Search results for [P-Funk All Stars.] at NC Cardinal

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Mothership connected : the women of Parliament-Funkadelic / by Neblett, Seth,interviewer.;

"The iconic group known as Parliament-Funkadelic famously included a huge cast of players, including female backup singers Mallia Franklin, Debbie Wright, Shirley Hayden, and Jeannette Washington, and the "Brides of Dr. Funkenstein," Dawn Silva and Lynn Mabry, who also sang. Mallia Franklin's son, Seth Neblett, had been recording interviews with her for years until she passed away in 2010. The manuscript has since expanded into a full oral history of the women of P-Funk. There is insight as well as history and gossip, as when Sly Stone talks about encouraging Franklin to sing rock because she had the right "look" to appeal to white audiences. Later chapters cover P-Funk's revival through sampling"--

Subjects: African American women singers; Funk musicians; Franklin, Mallia, 1952-2010.; Wright, Debbie, 1951-2017.; Hayden, Shirley.; Washington, Jeannette.; Silva, Dawn, 1951-; Mabry, Lynn, 1958-; Parlet (Musical group); Brides of Funkenstein (Musical group); P-Funk All Stars.; Funk (Music); African American women singers;

Available copies: 0 / Total copies: 1

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6 degrees of P-funk [sound recording] : the best of George Clinton and his funk family / by Clinton, George,1940-performer.(CARDINAL)367934; MC Breed,performer.; Collins, Bootsy,performer.; Junie,performer.; Wynne, Philippé,performer.; Mico Wave,performer.; Mutiny (Musical group),performer.; P-Funk All Stars,performer.; Sweat Band (Musical group),performer.;

Compilation produced by Tom Vickers.George Clinton, vocals ; various other performers.

Subjects: Funk (Music); Soul music.;

Available copies: 1 / Total copies: 2

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George Clinton and his Gangsters of Love [sound recording] by Clinton, George,1940-prf; Burrell, Kim.; DeBarge, El.; Foster, Kendra.; Manning, Kim.; Santana, Carlos.(CARDINAL)345059; Stone, Sly.; Woods, Belita.; Gangsters of Love (Musical group)prf; P-Funk All Stars.; Red Hot Chili Peppers (Musical group);

Produced by Bobby Eli and George Clinton.

Subjects: Cover versions.; Funk (Music); Rhythm and blues music.; Funk (Music); Popular music; Rhythm and blues music.; Soul music.;

Available copies: 0 / Total copies: 1

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The best of Parliament [sound recording] by Parliament (Musical group)prf; Clinton, George,1940-prf; Collins, Bootsy.prf; Worrell, Bernieprf;

P-funk (wants to get funked up) (7:39) -- Give up the funk (Tear the roof off the sucker) (5:44) -- Flash light (5:46) -- Dr. Funkenstein (5:42) -- Up for the down stroke (5:07) -- Chocolate city (5:35) -- Bop gun (Endangered species) (8:28) -- Testify ('74 version) (4:03) -- Aqua boogie ( A psychoalphadiscobetabioaquadoloop) (6:41) -- Mothership connection (Star child) (6:12) -- Agony of DeFeet (6:24).Compilation produced by Mike Ragogna ; project coodination by Margaret Goldfarb.

Subjects: African Americans; Funk (Music);

Available copies: 0 / Total copies: 1

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Parliament [sound recording] : the millennium collection / by Parliament (Musical group)(CARDINAL)507399; Clinton, George,1940-composer,performer.(CARDINAL)367934; Collins, Bootsy,composer,performer.; Worrell, Bernie,composer,performer.;

P-funk (wants to get funked up) (7:39) -- Give up the funk (Tear the roof off the sucker) (5:44) -- Flash light (5:46) -- Dr. Funkenstein (5:42) -- Up for the down stroke (5:07) -- Chocolate city (5:35) -- Bop gun (Endangered species) (8:28) -- Testify ('74 version) (4:03) -- Aqua boogie ( A psychoalphadiscobetabioaquadoloop) (6:41) -- Mothership connection (Star child) (6:12) -- Agony of DeFeet (6:24).Compilation produced by Mike Ragogna ; project coodination by Margaret Goldfarb.All songs originally released between 1974 and 1980.

