Search results for [Musical instruments, European] at NC Cardinal

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The encyclopedia of music : musical instruments and the art of music-making / by Wade-Matthews, Max.(CARDINAL)537660; Thompson, Wendy,1952-(CARDINAL)371408;

Subjects: Encyclopedias.; Music; Musical instruments;

Available copies: 1 / Total copies: 1

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Let's make music! [audio-enabled device] / by Playaway Products, LLC,contributor(CARDINAL)868990;

The music house -- Five fast facts: music -- String instruments -- Wind instruments -- How does music move us? -- The fastest song in the world."Kids will explore the music house, different types of instruments, learn why songs move us, and more about music with this WhaZoodle!"--Issued on Playaways WhaZoodle, a pre-loaded fun and educational speaker designed for children ages 3-12BETT Awards 2018 FinalistsGrammy Award WinnerHorizon 2020 - European CommissionNational Parenting Publications AwardsParent's Choice Award

Available copies: 1 / Total copies: 1

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Concise history of western music / by Hanning, Barbara Russano,1940-(CARDINAL)511301; Grout, Donald Jay.History of western music.(CARDINAL)665102;

Includes bibliographical references and index.

Subjects: Music;

Available copies: 1 / Total copies: 1

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Museum masterpieces [videorecording] : the Metropolitan Museum of Art / by Brettell, Richard R.(CARDINAL)168827; Teaching Company.(CARDINAL)349444;

Includes bibliographical references.pt. 1. disc 1. Lecture 1 : the making of the museum ; Lecture 2 : the art of ancient Greece and Rome ; Lecture 3 : ancient Egyptian art ; Lecture 4 : Asian art ; Lecture 5 : the ancient Near East and Islamic art ; Lecture 6 : European painting I : the Renaissance ; disc 2. Lecture 7 : European painting II : 16th-17th centuries ; Lecture 8 : European painting III : 18th century ; Lecture 9 : European painting IV : 19th century ; Lecture 10 : drawings and prints ; Lecture 11 : Photographs ; Lecture 12 : European decorative arts -- pt. 2. disc 3. Lecture 13 : European sculpture ; Lecture 14 : the arts of Africa and Oceania ; Lecture 15 : the ancient New World ; Lecture 16 : musical instruments and arms and armor ; Lecture 17 : costumes and textiles ; Lecture 18 : American art : 1650-1865.Professor Richard Brettell.Professor Richard Brettell, the Margaret McDermott Distinguished Professor of Art and Aesthetics at the University of Texas at Dallas, presents the history of the Metropolitan Museum of Art, the largest art museum in the US, and introduces several of its collections.DVD.

Subjects: Educational films.; Lectures.; Metropolitan Museum of Art (New York, N.Y.); Art;

Available copies: 4 / Total copies: 5

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Kovels' New dictionary of marks : pottery & porcelain 1850 to the present by Kovel, Ralph M.(CARDINAL)141212; Kovel, Terry H.(CARDINAL)141213;

Bibliography: pages 272-277.Anchor -- Animals, Fish & Insects -- Arrows -- Banners -- Birds -- Bowl & Urn -- Building & Tower -- Cartouches -- Circle--Oval -- Crescent -- Crown -- Crown & Circle or Oval -- Crown & Shield -- Fleur de Lis & Prince of Wales Feathers -- Flower & Tree -- Foreign Alphabets -- Humans & Body Parts -- Lines -- Musical Instruments -- Shield -- Square, Rectangle & Other Geometric Shapes -- Star & Sun -- Triangle & Heart.Identification for more than 3,500 American, European, and Oriental marks on pottery and porcelain.

Subjects: Porcelain; Pottery; Céramique; Porcelaine;

Available copies: 8 / Total copies: 9

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Drums in the Americas / by Howard, Joseph H.,1912-1994.(CARDINAL)345211;

Bibliography: pages 294-311.Drums in retrospect -- Classification -- Construction -- Amerindian music -- Amerindian drums of North America -- Indigenous drums of Central America -- Amerindian drums of South America -- European-American percussion -- European-American drums -- African and Aframerican influence (parts A, B, and C) -- Afro-American drums -- Our Asiatic and Oceanic heritage -- Asian and Oceanian-American drums -- African drums -- Rhythm and drumming -- Drum accessories and auxiliary instruments -- Drumlore -- Reflections and projections -- Glossary of unusual drums and terms.History and development of drums in the New World from the pre-Columbian era to modern times.

