Search results for [Triptych Media.] at NC Cardinal

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The girl king [videorecording] / by Birn, Laura,1981-actor.; Bouchard, Michel Marc,1958-screenwriter.; Bryant, Lucas,actor.; Buska, Malin,1984-actor.; Dufaux, Guy,1943-director of photography.; Funck, Hans,editor of moving image work.; Gadon, Sarah,1987-actor.; Kaurismäki, Mika,film director,producer.; Nyqvist, Michael,1960-2017actor.(CARDINAL)342354; Tikanmäki, Anssi,composer (expression).; Anagram Produktion (Firm),production company.; Galafilm Inc.,production company.(CARDINAL)215093; Marianna Films (Firm),production company.; Starhaus Filmproduktion,production company.; Triptych Media, Inc.,production company.; Wolfe Video (Firm),film distributor.;

Director of photography, Guy Dufaux; music, Anssi Tikanmäki; editor, Hans Funck.Malin Buska, Sarah Gadon, Michael Nyqvist, Lucas Bryant, Laura Birn.A depiction of several years in the life of the seventeenth century Queen Kristina of Sweden, the 'Girl King.'Not rated.DVD, NTSC, region 1; widescreen; 5.1 surround. 2.0 stereo.

Subjects: Biographical films.; Feature films.; Historical films.; Video recordings for the hearing impaired.; Christina, Queen of Sweden, 1626-1689; Lesbians;

Available copies: 1 / Total copies: 1

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Falling angels [videorecording] / by Adams, Kristin,1982-; Cass, Robin.; Gagné, Monté.; Gowdy, Barbara.(CARDINAL)767002; Isabelle, Katharine.; McKinney, Mark.; Rennie, Callum Keith,1960-; Richardson, Miranda.; Smith, Scott.(CARDINAL)182759; Spalding, Esta.(CARDINAL)634095; Film Movement.; Minds Eye Pictures.; RB Publishing.; Wild Bunch.;

Robin Cass, producer ; screenplay, Esta Spalding ; Scott Smith, director.Miranda Richardson, Callum Keith Rennie, Katharing Isabelle, Monté Gagné, Kristin Adams, Mark McKinney.A story of three sisters coming of age in a wildly dysfunctional family in the 1960s.This movie is not subject to rating by the MPAA ; this film is not recommended for ages under 17 without parental permission.DVD.

Subjects: Comedy films.; Sexual abuse victims; Sisters;

Available copies: 1 / Total copies: 1

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The republic of love [videorecording] / by Shields, Carol,author.(CARDINAL)711735; Mehta, Deepa,1949-director.; Spalding, Esta,screenwriter.(CARDINAL)634095; Stratton, Anna,producer.; Baines, Julie,producer.; Greenwood, Bruce,1956-actor.; Fox, Emilia,1974-actor.(CARDINAL)432489; Fox, Edward,1937-actor.; Henry, Martha,actor.(CARDINAL)291696; Rubeš, Jan,1920-2009,actor.(CARDINAL)848295; Farmer, Gary,1953-actor.; Bloom, Claire,1931-actor.(CARDINAL)340735; Singh, Talvin,composer.; Farrell, Barry,film editor.(CARDINAL)844127; Dan Films.; Film Consortium and Film Council (Firm); Film Movement (Firm)(CARDINAL)344832; Triptych Media.; Works (Firm);

Director of photography, Douglas Koch ; production designer, Sandra Kybartas ; music by Talvin Singh ; editor, Barry Farrell.Bruce Greenwood, Emilia Fox, Edward Fox, Martha Henry, Jan Rubes, Gary Farmer, and Claire Bloom.A romantic comedy about the barriers facing lovers in the 21st century. Tom is a charismatic late-night radio talk show host whose unconventional upbringing has made him a little too quick to fall in love. Fay is an academic whose expectations are impossibly high as a result of the living perfection that is her parents' marriage.Not recommended for ages under 17.DVD player required ; sound mix, 5.1 Surround Sound.