Subjects: African Americans; Funk (Music);

Available copies: 0 / Total copies: 1

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Long players : writers on the albums that shaped them / by Gatti, Tom(Editor),editor.;

Includes bibliographical references."Our favorite albums are our most faithful companions: we listen to them hundreds of times over decades, we know them far better than any novel or film. These records don't just soundtrack our lives but work their way deep inside us, shaping our outlook and identity, forging our friendships and charting our love affairs. They become part of our story. In Long Players, fifty of our finest authors write about the albums that changed their lives, from Deborah Levy on Bowie to Daisy Johnson on Lizzo, Ben Okri on Miles Davis to David Mitchell on Joni Mitchell, Sarah Perry on Rachmaninov to Bernardine Evaristo on Sweet Honey in the Rock. Part meditation on the album form and part candid self-portrait, each of these miniature essays reveals music's power to transport the listener to a particular time and place. REM's Automatic for the People sends Olivia Laing back to first love and heartbreak, Bjork's Post resolves a crisis of faith and sexuality for a young Marlon James, while Fragile by Yes instils in George Saunders the confidence to take his own creative path. This collection is an intoxicating mix of memoir and music writing, spanning the golden age of vinyl and the streaming era, and showing how a single LP can shape a writer's mind. Featuring writing from Marlon James, Ali Smith, George Saunders, Bernardine Evaristo, Ian Rankin, Rachel Kushner, Ben Okri, Patricia Lockwood, Sarah Perry, Neil Gaiman, Tracey Thorn, Clive James, Eimear McBride, Neil Tennant, Daisy Johnson, David Mitchell, Esi Edugyan, Deborah Levy, among many others." --A collection of essays by 50 authors that discuss the albums that shaped their lives, from Deborah Levy on Bowie to Sarah Perry on Rachmaninov to Mark Ellen on The B-52's.

Subjects: Essays.; Anecdotes.; Authors and music.; Sound recordings; Popular music; Authors;

Available copies: 2 / Total copies: 2

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The Breakbeat poets : new American poetry in the age of hip-hop / by Lansana, Quraysh Ali.(CARDINAL)704100; Marshall, Nate.(CARDINAL)601879;

