Search results for [Voice Squad (Musical group)] at NC Cardinal

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Celtic connnections the album [sound recording]. by MacLean, Dougie.; Bain, Aly.; McNeill, Brian(Musician); MacPhee, Catherine-Ann.; Fraser, Alasdair.; Machlis, Paul.; Heywood, Heather.; Altan (Musical group); Boys of the Lough.; Ceolbeg (Musical group); Cherish the Ladies (Musical group); Déanta (Musical group); Dervish (Musical group); Gaugers (Musical group); Iron Horse Band.; Old Blind Dogs (Musical group); Voice Squad (Musical group); Wolfstone (Musical group);

Zito the Bubblema / Ceolbeg (2:48) -- The Hills of Greenmore / Dervish (3:58) -- Gloomy Winter's Now Awa / Dougie Maclean (3:56) -- Annalese Bain (Set) / Aly bain (2:23) -- The Lakes of Pontchartrain / Deanta (4:57) -- The Hen's march / The iron horse (4:03) -- Muir and the Master Builder / Brian Mcneill (6:21) -- Mile Marbhphaisg Air A' Ghaol / Catherine-Ann Macphee (4:37) -- The brown and yellow ale / The voice squad (3:33) -- The twa corbies / Old blind Dogs (3:28) -- Tatties & Herrin / The Gaugers (3:17) -- A Nochd gur faoin mo chadal dhomh / Alasdair Fraser & Paul Machlis (2:50) -- Humours of Andytown (set) / Altan (3:12) -- Erin gra mo chroi / Boys of the Lough (4:44) -- The Cameronian set / Cherish the Ladies (5:23) -- Auld Lang Syne / The Cast: Mairi Campbell & Dave Francis (4:04) -- Double Tise set / Wolfstone (5:17)

Subjects: Folk music; Folk music;

Available copies: 1 / Total copies: 1

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Batman. [videorecording] / by Oliva, Jay,director.; Spaulding, Ethan,director.; Corson, Heath,screenwriter.(CARDINAL)621106; Baker, Troy,1976-,voice actor.; Conroy, Kevin,voice actor.; Jarvis, Martin,voice actor.(CARDINAL)355308; Walch, Hynden,voice actor.; Pounder, C. C. H.,voice actor.(CARDINAL)271206; Warner Home Video (Firm)(CARDINAL)218485;

Music: Robert J. Kral; editor, Christopher D. Lozinski.Troy Baker, Kevin Conroy, Martin Jarvis, Hynden Walch, C.C.H. Pounder.When the government teams up a group of supervillains with the code name Suicide Squad and forces them to break into Arkham Asylum to bring back top secret information the Riddler has stolen, Batman soon becomes involved. But things go from bad to worse when one of the Squad (Harley Quinn) frees the Joker, who has the means to not only blow up the asylum, but most of Gotham City as well.Rated PG-13; violence, sexual content and language.DVD, NTSC, region 1, widescreen, Dolby digital.

Subjects: Animated films.; Fiction films.; Superhero films.; Feature films.; Batman (Fictitious character); Superheroes; Supervillains;

Available copies: 5 / Total copies: 6

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Iron Man, armored adventures. [videorecording] / by Juffé, Stéphanedirector.; Guyenne, Philippedirector.; Petriw, Adrian,1987-voice actor. (CARDINAL)838551; Cummer, Anna,1977-voice actor.; Bacon, Danielvoice actor.; Gray, Mackenzie(Alexander Mackenzie),1957-voice actor.; Lee, Stan,1922-2018creator.(CARDINAL)173159; DQ Entertainment Limited. ; France 2. ; Isle of Man Film Limited. ; LuxAnimation (Firm) ; Marvel Entertainment Group. (CARDINAL)346336; Method Animation. ;

Iron, forged in fire : part 1 -- Iron, forged in fire : part 2 -- Secrets and lies -- Cold war -- Whiplash -- Iron Man vs. the Crimson Dynamo.Voices: Adrian Petriw, Anna Cummer, Mackenzie Gray, Daniel Bacon.Tony Stark is a genius inventor that managed to create his Iron Man armor while still attending high school. After his father is killed, it's up to his friends Rhodey and Pepper to help him piece together what exactly happened, and take his first steps toward becoming a hero.TV rating: Not rated.DVD, Dolby digital, NTSC, region 1.

Subjects: Children's television programs.; Superhero television programs.; Science fiction television programs.; Action and adventure television programs.; Animated television programs.; Fiction television programs.; Film adaptations.; Drama.; Lee, Stan, 1922-2018; Iron Man (Fictitious character); Superheroes; Inventors; Good and evil; Genius;

For private home use only.