Subjects: Love stories.; Comedy films.; Feature films.; Motion pictures, Canadian.; Feature films.; Romantic comedy films.; Women;

Available copies: 1 / Total copies: 1

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Autumn hearts [videorecording] : a new beginning / by Barzman, Paolo.; Byrne, Gabriel,1950-; Cohen, Matt,1942-1999.Emotional arithmetic.; Plummer, Christopher.(CARDINAL)344895; Sarandon, Susan,1946-(CARDINAL)182764;

Gabriel Byrne, Christopher Plummer, Susan Sarandon, Max von Sydow, Roy Dupuis, Dakota Goyo, Regan Jewitt, Alexandre Nachi.Old passions and painful memories resurface when three Holocaust survivors are reunited after more then thirty years apart.MPAA rating: PG-13.DVD, Dolby digital 5.1 surround.

Subjects: Feature films.; Fiction films.; Film adaptations.; Foreign films; Motion pictures, Canadian.; Video recordings for the hearing impaired.; Cohen, Matt, 1942-1999; Concentration camps; Holocaust survivors; Holocaust, Jewish (1939-1945); Married people;

For private home use only.

Available copies: 8 / Total copies: 9

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The archive / by Merewether, Charles.(CARDINAL)272224;

Includes bibliographical references (pages 197-201) and index.A note upon the mystic writing-pad, 1925 / Sigmund Freud -- Research and presentation of all that remains of my childhood 1944-1950, 1969 / Christian Boltanski -- The historical a priori and the archive, 1969 / Michel Foucault -- The philosophy of Andy Warhol (from A to B and back again), 1975 / Andy Warhol -- The man who never threw anything away, c. 1977 / Ilya Kabakov -- The archive and testimony, 1989 / Giorgio Agamben -- Working through objects, 1994 / Susan Hiller -- Survival : ruminations on archival lacunae, 2002 / Renée Green -- A short history of photography, 1931 / Walter Benjamin -- Archives, documents, traces, 1978 / Paul Ricoeur -- The body and the archive, 1986 / Allan Sekula -- Archive fever, 1995 / Jacques Derrida -- Interview with Jürgen Harten and Katharina Schmidt, 1972 / Marcel Broodthaers -- Gerhard Richter's Atlas : the anomic archive, 1993 / Benjamin H. D. Buchloh -- Against the camera, for the photographic archive, 1994 / Margarita Tupitsyn -- The model of the sciences, 1997 / Anne Moeglin-Delcroix -- Politics of cultural heritage, 1999 / subREAL (Cãlin Dan and Josif Kiraly) -- Interview with Okwui Enwezor, 2000 / Thomas Hirschhorn -- A language to come : Japanese photography after the event, 2002 / Charles Merewether -- "The camera made me do it" : Nicole Jolicoeur, female identity and troubling archives, 2004 / Patricia Levin and Jeanne Perrault -- An archival impulse, 2004 / Hal Foster -- From enthusiasm to the creative commons : interview with Anthony Spira, 2005 / Neil Cummings and Marysia Lewandowska -- A triptych (abc), 1976-80 / Eugenio Dittborn -- Archives of the fallen, 1997 / Charles Merewether -- The Rani of Sirmur : an essay in reading the archives, 1985, 1999 / Gayatri Chakravorty Spivak -- First information report, 2003 / Raqs Media Collective -- Archigraphia : on the future of testimony and the archive to come, 2002 / Dragan Kujundzic -- The secrets file, 2002 / the Atlas Group Archive -- The operator # 17 file, 2000 / the Atlas Group Archive -- Let's be honest, the rain helped, 2004 / the Atlas Group -- Photographic documents : excavation as art, 2006 / Akram Zaatari -- Sans titre/untitled : the video installation as an active archive, 2006 / Jayce Salloum.

