Search results for [Gabrieli Consort ] at NC Cardinal

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A Venetian Christmas [sound recording] / by Gabrieli, Giovanni,approximately 1554-1612,composer.; McCreesh, Paul,conductor.; Rore, Cipriano de,1515 or 1516-1565.Missa Praeter rerum seriem.; Gabrieli Consort & Players,performer.;

Intonazione dell'undecimo tono : C 249 (0:30) ; Audite principes : a 16, C 123 (5:23) / Giovanni Gabrieli -- Introitus : chant (2:10) -- Missa "Praeter rerum seriem" : a 7. Kyrie (4:11) ; Gloria (6:55) / Cipriano de Rore -- Oratio : chant (0:57) -- Prophetia : chant (1:36) -- Epistola : chant (1:34) -- Graduale. Canzon noni toni : a 12, C 183 / Giovanni Gabrieli (3:26) -- Evangelium : chant (3:48) -- Missa "Praeter rerum seriem" : a 7. Credo / Cipriano de Rore (10:10) -- Offertorium. Intonazione del settimo tono : C 245 (0:30) ; Salvator noster : a 15, C 80 (4:11) / Giovanni Gabrieli -- Praefatio : chant (2:09) -- Missa "Praeter rerum seriem" : a 7. Sanctus / Cipriano de Rore (6:20) -- Elevatio. Toccata / improvised after Girolamo Frescobaldi (2:21) -- Jesu mi dulcissime : a 8, C 56 / Giovanni Gabrieli (6:14) ; Pater noster : chant (1:52) -- Missa "Praeter rerum seriem" : a 7. Agnus Dei / Cipriano de Rore (2:39) -- Communio. Canzon duodecimi toni : (no. 3) a 10, C 179 / Giovanni Gabrieli (2:36) -- Postcommunio--Benedictio : chant (2:37) -- Quem vidistis pastores : after C 77 / Giovanni Gabrieli ; arr. H. Keyte (8:48).Executive producer, David Murray ; recording producer, Karl-August Naegler ; balance engineer, Andrew Wedman ; recording engineer, Reinhard Lagermann ; editor, Oliver Curdt.Gabrieli Consort & Players, on authentic instruments ; Paul McCreesh, director.Recorded at Brinkburn Priory, Weldon (Northumberland), July 1998.

Subjects: Christmas music.; Masses.; Gregorian chants.; Christmas music.; Masses.; Sacred vocal music;

Available copies: 1 / Total copies: 1

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Sanctus [sound recording] meditations for the soul. by Blachly, Alexander.cnd; McCreesh, Paul.cnd; Preston, Simon.cnd; Schneidt, Hanns Martin.cnd; Schrems, Hans,1914-1969.cnd; Turner, Bruno.cnd; Busnois, Antoine,d. 1492.; Byrd, William,1542 or 3-1623.; Dufay, Guillaume,d. 1474.; Josquin,des Prez,d. 1521.; Monteverdi, Claudio,1567-1643.(CARDINAL)143650; Morales, Cristóbal de,ca. 1500-1553.; Palestrina, Giovanni Pierluigi da,1525?-1594.(CARDINAL)132597; Victoria, Tomás Luis de,ca. 1548-1611.; Gabrieli Consort & Players.prf; Pomerium Musices.prf; Pro Cantione Antiqua.prf; Regensburger Domchor.prf; Regensburger Domspatzen.prf; Westminster Abbey.Choir.prf;

Sanctus (Missa pro defunctis) / Victoria (1:58) -- Sanctus (Mass for St. Anthony of Padua) / Du Fay (7:30) -- Sanctus (Missa "Aeterna Christi munera") (4:42) ; Sanctus (Missa "Dum complerentur") (3:17) / Palestrina -- Sanctus (Mass for three voices) / Byrd (3:13) -- Sanctus (Missa "Tu es Petrus") / Palestrina (2:12) -- Sanctus (Missa "Vidi speriosam") / Victoria (3:21) -- Sanctus (Missa "Papae Marcelli") / Palestrina (3:04) -- Sanctus (Missa "L'homme armé) / Busnois (8:27) -- Sanctus (Missa "Mille regretz") / Morales (5:31) -- Sanctus (Missa "L'homme armé super voces musicales") / Desprez (8:19) -- Sanctus (Missa "Hodie Christus natus est") / Palestrina (5:25) -- Sanctus (Missa "In illo tempore") / Monteverdi (4:41).Gabrieli Consort & Players, Paul McCreesh, conductor (1st, 10th, 12th works) ; Pomerium, Alexander Blachly, conductor (2nd work) ; Pro Cantione Antiqua, Bruno Turner, conductor (3rd, 5th, 9th, 11th works) ; Regensburger Domchor, Hans Schrems, conductor (4th, 6th, 7th works) ; Choir of Westminster Abbey, Simon Preston, conductor (8th work) ; Regensburger Domspatzen, Hanns-Martin Schneidt, conductor (13th work).