Available copies: 2 / Total copies: 2

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The candy house : a novel / by Egan, Jennifer,author.;

"The Candy House opens with the staggeringly brilliant Bix Bouton, whose company, Mandala, is so successful that he is "one of those tech demi-gods with whom we're all on a first name basis." Bix is 40, with four kids, restless, desperate for a new idea, when he stumbles into a conversation group, mostly Columbia professors, one of whom is experimenting with downloading or "externalizing" memory. It's 2010. Within a decade, Bix's new technology, "Own Your Unconscious"-that allows you access to every memory you've ever had, and to share every memory in exchange for access to the memories of others-has seduced multitudes. But not everyone. In spellbinding interlocking narratives, Egan spins out the consequences of Own Your Unconscious through the lives of multiple characters whose paths intersect over several decades. Intellectually dazzling, The Candy House is also extraordinarily moving, a testament to the tenacity and transcendence of human longing for real connection, love, family, privacy and redemption. In the world of Egan's spectacular imagination, there are "counters" who track and exploit desires and there are "eluders," those who understand the price of taking a bite of the Candy House. Egan introduces these characters in an astonishing array of narrative styles-from omniscient to first person plural to a duet of voices, an epistolary chapter and a chapter of tweets. If Goon Squad was organized like a concept album, The Candy House incorporates Electronic Dance Music's more disjunctive approach. The parts are titled: Build, Break, Drop. With an emphasis on gaming, portals, and alternate worlds, its structure also suggests the experience of moving among dimensions in a role-playing game. The Candy House is a bold, brilliant imagining of a world that is moments away. Egan takes to stunning new heights her "deeply intuitive forays into the darker aspects of our technology-driven, image-saturated culture" (Vogue). The Candy House delivers an absolutely extraordinary combination of fierce, exhilarating intelligence and heart."--

Subjects: Psychological fiction.; Science fiction.; Novels.; Social media; Technology; Memory; Social media.;

Available copies: 90 / Total copies: 100

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The well tempered listener / by Taylor, Deems,1885-1966.(CARDINAL)124683;

