' It is a journey of discovery, guiding the viewer through an exploration of Vermeer's paintings and examining the "secrets" of his technique. Each frame of the film emulates the subtlety of Vermeer, with particular emphasis placed on lighting and composition. Utilizing x-ray analysis, infrared reflectography, and the power of computer technology, the program investigates what lies beneath the surface of the paintings to unveil captivating insights into the master's work. The paintings of Johannes Vermeer are intriguing as much for their subjects as for the poetic ways in which these are portrayed. Vermeer's use of light and color, proportion and scale mesmerizes the viewer. His everyday scenes are imbued with nuances of reflection and meaning that are at once familiar and mysterious. This film celebrates one of the most extraordinary painters in the history of art.--Container. Editor, Tony Black; music, William Kidd; director of photography, Phil Gries.Narrator, Meryl Streep."Vermeer: Master of Light is a visual quest in search of 'what makes a Vermeer a Vermeer.' It is a journey of discovery, guiding the viewer through an exploration of Vermeer's paintings and examining the "secrets" of his technique. Each frame of the film emulates the subtlety of Vermeer, with particular emphasis placed on lighting and composition. Utilizing x-ray analysis, infrared reflectography, and the power of computer technology, the program investigates what lies beneath the surface of the paintings to unveil captivating insights into the master's work. The paintings of Johannes Vermeer are intriguing as much for their subjects as for the poetic ways in which these are portrayed. Vermeer's use of light and color, proportion and scale mesmerizes the viewer. His everyday scenes are imbued with nuances of reflection and meaning that are at once familiar and mysterious. This film celebrates one of the most extraordinary painters in the history of art.--Container.
- Subjects: Biographical television programs.; Documentary television programs.; Nonfiction television programs.; Television programs for the hearing impaired.; Vermeer, Johannes, 1632-1675.; Light in art.; Painters; Painting, Dutch; 
- Available copies: 1 / Total copies: 1
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      - Reframing Rembrandt : Jews and the Christian image in seventeenth-century Amsterdam / by Zell, Michael,1962-author.(CARDINAL)891419; University of California Press,publisher.(CARDINAL)280932; 
 Includes bibliographical references (pages 195-254) and index.This richly detailed study reconceptualizes a striking but enigmatic moment in Rembrandt's art from the 1650s-one of the artist's most prolific and creative periods. Michael Zell identifies a significant theological shift in Rembrandt's use of religious imagery and interprets this shift in light of the unique religious and social conditions of seventeenth-century Amsterdam. Rembrandt's biblical art has generally been regarded as the embodiment of a Protestant aesthetic. By looking closely at the artist's relationship with his patron Rabbi Menasseh ben Israel and the ideas of a group of "philosemitic" Protestants with whom the rabbi was engaged in an apologetic dialogue, Zell deepens and complicates our understanding of Rembrandt's sacred art from this period. Includes bibliographical references (pages 195-254) and index.This richly detailed study reconceptualizes a striking but enigmatic moment in Rembrandt's art from the 1650s-one of the artist's most prolific and creative periods. Michael Zell identifies a significant theological shift in Rembrandt's use of religious imagery and interprets this shift in light of the unique religious and social conditions of seventeenth-century Amsterdam. Rembrandt's biblical art has generally been regarded as the embodiment of a Protestant aesthetic. By looking closely at the artist's relationship with his patron Rabbi Menasseh ben Israel and the ideas of a group of "philosemitic" Protestants with whom the rabbi was engaged in an apologetic dialogue, Zell deepens and complicates our understanding of Rembrandt's sacred art from this period.
- Subjects: Rembrandt Harmenszoon van Rijn, 1606-1669; Manasseh ben Israel, 1604-1657.; Judaism in art; Christianity; Jews in art; Christians; 
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      - The butcher, the baker, the candlestick maker : Jan Luyken's mirrors of 17th-century Dutch daily life : an exhibition of drawings and prints at the Emily Lowe Gallery, 17 September-31 October, 1995 / by Luiken, Jan,1649-1712.(CARDINAL)153096; Barnes, Donna R.(CARDINAL)225309; Emily Lowe Gallery.(CARDINAL)152325; 
 Includes bibliographical references (pages 240-247). Includes bibliographical references (pages 240-247).
- Subjects: Exhibition catalogs.; Luiken, Jan, 1649-1712; Working class in art.; Working class; Drawing, Dutch; Occupations in art; 
- Available copies: 1 / Total copies: 1
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      - Vermeer : the complete paintings / by Liedtke, Walter A.(CARDINAL)172144; Vermeer, Johannes,1632-1675.(CARDINAL)138195; 
 Includes bibliographical references (pages 199-203) and indexes. Includes bibliographical references (pages 199-203) and indexes.