Subjects: Drum.; Music;

Available copies: 1 / Total copies: 1

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The sacred flame [sound recording] : European sacred music of the Renaissance and Baroque era. by Cambridge Singers,performer.; Rutter, John,1945-conductor.; Gabrieli, Giovanni,approximately 1554-1612.Jubilate Deo,voices (8)(1613); Monteverdi, Claudio,1567-1643.Selva morale e spirituale.Beatus vir,no. 1.; Monteverdi, Claudio,1567-1643.Christe, adoramus te.; Monteverdi, Claudio,1567-1643.Cantate Domino,mixed voices, continuo.; Palestrina, Giovanni Pierluigi da,1525?-1594.Motets(1584 : Voices (4)).Sicut cervus.; Palestrina, Giovanni Pierluigi da,1525?-1594.Motets(1584 : Voices (5)).Exsultate Deo.; Anerio, Felice,approximately 1560-1614.Christus factus est pro nobis.; Gesualdo, Carlo,principe di Venosa,approximately 1560-1613.Responsoria.O vos omnes.; Lasso, Orlando di,1532-1594.Timor et tremor.; Lasso, Orlando di,1532-1594.Mottetta typis nondum uspiam excusa.Ave verum corpus.; Sweelinck, Jan Pieterszoon,1562-1621.Cantiones sacrae.Laudate Dominum omnes gentes.; Buxtehude, Dietrich,1637-1707.Magnificat,BuxWV Anh. 1,D major.; Victoria, Tomás Luis de,approximately 1548-1611.Jesu dulcis memoria.; Victoria, Tomás Luis de,approximately 1548-1611.Officium Hebdomadae Sanctae.O, vos omnes.; JohnIV,King of Portugal,1604-1656.Crux fidelis.; Josquin,des Prez,died 1521.Ave Maria (Virgo serena); Hassler, Hans Leo,1564-1612.Cantiones sacrae.Dixit Maria ad angelum.; Schütz, Heinrich,1585-1672.Psalmen Davids(1619).100. Psalm.; Schütz, Heinrich,1585-1672.Geistliche Chormusik.Selig sind die Toten.; Bach, Johann Sebastian,1685-1750.O Jesu Christ, mein's Lebens Licht.; Nuova Musica (Musical group),performer.;

Jubilate Deo / Giovanni Gabrieli -- Beatus vir ; Christe, adoramus te ; Cantate domino / Claudio Monteverdi -- Sicut cervus ; Exsultate Deo / G.P. da Palestrina -- Christus factus est / Felice Anerio -- O vos omnes / Carlo Gesualdo -- Timor et tremor ; Ave verum Corpus / Orlande de Lassus -- Laudate Dominum / J.P. Sweelinck -- Magnificat / Dieterich Buxtehude -- Jesu, dulcis memoria ; O vos omnes / T.L. de Victoria -- Crux fidelis / John IV, King of Portugal -- Ave Maria / Josquin Desprez -- Dixit Maria / H.L. Hassler -- Psalm 100 ; Selig sind die Toten / Heinrich Schütz -- O Jesu Christ, meins Lebens Licht / J.S. Bach.The Cambridge Singers ; la Nuova Musica ; John Rutter, director.Recorded in the Great Hall of University College School, London, Jan. 2009.

