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- Systems / by Shanken, Edward A.,1964-editor.(CARDINAL)350007;
Includes bibliographical references and index.Introduction -- FOUNDATIONS. Systems theory and new paradigm, 1988 / Fritjof Capra -- To know and to let know: An applied theory of knowledge / Heinz von Foerster -- A mathematical theory of communication, 1948 / Claude E. Shannon -- Recent contributions to the mathematical theory of communication, 1949 / Warren Weaver -- The use of human beings, 1950 / Norbert Wiener -- Contesting for the body of information: The Macy Conference on Cybernetics (1946 and 1953), 1999 / N. Katherine Hayles -- Style, grace and information in primitive art, 1967 / Gregory Bateson -- Our own metaphor, 1972 / Mary Catherine Bateson -- Cybernetics of cybernetics, 1973 / Heinz von Foerster -- The tree of knowledge: Biological roots of human understanding, 1984 / Humberto Maturana and Francisco Varela -- Dancing with systems, 2001 / Donella H. Meadows -- CYBERNETIC ART, ARCHITECTURE AND DESIGN. Cybernated art, 1966 / Nam June Paik -- The cybernetic stance: My process and purpose, 1968 / Roy Ascott -- Art society feedback: In conversation with Emily Pethick, 2011 / Stephen Willats -- Woody's famous feedback rap, 1973 / Steina and Woody Vasulka -- Notes for a proposal on conceptual gaming, 1973 / Frank Gillette -- From the gun controller to the mandala: The cybernetic cinema of John and James Whitney, 2009 / Zabet Patterson -- Art and telematics: Towards a network consciousness, 1981 / Roy Ascott -- The architectural relevance of cybernetics, 1969 / Gordon Pask -- The fun palace project (1961-64), 2000 / Mary Louise Lobsinger -- The architectural relevance of Gordon Pask, 2007 / Usman Haque -- Intelligent cities, 2007 / William J. Mitchell -- Morphogenesis and the mathematics of emergence, 2004 / Michael WeinstockSYSTEMS AESTHETICS. Systems aesthetics, 1968 / Jack Burnham -- Real time systems, 1969 / Jack Burnham -- In conversation with Jeanne Siegel, 1971 / Hans Haacke -- Reprogramming systems aesthetics, 2009-14 / Edward A. Shanken -- Systems of art, 2008 / Francis Halsall -- Systems symptoms: Jack Burnham's 'Systems aesthetics', 2011 / Caroline A. Jones -- The mimesis of thinking, 2005 / Boris Groys -- A cultural systems approach to collaboration in art and technology, 2005 / Stephen Jones -- GENERATIVE SYSTEMS. Lines of development, 1943-84 / Richard Paul Lohse -- Free stochastic music, 1965 / Iannis Xenakis -- Iannis Xenakis and systems thinking, 2011 / Phivos-Angelos Kollias -- Statement, 1971 / Manfred Mohr -- Mind/Senses/Hand: The generative systems program at the Art Institute of Chicago 1970-80, 1990 / Sonia Landy Sheridan -- Generating and organizing variety in the arts, 1976 / Brian Eno -- Statement, c. 2004 / Michael Joaquin Grey -- Art as a living system, 1999 / Christa Sommerer and Laurent Mignonneau -- Autopoiesis, 2000 / Ken Rinaldo -- Context machines, 2013 / Benjamin Bogart and Philippe Pasquier -- Google will eat itself, 2005 / Ubermorgen.com, with Paolo Cirio and Alessandro Ludovico -- Systems stories and model worlds, 2005 / Mitchell Whitelaw -- Generator: The value of software art, 2007 / Geoff Cox -- ENVIRONMENTAL AND SOCIAL SYSTEMS. Operating manual for spaceship earth, 1969 / R. Buckminster Fuller -- Geophysiology: The science of Gaia, 1989 / James Lovelock -- Shifting positions towards the earth: Art and environmental awareness, 1993 / Helen Mayer Harrison and Newton Harrison -- Entomogenic climate change: Insect bio-acoustics and future forest ecology, 2009 / David Dunn and Jim Crutchfield -- The field of cultural production, or the economic world reversed, 1983 / Pierre Bourdieu -- Putting a glitch in the field: Bourdieu, actor network theory and contemporary music, 2008 / Nick Prior -- The function of art and the differentiation of the art system, 1995 / Niklas Luhmann -- Systematically observing surveillance: Paradoxes of observation according to Niklas Luhmann's systems theory, 1999 / Christian Katti -- Some experiments in art and politics, 2011 / Bruno Latour.In the late 1950s, experiments such as the cybernetic sculptures of Nicolas Schöffer or the programmatic music compositions of John Cage and Iannis Xenakis transposed systems theory from the sciences to the arts. By the 1960s, artists as diverse as Roy Ascott, Hans Haacke, Robert Morris, Sonia Sheridan, and Stephen Willats were breaking with accepted aesthetics to embrace open systems that emphasized organism over mechanism, dynamic processes of interaction among elements, and the observer's role as an inextricable part of the system. Jack Burnham's 1968 Artforum essay "Systems Aesthetics" and his 1970 "Software" exhibition marked the high point of systems-based art until its resurgence in the changed conditions of the twenty-first century. Systems traces this radical shift in aesthetics from its roots in mid twentieth-century general systems theory, cybernetics, and artificial intelligence to the cutting-edge science of the present. The collected texts examine the connections between advanced technological systems, our bodies and minds; the relation of musical to spatial and architectural structures; and the ways in which systems-based art projects can create self-generating entities and networks, alter our experience of time, change the configurations of social relations, cross cultural borders, and interact with threatened ecosystems.- Subjects: Arts, Modern; Arts, Modern; System theory.;
- Available copies: 1 / Total copies: 1
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- The hungry eye : eating, drinking, and European culture from Rome to the Renaissance / by Barkan, Leonard,author.(CARDINAL)747360; Princeton University Press,publisher.(CARDINAL)817932;
Includes bibliographical references and index."In discussions of arts and culture, food and drink are often relegated to the realms of mere decoration or mere necessity. However, like the term taste, which begins as one of the five senses but comes to be understood as the most sweeping term for human sensibility, eating and drinking can also be fundamental aesthetic experiences. In this book, author Leonard Barkan covers millennia of Western aesthetic and cultural activity, tracing the history of eating and drinking across literature, art, philosophy, statecraft, religion, and historiography. Drawing on a myriad of historical and analytic perspectives, Barkan demonstrates how the materials of the dining table, the flavor and pleasure of food, and hunger and satiety are central to life and culture. He explores what it means to "read for the food" in works of art, literature, and philosophy, and demonstrates the central role that food played in Roman civilization. He examines the deeply culinary qualities of the Hebrew Bible and the New Testament, the relationship between food and drink and the culture of the Renaissance, and the literal acts of consumption that are endowed with sacred significance. By uncovering the gastronomic underplot in cultural and artistic works, Barkan proposes an interdisciplinary approach to the relation between sense experience and aesthetic experience, and considers what it means to move from the margins to the center in a study of culture"--- Subjects: Aesthetics, European.; Arts, European; Dinners and dining;
- Available copies: 1 / Total copies: 1
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- Religion and media / by Vries, Hent de.(CARDINAL)780461; Weber, Samuel,1940-(CARDINAL)718909;
Includes bibliographical references.- Subjects: Mass media;
- Available copies: 1 / Total copies: 1
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