Makers : 1. The old contemporarie : Thoughts on meeting three old-timers ; Beethoven draws the line ; The wrong-note school, and how not to make an omelet ; Music as a branch of haut couture ; The unfashionable immortals -- 2. Guesswork : Bach at saint Soandso's, Mozart on a fellowship, Beethoven on a postage stamp, Berlioz in the middle west, and Wagner in Hollywood -- 3. More of the same : Concerning five who lived through a lot of trouble, and what they might do about it now ; The unimportance of crisis -- 4. Down, but hardly out : The background of an all-Wagner program ; Free-for-all in Magdeburg, trouble in Riga, more in London, most in Paris ; Respite in Dresden ; The exiled 49-er ; Bad news in Moscow ; Sunrise in Stuttgart ; The scarcity of mute Miltons -- 5. Five who died young : Concerning a group who left early, and what might have happened if they had stayed -- 6. The twilight of the gods : How mortal is an immortal? ; The infancy of an art and the difficulty of putting things down ; The struggle for elbowroom ; Survival in an album -- 7. The flood : More on survival ; 2039 looks back on the golden age -- 8. The great divide : The stage versus the platform ; The nonco-operative philosopher and the accommodating journalist ; What Puccini can do in fourteen minutes ; Wagner proves the rule ; So, incidentally, does Strauss -- 9. The fruits of condescension : The art of finding a bad opera book, and the discovery that music isn't everything ; The happy-go-lucky Russians ; Rimsky-Korsakoff stops the show -- 10. Piotr the great : Tchaikovsky worries a devotee ; Off days of the titans ; Strauss's paper music and Shakespeare the bromide ; Concerning one who said things first, and where did he get them? -- 11. The perennial victor : Uncritical ravings of an addict, interspersed with a few reminiscences of one of the minor great.12. The fat man of Passy : Origins of a genius ; Opera by the yard ; Nineteen years on the road ; The fall and rise of a barber ; Rossini waits for an overdue muse and circulates a few legends ; The swing mass -- 13. How Spillville helped : An innkeeper serves free beer, and his son turns down a silver spoon ; The polka that didn't come off, and the job that eventually did ; Brahms takes a hand and London approves ; The national conservatory ; Where Spillville comes in -- 14. Branded : Concerning the unwelcome children of a group of remorseful fathers -- 15. Finders, keepers : Remarks about family resemblances ; Who stole from whom? ; The ethics of robbing a stranger ; Unfortunate misstep of a critic ; How the playwrights and novelists feel about it ; Great men who happen to think of the same thing ; What Brahms said, and what he did with it -- 16. Guest speaker : Mr. Macdonald takes the floor ; On staring composers out of countenance, and bothering too much about personality ; What composers think of their music and how wrong they may be ; Kreisler and the eighteenth-century outrage ; Taps and the dinner call ; Never mind who did it -- 17. What makes it tick : How a composer begins, what he does in the middle, and where, if possible, he ends -- 18. Music a la carte : Hindemith and the first-rate carpenter ; A few notes on shoes ; Some who cobbled to fit ; Tchaikovsky on 1812 ; What the patrons wanted ; Music for an oil well, and the impossibility of making a useful citizen out of a composer -- 19. Aid and comfort : Where are the tunes? ; Two opinions, with explanations by Shelley and Millay ; Horror of the shelleyites ; The composers break away ; On the importance of being not too earnest.The givers : 1. The necessary evil : Pious hope of a guest conductor ; The dream of a self-starting orchestra, and the deaf-and-blind orchestra musician ; How to forget a conductor -- 2. A little rope, please : The unavoidability of giving a conductor leeway ; Sheet music as a blueprint ; How loud is pretty loud? ; Wherein Beethoven and Ravel were wrong and also right -- 3. How right is "correct"? : The advisability of disobeying orders on occasion ; Disagreements among oboes, and impossibility of keeping out of the way ; Smith, Jones, and Cesar Franck, and the futility of awarding a blue ribbon -- 4. The devil and the deep sea : A rebellious listener wants to know why ; The conductor and his "must" list ; Telepathy among the program builders -- 5. Bill of fare : Programs and cookery, with suggestions concerning what not to serve, and when ; Tristan as a sedative ; We wax specific -- 6. The irrational art : A scientist scowls at music ; The impossible violin and the regrettable piano ; How to play an imaginary horn and a nonexistent trumpet, in a scale that is all wrong ; A hint from the track team concerning the stubborn human ear -- 7. Sir Jame's umbrella : Conclusions of an astrophysicist after photographing a touch ; How a pianist pulls the trigger and steps on the brake ; Five behind a screen ; The first mate keeps the log ; Improbability of a one-note concert ; Four ways of fooling an audience -- 8. First you hear it : The shortcomings of an ear, and the difficulty of singing by one -- 9. The high-polish question : Intention and achievement and the esthetic innocence of movie houses ; The importance of giving a show, and the amateurishness of professionals ; A note on gilded violins and Iturbi in a green sash.10. Hoking it up : On relieving the strain of good singing ; The cheerful classic and the despondent hit -- 11. Bach in the grove : A president writes a letter, and bach writes a few hits ; Why not jail brahms? ; On the toughness of masterpieces and the inadvisability of writing to the times -- 12. Beethoven goes to town : Concerning the senility of swing, with a glance at Beethoven in a jam session -- 13. Hands across the C's : Singing as a branch of athletics ; A friend telephones ; His ancestor gives a party, with Mozart also present ; Of personality, and the conduct of an artist in the presence of his monster -- 14. Too good to learn : Sixteen conductors and how they grew ; The American who hates to learn his tribe -- 15. Woman's place : The lonely harpist and her nonexistent sister ; The flute runs away with the horn ; Concerning hereditary woodwinds and the social standing of an oboe -- 16. To play's the thing : Distressing incident in Connecticut ; Junior finds a champion ; The paramount importance of useless information, with no reference to Mrs. Gimmick ; The risk of sitting down at the piano ; On understanding tennis and knowing music from the inside ; The usefulness of banging and the fun of playing in a crowd -- 17. Portrait of an artist : The pursuer who never traveled ; Jascha takes a few trips to the moon ; The perfect craftsman and the hall that was cool for pianists ; Close-ups of a miracle ; Schmalz, and the reward of getting along without it ; The jealous Strad and the off-stage genius ; Heifetz and his rival.The hearers : 1. The violent ward : One who wept, and why ; Music gets into politics ; The danger of hating the wrong thing, and the difficulty of writing propaganda music ; Race and music, and the Wagner question -- 2. Euterpe and the Gestapo : Revolutionary music -- or is it? ; Three nations listen to a tune ; Tannhauser and his military march ; Those who play the words instead of the music ; A voice from not so long ago -- 3. Saying it with music : This program-music business ; Where the classic masters stopped and where Berlioz and Company began ; The value of a springboard and the utility of being told what to paint ; The "tell us a story" tendency, with a horrible example ; The trouble with labels -- 4. Landmark : Concerning a man who upset the orchestral applecart, together with remarks, by himself and others, about the first tone poem -- 5. All things to all men : The professor makes an experiment, with dire results ; Lohengrin and Gurnemanz sing a serenade ; The accommodating Valkyries -- 6. Culture the hard way : Thoughts inspired by a baffled attempt to read a book -- 7. A share of the air : The girl who kept a record ; Critics of radio and what they overlook ; Filling an eighteen-hour day ; One week's record, together with other rather dull statistics -- 8. Other people's poison : The necessity for bad music ; Grim reflections after a radio poll.9. The latecomers : The awkwardness of being introduced to Stravinsky just after meeting Brahms -- 10. Making the most of it : The small soprano and the ten-dollar set ; How to find good music on the air, and what to do about it when you have found it -- 11. The lighter side : The solemn listener and the frivolous classic ; Reflections on not being too suspicious of attractive strangers -- 12. Never mind the three B's : The American composer and the search for a champion ; Sherwood and Shakespeare ; The moral of Arizona, and the inadvisability of worrying about posterity -- 13. The swish of the bow : Six who did not look like a firing squad ; Bach and his amateurs ; Reflections concerning varieties of off-the-record music -- 14. Richard and Joseph -- and you : The stop and go schools ; Wherein is shown how Wagner shushes a listener and Verdi eggs him on -- 15. The judgment seat : The ideal music critic, what he must know and be, and where he will go when he is found ; The American critic and his annual nervous breakdown -- 16. The useful pest : Chronicler, guide, salesman, and guardian of the flame ; The trouble with critics, and how to pick a good one -- 17. Mark Twain and I : Complaints of a great American and a modern listener ; An excursion into autobiography, with particular reference to glee clubs and the contrasting musical privileges of two generations.