Subjects: Archives.; Art archives.; Archival resources.; Museums;

Available copies: 1 / Total copies: 1

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Children of the state : stories of survival and hope in the juvenile justice system / by Hobbs, Jeff,1980-author.(CARDINAL)483076;

"Very little has been written about juvenile justice. In the greater consciousness, the word "justice" in this context has been leeched of meaning; it just signifies prison for kids. But to those living and working in various capacities within that system, the word "justice" holds a sepulchral gravity. In Children of the State, bestselling author Jeff Hobbs presents three different true stories that show the day-to-day life and the existential challenges faced by those living and working in juvenile programs: educators, counselors, administrators, and-most importantly-children. While serving a year-long detention in Wilmington, DE-perennially one of the violent crime capitols of America-a bright but stunted young man considers the benefits and also the immense costs of striving for college acceptance while imprisoned. A career juvenile hall English Language Arts teacher struggles to align the small moments of wonder in her work alongside its overall statistical futility, all while the city government presumes to design a new juvenile system without cinderblocks-and possibly without those teaching in the current system. A territorial fistfight in Paterson, NJ is characterized by the media as a hate crime, and the boy held accountable for that crime seeks redemption and friendship in a rigorous Life & Professional Skills class in lower Manhattan. These stories are followed to their knotty conclusions in triptych form. In chronicling the work of this constellation of people trying to accomplish good work in abjectly horrible systems and circumstances, Children of the State asks: What should society do with young people who have made terrible decisions? For many kids, a woeful mistake made at age thirteen or fourteen will resonate through the rest of their lives, making high school difficult, college nearly impossible, and a middle class life a foolish fantasy. To observe these missteps and raw challenges and small triumphs from shoulder height, through the experiences of thinking, feeling, poignant young people, is to be moved to consider altering the fixed narrative currently laid out of them. As Hobbs demonstrates in piercing, vivid prose: No one so young should ever be considered irredeemable."--

Subjects: Case studies.; Juvenile delinquents; Juvenile delinquents; Juvenile justice, Administration of;

Available copies: 20 / Total copies: 21

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Nobody's magic [large print] by Birdsong, Destiny O.,1981-author.;

"In this glittering triptych novel, Suzette, Maple and Agnes, three Black women with albinism, call Shreveport, Louisiana home. At the bustling crossroads of the American South and Southwest, these three women find themselves at the crossroads of their own lives. Suzette, a pampered twentyyearold, has been sheltered from the outside world since a dangerous childhood encounter. Now, a budding romance with a sweet mechanic allows Suzette to seek independence, which unleashes dark reactions in those closest to her. In discovering her autonomy, Suzette is forced to decide what she is willing to sacrifice in order to make her own way in the world. Maple is reeling from the unsolved murder of her free spirited mother. She flees the media circus and her judgmental grandmother by shutting herself off from the world in a spare room of the motel where she works. One night, at a party, Maple connects with Chad, someone who may understand her pain more than she realizes, and she discovers that the key to her mother's death may be within her reach. Agnes is far from home, working yet another mind numbing job. She attracts the interest of a lonely security guard and army veteran who's looking for a traditional life for himself and his young son. He's convinced that she wields a certain magic, but Agnes soon unleashes a power within herself that will shock them both and send her on a trip to confront not only her family and her past, but also herself. This novel, told in three parts, is a searing meditation on grief, female strength, and selfdiscovery set against a backdrop of complicated social and racial histories. Nobody's Magic is a testament to the power of family--the ones you're born in and the ones you choose. And in these three narratives, among the yearning and loss, each of these women may find a seed of hope for the future"--

Subjects: Novels.; Domestic fiction.; Large print books.; African American women; People with albinism; Albinism; Albinism in animals; Man-woman relationships; Self-actualization (Psychology) in women; Families; Interpersonal relations;

Available copies: 4 / Total copies: 6

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Nobody's magic / by Birdsong, Destiny O.,1981-author.;

