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Teaching color and form. by Tritten, Gottfried.(CARDINAL)162259;
[1] Ages 11 to 13.--[2] Teaching color and form in secondary school, ages 13 through 16.
Subjects: Art; Color; Visual perception.;
Available copies: 2 / Total copies: 2
On-line resources: Suggest title for digitization;
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Light : a question and answer book / by Richardson, Adele,1966-(CARDINAL)212557;
Includes bibliographical references (page 31) and index."Introduces light's sources, components, forms, and movement, as well as humans' perception of light"--Provided by publisher.Accelerated Reader AR
Subjects: Light;
Available copies: 1 / Total copies: 1
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Art as experience. by Dewey, John,1859-1952.(CARDINAL)142234;
Subjects: Aesthetics.; Experience.;
Available copies: 1 / Total copies: 1
On-line resources: Suggest title for digitization;
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Color and light : a guide for the realist painter / by Gurney, James,1958-(CARDINAL)317835;
Includes bibliographical references (pages 220-221) and index.Tradition -- Sources of light -- Light and form -- Elements of color -- Paint and pigments -- Color relationships -- Premixing -- Visual perception -- Surfaces and effects -- Atmospheric effects -- Light's changing show -- Resources."James Gurney, New York Times best-selling author and artist of the Dinotopia series, follows Imaginative Realism with his second art-instruction book, Color and Light: A Guide for the Realist Painter. A researched study on two of art's most fundamental themes, Color and Light bridges the gap between abstract theory and practical knowledge. Beginning with a survey of underappreciated masters who perfected the use of color and light, the book examines how light reveals form, the properties of color and pigments, and the wide variety of atmospheric effects. Gurney cuts though the confusing and contradictory dogma about color, testing it in the light of science and observation. A glossary, pigment index, and bibliography complete what will ultimately become an indispensable tool for art students and artists on any level." --
Subjects: Color in art.; Light art.; Painting; Realism in art.;
Available copies: 1 / Total copies: 2
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Autistics' guide to dating : a book by autistics, for autistics and those who love them or who are in love with them / by Ramey, Emilia Murry.(CARDINAL)487564; Ramey, Jody John.(CARDINAL)487565;
Includes bibliographical references (page 121) and index.Setting the stage -- What is dating, courting, and friendship -- Meeting and greeting -- Friendship to dating -- When should you adjust your relationship status -- Encounters with physical intimacy -- Conclusions and joint analysis -- Call to action -- Moving toward marriage or other types of long-term commitment.For people on the autism spectrum, dating is often an elusive art form, requiring the very skills in communication and social perception that don't come naturally to them.
Subjects: Biographies.; Ramey, Emilia Murry.; Ramey, Jody John.; Autism; Autistic people; Autistic people; Courtship.; Dating (Social customs);
Available copies: 1 / Total copies: 1
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Patterns / by Bryant-Mole, Karen.(CARDINAL)435446; Mukhida, Zul,illustrator.(CARDINAL)373919; Bryant-Mole, Karen.Pattern.(CARDINAL)660328;
Using objects like socks, toothbrushes, and fruit, Mortimer the teddy bear helps the reader learn to recognize and form simple patterns.
Subjects: Pattern perception; Pattern perception;
Available copies: 3 / Total copies: 5
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Artforms : an introduction to the visual arts / by Preble, Duane.(CARDINAL)279231; Preble, Sarah.(CARDINAL)279230;
Includes bibliographical references (pages 516-518) and index.
Subjects: Composition (Art); Visual perception.; Art; Aesthetics.;
Available copies: 1 / Total copies: 1
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Art as experience / by Dewey, John,1859-1952.(CARDINAL)142234;
Includes bibliographical references and index.The live creature -- The live creature and "etherial things" -- Having an experience -- The act of expression -- The expressive object -- Substance and form -- The natural history of form -- The organization of energies -- The common substance of the arts -- The varied substance of the arts -- The human contribution -- The challenge to philosophy -- Criticism and perception -- Art and civilization.
Subjects: Aesthetics.; Experience.;
Available copies: 1 / Total copies: 1
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Power to reinvent yourself : how to break the destructive patterns in your life / by Frenn, Jason.(CARDINAL)494485;
Discover your why -- Change your perceptions -- Break the cycle of destructive behavior -- Form godly habits -- Choose to forgive -- Overcome with the help of others.
Subjects: Change (Psychology); Christian life.;
Available copies: 1 / Total copies: 2
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Form / by Guasch, Gemma.; Asunción, Josep.;
Form in visual language -- Form and visual perception -- The limits and structure of form -- Typology and characteristics of form -- Form in the painting -- Form and personal expression -- Experimenting with form -- Form in living nature -- Creative approach 01: volumetric, organic, and curvilinear forms -- Composition with the fruits of autumn: analyzing their structure and volume -- Creative approach 02: linear, twisted, and sinuous forms -- Trunks, branches, and roots: discovering their expression and poetry -- Creative approach 03: animal, and living forms -- Galloping horses: how to develop their masses and lines of force -- Form in still life -- Creative approach 04: bright, transparent, and reflecting forms -- Transparencies, highlights, and reflections in glass objects: finding forms within other forms -- Creative approach 05: modulated, textile, and folded forms -- The knot: expression with wrinkles, folds and tension -- Creative approach 06: cubist, angular, and geometric forms -- A still life composition: deconstructing a scene to create new forms -- Creative approach 07: flat, architectural, and irregular forms -- The room: discovering the forms of interior spaces -- Form in the landscape -- Creative approach 08: atmospheric, weightless, and blurred forms -- The sky: experimenting with a spectacle of changing forms -- Creative approach 09: spatial, juxtaposed, and divided forms -- Panoramic mountain view: defining forms in a deep space -- Creative approach 10: liquid, aqueous, and flowing forms -- The sea, source of forms: creating based on its magic -- Form in the human figure -- Creative approach 11: synthetic, descriptive, and bordering forms -- The outline: suggesting anatomy using the poetry of the line -- Creative approach 12: corporeal, modeled, and contrasted forms -- The nude: revealing the form with chiaroscuro -- Creative approach 13: divided, inserted, and futurist forms -- The figure in movement: interpreting the forms that generate dynamism -- Forms in abstraction -- Creative approach 14: twisting, gestural, and organic abstract forms -- The universe in a nutshell: abstraction based on a specific form -- Creative approach 15: geometric, graphic, and planimetric abstract forms -- The city: generating abstract forms from geometric structures.
Subjects: Painting; Form (Aesthetics);
Available copies: 1 / Total copies: 1
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