Subjects: Music.; Music appreciation.;

Available copies: 1 / Total copies: 1

On-line resources: Suggest title for digitization;

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G-Force [videorecording]/ by Bazelli, Bojan.(CARDINAL)815196; Hellmann, Jason.; Goldblatt, Mark.(CARDINAL)706928; Bruckheimer, Jerry.(CARDINAL)346576; Wibberley, Cormac.(CARDINAL)824835; Wibberley, Marianne.(CARDINAL)824836; Yeatman, Hoyt.(CARDINAL)825170; Nighy, Bill,1949-(CARDINAL)342874; Arnett, Will.(CARDINAL)344060; Galifianakis, Zach.(CARDINAL)341241; Cage, Nicolas,1965-(CARDINAL)769314; Rockwell, Sam.(CARDINAL)357061; Favreau, Jon.(CARDINAL)810808; Cruz, Penélope.(CARDINAL)686421; Buscemi, Steve,1957-(CARDINAL)342890; Morgan, Tracy,1968-(CARDINAL)547987; Rabin, Trevor.(CARDINAL)784942; James, David P. I.(CARDINAL)873381; Jerry Bruckheimer Films.(CARDINAL)786529; Walt Disney Pictures.(CARDINAL)346896; Walt Disney Studios Home Entertainment (Firm)(CARDINAL)561474;

Director of photography, Bojan Bazelli ; editors, Jason Hellmann, Mark Goldblatt ; music, Trevor Rabin.Voices: Nicolas Cage, Sam Rockwell, Jon Favreau, Penelope Cruz, Steve Buscemi, Tracy Morgan.Bill Nighy, Will Arnett, Zach Galifianakis.Armed with the latest high-tech spy equipment, a covert government program of trained guinea pigs discover that the fate of the world is in their paws. Darwin is the squad leader determined to succeed at all costs; Blaster is an outrageous weapons expert with tons of attitude and a love for all things extreme; and Juarez, a sexy martial arts pro. Joining the group is Mooch, the literal fly-on-the-wall reconnaissance expert, and star-nosed mole Speckles, the computer and information specialist. The team takes on a mission for the U.S. government to stop the evil billionaire Leonard Saber who plans to destroy the world with household appliances. Before they can accomplish their mission, the government shuts them down and they are sentenced to a pet shop. There, they encounter a myriad of other members of the animal kingdom, including the lazy Hurley and hamster Bucky. They will escape the cage to defeat the villain, stop his threat, and save the world.MPAA rating: PG; for some mild action and rude humor.DVD, region 1, NTSC ; widescreen (2.40:1) presentation ; Dolby Digital 5.1 surround.

Subjects: Video recordings.; Feature films.; Action and adventure films.; Video recordings for the hearing impaired.; Children's films.; Fantasy films.; Drama.; Guinea pigs; Spies; Espionage; Pet shops; Household appliances; Spanish language materials; French language materials;

For private home use only.

Available copies: 27 / Total copies: 49

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