"In this glittering triptych novel, Suzette, Maple and Agnes, three Black women with albinism, call Shreveport, Louisiana, home. At the bustling intersection of the American South and Southwest, these three women find themselves at the crossroads of their own lives. Suzette, a pampered twenty-year-old, has been sheltered from the outside world since a dangerous childhood encounter. Now, a budding romance with a sweet mechanic allows Suzette to seek independence, which unleashes dark reactions in those closest to her. In discovering her autonomy, Suzette is forced to decide what she is willing to sacrifice in order to make her own way in the world. Maple is reeling from the unsolved murder of her free-spirited mother. She flees the media circus and her judgmental grandmother by shutting herself off from the world in a spare room of the motel where she works. One night, Maple connects with Chad, someone who may understand her pain more than she realizes, and discovers that the key to her mother's death may be within her reach. Agnes is far from home, working yet another mind-numbing job. She attracts the interest of a lonely security guard and army veteran who's looking for a traditional life for himself and his young son. He's convinced that she wields a certain "magic," but Agnes soon unleashes a power within herself that will shock them both and send her on a trip to confront not only her family and her past, but also herself. This novel, told in three parts, is a searing meditation on grief, female strength, and self-discovery set against a backdrop of complicated social and racial histories. Nobody's Magic is a testament to the power of family-the ones you're born in and the ones you choose. And in these three narratives, among the yearning and loss, each of these women may find a seed of hope for the future"--

Subjects: Novels.; Domestic fiction.; African American women; People with albinism; Albinism; Albinism in animals; Man-woman relationships; Self-actualization (Psychology) in women; Families; Interpersonal relations;

Available copies: 24 / Total copies: 34

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Collecting early modern art (1400-1800) in the U.S. South / by Estevez, Lisandra,editor,writer of introduction,contributor.(CARDINAL)884062; Abramovich, Lucia,contributor.; Budd, Denise M.,contributor.; Clifton, James,1958-contributor.(CARDINAL)269713; Culotta, Alexis R.,contributor.(CARDINAL)856134; Humphrey, Lyle,contributor.(CARDINAL)336053; Martin, Floyd W.,contributor.; Pauly, Sandra,contributor.; Schindler, Robert,1975-contributor.(CARDINAL)856135; Cambridge Scholars Publishing,publisher.;

Includes bibliographical references.NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,NCMA Collection,This volume gathers together recent research from leading scholars specializing in the history of collecting. American Southern art collections, both public and private, contain rich and representative holdings of Renaissance and Baroque art which remain understudied, compared to the collections bracketing the east and west coasts of the United States. This anthology considers how these works of art were acquired for both prominent public and private collections, how they have been curated and displayed in exhibitions, and how they have also been preserved historically. Individual essays address a variety of art media representative of the early modern period in Europe and the Americas. Case studies of specific works of art, collections, and collectors address the broad geographic scope of Southern collections, inclusive of Washington, DC, the Carolinas, Georgia, Alabama, Louisiana, Arkansas, and Texas.

Subjects: Catalogs.; North Carolina Museum of Art; Art museums; Art museums; Art, Baroque; Art, Baroque; Art, High Renaissance; Art, High Renaissance; Art; Art;

Available copies: 1 / Total copies: 1

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Sean Scully : LA deep. by Scully, Sean,1945-artist.(CARDINAL)179443; Lisson Gallery (Los Angeles, Calif.),publisher,host institution.(CARDINAL)885576;