Kevin Coval : Introduction -- Randall Horton (1961) : An (i)witness say he still had the mike in his hand -- Joel Dias-Porter aka DJ Renegade (1962) : Turning the tables ; Wednesday poem -- Thoas Sayers Ellis (1963) : An excerpt from Crank shaped notes -- Quraysh Ali Lansana (1964) : Mascot ; Crack house ; Seventy-first & King Drive -- Evie Shockley (1965) : Duck, duck, redux ; Post-white -- Tony Medina (1966) : Everything you wanted to know about hip hop but where afraid to be hipped for fear of being hopped ; The keepin' it real awards -- Willie Perdomo (1967) : Shit to write about ; Word to everything I love ; Writing about what you know -- Mario (1967) : Agate -- Roger Bonair-Agard (1968) : Honorific or black boy to black boy ; Fast - how I knew ; In defense of the code-switch or why you talk like that or why you gotta always be cussing -- Lynne Procope (1969) : Shine (for Joe Bataan) ; All night -- Patrick Rosal (1969) : B-boy infinitives ; Kundiman ending on a theme from t la rock ; A note to Thomas Alva ; Ode to the cee-lo players -- Tracie Morris : Untitled -- Jason Carney (1970) : America's pastime -- LaTasha N. Nevada Diggs (1970) : Who you callin' a jynx? (after mista popo) ; Damn right it's betta than yours ; Gamin' gabby -- Mitchell L. H. Douglas (1970) : Manifesto, or ars poetica #2 ; Preface to a twenty volume homicide note -- Adrian Matejka (1971) : Beat boxing ; Robot music -- Jessica Care Moore (1971) : mic check, 1-2 -- John Murillo (1971) : Ode to the crossfader ; 1989 ; Renegades of funk -- Francine J. Harris (1972) : Stitches ; Pull down the earth ; This is a test -- T'ai Freedom Ford (1973) : How to get over (senior to freshman) ; how to get over (for my niggas) ; how to get over (for Kanye) -- Suheir Hammad (1973) : Break (rebirth) ; Break (sister) ; Break (embargo) -- Marty McConnell (1973) : The world tells how the world ends ; Object -- John Rodriguez (1973-2013) : Bronx bombers ; What I saw was not your funeral ; At my best -- Mariahadessa Ekere Tallie (1973) : Paper bag poems ; Global warming blues ; Sunday ; Possible (for Amiri Baraka) -- Tara Betts (1974) : Hip hop analogies ; Switch -- Paolo Javier (1974) : From all convulsions -- Douglas Kearney (1974) : Quantum spit ; No homo ; Drop it like it's hottentot venus -- Avery R. Young (1974) : A prayer fo mama Brenda Matthews (warrior brew) ; After an artis(t) talk -- Lemon Andersen (1975) : The future -- Michael Cirelli (1975) : The message ; Astronomy (8th light) -- Kevin Coval (1975) : The crossover ; Jewtown ; Molemen beat tapes ; White on the block -- Jericho Brown (1976) : Motherland -- Mahogany L Browne (1976) : When 12 play was on repeat ; Upon viewing the death of basquiat ; nameless -- Aracelis Girmay (1977) : Elegy in gold ; Break -- Idris Goodwin (1977) : Say my name ; Old ladies and dope boys ; These are the breaks -- Enzo Silon Surin (1977) : Corners -- Mayda Del Valle (1978) : It's just begun -- Denizen Kane (1978) : Ciphers pt. 1 ; Vigil pt. 1 -- Paul Martinez Pompa : I have a drone -- Kyle Dargan (1980) : Crews ; Slang ; O.P.P. -- Tarfia Faizullah (1980) : 100 bells : Nocturne in need of a bitch ; Blossoms in the dark ; Self-portrait as slinky -- Samantha Thornhill (1980) : Elegy for a trojan ; Ode to a star fig ; Ode to gentrification ; Ode to a killer whale -- Aleshea Harris (1981) : Harbor -- Jacob Saenz (1982) : Evolution of my block ; Evolution of my profile ; GTA : Sandreas (or, 'Grove Street bitch!') -- Nadia Sulayman (1982) : Bint ibrahim -- Sarah Blake (1984) : Ha ha hum ; Adventures -- Adam Falkner (1984) Small poems for big -- Marcus Wicker (1984) : Stakes is high ; When I'm alone in my room sometimes I stare at the wall, and in the back of my mind I hear my conscience call ; Ars poetica in the mode of j-live ; Bonita applebum -- Michael Mlekoday (1985) : Self portrait with gunshot vernacular ; Self portrait from the other side ; Thaumaturgy -- Kristiana Colon (1986) : To the notebook kid -- Ciara Miller (1987) : In search of black birds -- Morgan Parker (1987) : Let me handle my business, damn -- Joshua Bennett (1988) : When asked about my hometown : an admission ; When asked about my hometown : an anecdote ; Love letter to Zack, the black power ranger -- Alysia Nicole Harris (1988) : When I put my hands in the air it's praise -- Britteney Black Rose Kapri (1988) : Winthrop Ave. ; We house : after Krista Franklin's definition of funk -- Angel Nafis (1988) : Legend ; Ghazal for my sister ; Conspiracy : A suite ; Gravity -- Jose Olivarez (1988) : Ode to the first white girl I ever loved ; Home court -- Joy Priest (1988) : No country for black boys -- Ocean Vuong (1988) : Always & forever ; Self-portrait as exit wounds ; Prayer for the newly damned ; Daily bread -- Fatimah Asghar (1989) : When tip drill comes on at the frat party or, when refusing to twerk is a radical form of self-love ; Unemployment ; Pluto shits on the universe -- Franny Choi (1989) : Pussy monster ; Impulse buy -- Nate Marshall (1989) : On caskets ; Prelude ; Picking flowers ; Juke -- Aaron Samuels (1989) : Broken ghazal in the voice of my brother jacob -- Danez Smith (1989) : Cue the gangsta rap when my knees bend ; Twerk (v.) ; Dinosaurs in the hood ; Dear white America -- Jamila Woods (1989) : Defense ; Blk girl art ; Deep in the homeroom of doom ; Daddy dozens -- Benjamin Alfara (1990) : What the eyes saw -- Safia Elhillo (1990) : A suite for ol' dirty -- Aziza Barnes (1992) : Juicy (an erasure) -- Camonghne Felix (1992) : Badu interviews Lamar (an erasure) ; Police -- Steven Willis (1992) : Beat writers -- Reed Bobroff (1993) : Four elements of ghostdance -- Malcolm London (1993) : Grand slam -- Kush Thompson (1994) : This, here -- E'mon McGee (1996) : My niece's hip-hop -- Angel Pantoja (1997) : Murder is my name -- Nile Lansana (1997) and Onam Lansana (1999) : Lesson one -- Ars poeticas & essays -- Quraysh Ali Lansana : Art, artiface, & artifact -- T'ai Freedom Ford : Artist statement -- Michael Mlekoday : Artist statement -- Douglas Kearney : Artist statement -- Angel Nafis : Artist statement -- Aziza Barnes : A locus of control and the erasure -- Tara Betts : Life is good : How hip-hop channels duende -- roger Bonair-Agard : Journeying to the break : The cost of the pilgrimage -- Patrick Rosal : The art of the mistake : Some notes on breaking as making -- Nate Marshall : Blueprint for breakbeat writing -- Reprinted poems -- Acknowledgments -- Biographies."This is the first anthology of poems by and for the hip-hop generation . . . It includes more than four decades of poets and covers the birth to the now of hip-hop culture and music and style"--page xv.

Subjects: Poetry.; American poetry; American poetry; American poetry; Hip-hop;

Available copies: 4 / Total copies: 4

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Results 1 to 7 of 7