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- Saturation : race, art, and the circulation of value / by Tourmaline,contributor.; Alsultany, Evelyn,contributor.; Antwi, Phanuel,contributor.; Brielmaier, Isolde,1971-contributor.; Burton, Johanna,writer of preface.; Chambers-Letson, Joshua Takano,contributor.; Chuh, Kandice,1968-contributor.; Cobb, Jasmine Nichole,contributor.; Cox, Aimee Meredith,1971-contributor.; Fung, Richard,contributor.; Gibson, Jeffrey,1972-contributor.; Giraud, Tiyé,contributor.; Gonzalez, Anita,contributor.; Gopinath, Gayatri,1969-contributor.; Haley, Sarah,contributor.; Hamraie, Aimi,contributor.; Hopkins, Candice,contributor.; Houston-Jones, Ishmael,contributor.; Ibarra, Xandra,contributor.; Johnson, Jasmine,contributor.; Khoshgozaran, Gelare,contributor.; Kim, Byron,contributor.; King, Homay,1972-contributor.; Kuppers, Petra,contributor.; Kwon, Marci,contributor.; Lê, Việt,contributor.; Lamar, M.,contributor.; Lax, Thomas J.,contributor.; Lemon, Ralph,contributor.; Lin, Candice,contributor.; Lowe, Lisa,contributor.; Madison, D. Soyini,contributor.; Montez, Ricardo,1975-contributor.; Murray, Derek Conrad,contributor.; Musser, Amber Jamilla,contributor.; O'Grady, Lorraine,contributor.; Ochieng' Nyongó, Tavia Amolo,contributor.; Pérez, Roy,contributor.; Phillips, Lisa,1954-writer of foreword.; Prosser, Jay,contributor.; Ramos, Iván A.,contributor.; Rifkin, Mark,1974-contributor.; Robinson, Dylan,contributor.; Sandahl, Carrie,1968-contributor.; Schulman, Sarah,1958-contributor.; Silva, Denise Ferreira da,contributor.; Snorton, C. Riley,editor,contributor.; Spillers, Hortense J.,contributor.; Takemoto, T. T.,contributor.; Vazquez, Alexandra T.,1976-contributor.; Yapp, Hentyle,1980-editor,contributor.; MIT Press,publisher.;
Includes bibliographical references and index."The art world is white. In this volume, contributors from different disciplines and backgrounds discuss race, diversity, and inclusion through the lens of "saturation," in art and across institutions written large. The concept of saturation stems from color theory-for Isaac Newton, the centrality of the color white to his visual theory parallels an understanding of race as its periphery in Western thought. From visual saturation to oversaturation of the bodies of minorities as they have to navigate and exist within institutions, this volume employs saturation as a rubric to ask different questions and to push us to demand more from the ways institutions normatively function and how race has come to be imagined and understood. The essays and conversations are the result of a shared curiosity over why changes in representational practices (some at very early stages of saturation and others leading to oversaturation) have not led to any substantive structural change. Much of this book contends with political economy and racial capital to help grapple with institutional critique. Because of the need to center these questions in time and space, the book is organized in two major sections: 1) The Saturation of Institutional Life: Race, Globality, and the Art Market; and 2) Methods of Racial Matter and Saturation Points. This is the forth volume in the New Museum Critical Anthologies in Art and Culture series. It includes Sarah Haley's essay on the relationship between carceral landscapes and the gendered dimensions of racial capitalism, a conversation between philosophers Denise Ferreira da Silva and Phanuel Antwi moderated by coeditor C. Riley Snorton, about modes for thinking race transnationally and in terms of structures-material, poetic, and affective. In artist Candice Lin's chapter on aesthetics of colonization, she discusses how histories of colonial violence inform her artistic practice. Sarah Schulman highlights the dynamics of navigating the publishing industry as it relates to areas considered "niche" like sexuality, race, and gender. Performance and movement theorist Jasmine Elizabeth Johnson examines the corporeal, visual, and institutional structures that delimit the legibility of the black body, and artist Byron Kim contemplates his practices and methods as they relate to formalism that simultaneously is and is not "about" race"--- Subjects: Art and race.; Art and society.;
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- Àbadakone / by Dickenson, Rachelle,1976-curator,editor,writer of commentary.(CARDINAL)835929; Hill, Greg A.,1967-curator,editor,writer of commentary.(CARDINAL)357449; Lalonde, Christine,1965-curator,editor,writer of commentary.(CARDINAL)357447; National Gallery of Canada,issuing body,host institution.(CARDINAL)140431;
"Extended until October 4, 2020 A resounding success since opening in November 2019, this popular exhibition of contemporary Indigenous art has been extended until October 4 at the National Gallery of Canada. Àbadakone features work by more than 70 contemporary Indigenous artists identifying with almost 40 Indigenous nations, ethnicities and tribal affiliations from 16 countries, including Canada. Building upon themes of continuity, activation, and relatedness, Àbadakone explores the creativity, concerns and vitality of Indigenous art from virtually every continent. The exhibition was led by National Gallery of Canada curators Greg A. Hill, Christine Lalonde and Rachelle Dickenson, with consulted curators Candice Hopkins, Ariel Smith and Carla Taunton, as well as a team of advisors from around the globe. Experience this compelling exhibition for the first time -- or see it again -- as Àbadakone taps into the global pulse of Indigenous artistic production."--Publisher's description.Includes bibliographical references (pages 267-269).- Subjects: Exhibition catalogs.; Indigenous art; Indian art; Indian art; Inuit art;
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