- Subjects: Catalogues raisonnés.; Biographies.; Art.; Vermeer, Johannes, 1632-1675; Vermeer, Johannes, 1632-1675; Painters; 
- Available copies: 1 / Total copies: 1
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      - Black in Rembrandt's time / by Archangel, Stephanie,author.(CARDINAL)835715; Kolfin, Elmer,author,editor.(CARDINAL)277273; Ponte, Mark,author.(CARDINAL)835714; Runia, Epco,author,editor.(CARDINAL)223448; Winkel, Marieke de,author.(CARDINAL)227822; De Witt, David A.(David Albert),1967-author.(CARDINAL)284934; McKay, David,1973-translator.(CARDINAL)474473; Richards, Lynne,translator.(CARDINAL)813767; Richards, Paul,translator.(CARDINAL)730264; Museum Het Rembrandthuis (Amsterdam, Netherlands),organizer,host institution.(CARDINAL)187114; 
 Includes bibliographical references.Foreword -- Introduction -- Black by Rembrandt  -- Black in the art of Rembrandt's time / Elmer Kolfin -- Dom Miquel / Elmer Kollfin -- Stereotypes / Epco Runia -- Black in Amsterdam around 1650 / Mark Ponte -- Pieter Claesz Bruin and Lijsbeth Pieters / Mark Ponte Chrstiaan Van Africa / Marieke de Winkel -- Did Black people recognize themselves in the images on the streets? / Elmer Kolfin -- 'As if they were mere beasts' / Stephanie Archangel -- Zabynaja: a Black woman plays the lead role before Rembrandt  -- The Black presence in the art of Rembrandt and his circle / David de Witt -- Here and now -- Works in the exhibition."An in-depth look at the depiction of black people by Rembrandt and his contemporaries. Documents an exhibition at the Rembrandt House Museum in Amsterdam from March 6 - May 31, 2020. This exhibition catalogue tells the story of the black community in 17th century Dutch society and reveals how attitudes to race were expressed in the portrayal of black figures in Dutch art. Black people were present in 17th-century Holland, both in society and in art. This subject has long remained in the shadows, a situation this ground-breaking exhibition addresses. Rembrandt and many of his contemporaries made magnificent works of art that depict people of color. There was a small community of around 80 free black people of color living in the Jodenbreestraat neighborhood of Amsterdam during Rembrandt's lifetime. Painters during this period portrayed individual black models from life, and in a number of cases they formed the main subject of the art work. This book explores the conditions that gave rise to these remarkable works of art and the reasons the public image of black people changed from about 1660 onward. It tells the stories of the Dutch artists who aimed to capture their multi-racial world, and the impact of transatlantic slavery."--Publisher description. Includes bibliographical references.Foreword -- Introduction -- Black by Rembrandt  -- Black in the art of Rembrandt's time / Elmer Kolfin -- Dom Miquel / Elmer Kollfin -- Stereotypes / Epco Runia -- Black in Amsterdam around 1650 / Mark Ponte -- Pieter Claesz Bruin and Lijsbeth Pieters / Mark Ponte Chrstiaan Van Africa / Marieke de Winkel -- Did Black people recognize themselves in the images on the streets? / Elmer Kolfin -- 'As if they were mere beasts' / Stephanie Archangel -- Zabynaja: a Black woman plays the lead role before Rembrandt  -- The Black presence in the art of Rembrandt and his circle / David de Witt -- Here and now -- Works in the exhibition."An in-depth look at the depiction of black people by Rembrandt and his contemporaries. Documents an exhibition at the Rembrandt House Museum in Amsterdam from March 6 - May 31, 2020. This exhibition catalogue tells the story of the black community in 17th century Dutch society and reveals how attitudes to race were expressed in the portrayal of black figures in Dutch art. Black people were present in 17th-century Holland, both in society and in art. This subject has long remained in the shadows, a situation this ground-breaking exhibition addresses. Rembrandt and many of his contemporaries made magnificent works of art that depict people of color. There was a small community of around 80 free black people of color living in the Jodenbreestraat neighborhood of Amsterdam during Rembrandt's lifetime. Painters during this period portrayed individual black models from life, and in a number of cases they formed the main subject of the art work. This book explores the conditions that gave rise to these remarkable works of art and the reasons the public image of black people changed from about 1660 onward. It tells the stories of the Dutch artists who aimed to capture their multi-racial world, and the impact of transatlantic slavery."--Publisher description.
- Subjects: Exhibition catalogs.; Illustrated works.; Black people in art; Black people; 
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      - Dutch prints of daily life : mirrors of life or masks of morals? : essays and catalogue / by Stone-Ferrier, Linda A.(CARDINAL)175668; Helen Foresman Spencer Museum of Art.(CARDINAL)137968; 
 Bibliography: pages 224-231. Bibliography: pages 224-231.
- Subjects: Catalogs.; Prints, Dutch; Prints; Manners and customs in art; 
- Available copies: 1 / Total copies: 1
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      - Bilderzählungen in der Vogelmalerei des niederländischen Barocks / by Wepler, Lisanne,author.(CARDINAL)342323; Universität Bonn,degree granting institution.(CARDINAL)342322; 
 Includes bibliographical references. Includes bibliographical references.
- Subjects: Catalogs.; Birds in art.; Painting, Dutch; Painting, Dutch; Art, Baroque; 
- Available copies: 1 / Total copies: 1
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      - In the Mauritshuis : children / by Mauritshuis (Hague, Netherlands)(CARDINAL)139511; Runia, Epco.(CARDINAL)223448; Vinde, Lea van der.(CARDINAL)285808; 
 Includes bibliographical references (pages 69-70). Includes bibliographical references (pages 69-70).
- Subjects: Catalogs.; Mauritshuis (Hague, Netherlands); Children in art; Painting, Netherlandish; Painting; 
- Available copies: 1 / Total copies: 1
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