Subjects: Choruses, Sacred (Mixed voices), Unaccompanied.; Choruses, Sacred (Mixed voices) with instrumental ensemble.; Music; Music; Music;

Available copies: 1 / Total copies: 1

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Music in the middle ages, with an introduction on the music of ancient times / by Reese, Gustave,1899-1977.(CARDINAL)132739;

Bibliography: pages 425-463."Record list": pages 465-480.Pt. 1. Introduction : the music of ancient times. Southwest Asia and Egypt -- Greece and Rome -- Pt. 2. Western European monody to about 1300. The beginnings of Christian sacred chant and the growth of some of its chief branches : Syrian, Byzantine, Armenian, Coptic, and Ethiopian -- The growth of some of the chief branches of Christian chant--continued : Russian, Ambrosian, Mozarabic, and Gallican -- Gregorian chant : its history and notation -- Gregorian chant : its modal system and forms -- Secular monody : the Latin songs, the jongleurs, troubadours, and trouvères -- Secular monody continued : the early Minnesinger, the Laude and Geisslerlieder, English monody, Spanish monody -- Pt. 3. Polyphony based on the perfect consonances and its displacement by polyphony based on the third. The earlier stages of organum -- The rise of measured music and the development of its notation to Franco of Cologne (c. 1280) -- The culmination of the continental organum and discant in the 12th and 13th centuries : the organa, conductus, early motet, cantilena; methods of performance; instruments ; The 14th century : French music, French and Italian notation -- The 14th century : Italian, Spanish and German music ; Musica falsa; Instruments -- Polyphony in the British Isles from the 12th century to the death of Dunstable.

Subjects: Music; Music; Old State Library Collection.;

Available copies: 2 / Total copies: 3

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Jazz [sound recording] : the first 100 years / by Martin, Henry,1950-(CARDINAL)394942; Waters, Keith,1958-(CARDINAL)685480;

Includes bibliographical references, discography (pages 373-376) and index.

Subjects: Dictionaries.; Jazz;

Available copies: 1 / Total copies: 1

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Sounds of war : music in the United States during World War II / by Fauser, Annegret.(CARDINAL)875079;

Includes bibliographical references and index.1. "We, as musicians, are soldiers, too ...". Musicians in uniform ; Performing for victory ; Composition in the war effort ; Cultural mediators and educators -- 2. "Shaping music for total war". Music in the service of propaganda: the Office of War Information ; Crossing borders: music, diplomacy, and the State Department ; The singing army: uplift and education for a nation ; Music therapy and the "reconditioning" of soldiers -- 3. "I hear America singing ...". Sounds of a usable past ; Salutes to American folk song ; Voicing opera in America -- 4. "The great invasion". Living in exile ; French connections, Czech identities ; Refugees from axis nations -- 5. "Hail muse Americana!". Commemoration and patriotic celebration ; Celebrating the American way ; New world symphonies.What role did music play in the United States during World War II? How did composers reconcile the demands of their country and their art as America mobilized both militarily and culturally for war? Annegret Fauser explores these and many other questions in the first in-depth study of American concert music during World War II. While Dinah Shore, Duke Ellington, and the Andrew Sisters entertained civilians at home and G.I.s abroad with swing and boogie-woogie, Fauser shows it was classical music that truly distinguished musical life in the wartime United States. Classical music in 1940s America had a ubiquitous cultural presence--whether as an instrument of propaganda or a means of entertainment, recuperation, and uplift--that is hard to imagine today, and Fauser suggests that no other war enlisted culture in general and music in particular so consciously and unequivocally as World War II. Indeed, the day after the attack on Pearl Harbor, Group Theatre director Harold Clurman wrote to his cousin, Aaron Copland: "So you're back in N.Y.... ready to defend your country in her hour of need with lectures, books, symphonies!" Copland was in fact involved in propaganda missions of the Office of War Information, as were Marc Blitzstein, Elliott Carter, Henry Cowell, Roy Harris, and Colin McPhee. It is the works of these musical greats--as well as many other American and exiled European composers who put their talents to patriotic purposes--that form the core of Fauser's enlightening account. Drawing on music history, aesthetics, reception history, and cultural history, Sounds of War recreates the remarkable sonic landscape of the World War II era and offers fresh insight to the role of music during wartime [Publisher description]

Subjects: Music; Music; Music and state; World War, 1939-1945;

Available copies: 1 / Total copies: 1

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