Sean Scully returns to Los Angeles almost 50 years after making his US debut there, unveiling a selection of new and older works at Lisson's recently-launched LA space. Celebrating the development of his practice over five decades, this era-spanning exhibition draws formal and conceptual resonances between Scully's earliest grid paintings, which were first shown in Santa Monica in 1975, all the way forward to equally innovative, large-scale works from 2023. Scully's so-called Supergrid series of works began while still a student in London and Newcastle in the UK during the 1960s, progressing towards a sophisticated language of overlapping, interwoven stripes painted between taped boundaries. Influenced by his tutor Ian Stephenson, whose dripped and dotted paintings featured in Michelangelo Antonioni's Swinging Sixties film Blow Up, Scully began working on his own complex, focus-pulling compositions that likewise refused to fully reveal themselves at first sight, allowing only glimpses into its structure and necessitating prolonged viewing times. In epic feats of labor and painterly engineering, Scully built up dozens of horizontal and vertical lines, only to intensify this grid with multiplying layers of crisscrossing diagonals, creating expansive panels that exceeded even his tall frame and bodily span.Perhaps the apotheosis of this period is Scully's monumental work, Blaze (1971), a dizzying matrix of neon pinks, sports-car reds and flame-licked yellows. Subtlety and variation in color treatment followed in the similarly dynamic and optically disorienting square field of Second Order ư (1974), while the space between surface and ground is further disrupted by Final Grey ư (1974), which still features the strips of tape clinging to the work and providing another porous and translucent framework. This knotty, woven texture reappears half a century later in the newest painting here, entitled Dark In (2023). The brushmarks have long ago loosened, widened and now incorporate many more than a single, bold color in each sweep, following more naturalistic and gestural shades and contours in comparison to the sleek, rectilinear lines of the 1970s. Here too the picture plane is broken up, though not by tape, but by an inserted aluminum panel of a newly rotated and concentrated lattice work. Among other newer paintings are two recent triptychs, including the centrally located Guadalupe (2022), which revisits the scale and ambition of Blaze, only now the eye is moved between chunky, rugged blocks of unfathomably deep moss-green and maroon hues, which sit on a buzzing, glowing, chessboard backdrop. In the intervening years between these disparate bodies of gridded paintings, Scully himself moved to the US fulltime in 1975, settling in New York after a long cross-country road trip. He has returned many times since to show in California, with his own written recollections and photographs of these formative visits included in an accompanying catalogue to this exhibition, also featuring texts by art critics Peter Frank and Donald Kuspit. -- Taken from Gallery's website :Sean Scully is one of the most important painters of his generation, whose work is held in major museum collections around the world. While known primarily for his large-scale abstract paintings, comprised of vertical and horizontal bands, tessellating blocks and geometrical forms comprised of gradated and shifting colours, Scully also works in a variety of diverse media, including printmaking, sculpture, watercolour and pastel. Having developed a style over the past five decades that is uniquely his own, Scully has cemented his place in the history of painting. His work synthesises a thoroughly international collection of influences and personal perspectives - ranging from the legacy of American abstraction, with inspiration from the likes of Mark Rothko and Jackson Pollock, and that of European tradition, with nods to Henri Matisse and Piet Mondrian, as well as references to classical Greek architecture. While monumental in scale and gesture, Scully's work retains an undeniable delicacy and sincerity of emotion. Sean Scully was born in Dublin in 1945 and raised in South London. Wanting to be an artist from an early age, Scully attended evening classes at the Central School of Art in London from 1962 to 1965, and enrolled full time at Croydon College of Art, London from 1965 until 1968. He received his Bachelor of Arts from Newcastle University in 1972. He was awarded the Frank Knox Fellowship to Harvard University in 1972, where he visited the United States for the first time. In 1975, he moved to New York full-time. Today, he lives and works between New York and Bavaria. With a career that spans more than five decades, he has received numerous accolades and has been the subject of multiple touring exhibitions. In 2014, he became the first Western artist to have a career-length retrospective in China. Follow the Heart: The Art of Sean Scully 1964 - 2014 included over 100 paintings and travelled from Shanghai to Beijing. Scully was named a member of the Royal Academy of Arts in London in 2013 and has received honorary degrees from institutions such as the Massachusetts College of Art, Boston; the National University of Ireland, Dublin; Universitas Miguel Hernandez, Valencia; Burren College of Art, National University of Ireland; Newcastle University, UK, among others. A series of essays and conversations between Scully and the esteemed art critic Arthur Danto was published by Hatje Cantz in 2014, and a collection of Scully's own writing, selected speeches and interviews, Inner, was released in 2016. -- Full biography available at:

Subjects: Exhibition catalogs.; Scully, Sean, 1945-; Art, Abstract; Art, Abstract; Art, Modern; Art, Modern; Painting, Abstract; Painting, Abstract; Painting, Modern; Painting, Modern;

Available copies: 1 / Total copies: 1

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