Subjects: Choruses, Sacred (Mixed voices); Masses; Sacred vocal music.; Sanctus (Music);

Available copies: 1 / Total copies: 1

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St Matthew passion [sound recording] / by Bach, Johann Sebastian,1685-1750.(CARDINAL)139091; Bickley, Susan,performer.; Gilchrist, James,1970-performer.; Gooding, Julia,performer.; Harvey, Peter,1958-performer.; Henrici, Christian Friedrich,1700-1764,librettist.; Kožená, Magdalena,performer.; Loges, Stephan,performer.; McCreesh, Paul,conductor.; Padmore, Mark,performer.; York, Deborah,performer.; Gabrieli Consort & Players,performer.;

Deborah York, Julia Gooding, sopranos ; Magdalena Kožená, Susan Bickley, mezzo-sopranos ; Mark Padmore, James Gilchrist, tenors ; Peter Harvey, Stephan Loges, basses ; Gabrieli Players ; Paul McCreesh, conductor.Recorded in Roskilde, Cathedral, Apr. 2002.

Subjects: Oratorios.; Passion music.;

Available copies: 1 / Total copies: 1

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Vespro della Beata Vergine, 1610 [sound recording] by Monteverdi, Claudio,1567-1643.(CARDINAL)143650; Bowman, James.prf; Gardiner, John Eliot.cnd(CARDINAL)517651; Gomez, Jill.prf; Langridge, Philip,1939-prf; Palmer, Felicity.prf; Rippon, Michael.prf; Shirley-Quirk, John.prf; Tear, Robert.prf; David Munrow Recorder Consort.prf; Monteverdi Choir.prf; Monteverdi Orchestra.prf; Philip Jones Brass Ensemble.prf; Philip Jones Wind Ensemble.prf; Salisbury Cathedral.Choir.prf;

Motets. Audite principes / G. Gabrieli (7:04) -- Hodie Christus natus est / G. Bassano (2:28) -- Angelus ad pastores / G. Gabrieli (2:09) -- Quem vidistis, pastores? / G. Gabrieli (10:20) -- Salvator noster / G. Gabrieli (6:04) -- O magnum mysterium / G. Gabrieli (4:40) -- Exultent caeli / Monteverdi (7:48).Jill Gomez, Felicity Palmer, sopranos; James Bowman, counter-tenor; Robert Tear, Philip Langridge, tenors; John Shirley-Quirk, baritone; Michael Rippon, bass; Monteverdi Choir; Salisbury Cathedral Boys C̓hoir; Monteverdi Orchestra; Philip Jones Brass Ensemble; David Munrow Recorder Ensemble; John Eliot Gardiner, conductor. On motets: The Monteverdi Choir; Philip Jones Brass Ensemble; Philip Jones Wind Ensemble; John Eliot Gardiner, conductor.Recorded Jan. 1974 at St. Jude's on the Hill, Hampstead Garden Suburb, London (Vespers) and Apr. 1972 at Kingsway Hall, London (Motets).

Subjects: Choruses, Sacred (Mixed voices) with orchestra.; Motets.; Vespers (Music);

Available copies: 1 / Total copies: 1

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American Brass Quintet plays Renaissance, Elizabethan and Baroque music [sound recording]. by American Brass Quintet.; Bach, Johann Sebastian,1685-1750.Kunst der Fuge.Contrapunctus,no. 3;arr.; Bach, Johann Sebastian,1685-1750.Kunst der Fuge.Contrapunctus,no. 9;arr.; Coperario, John,1570 (ca.)-1626.Fantasias,viols (5),RC 33;arr.; Coperario, John,1570 (ca.)-1626.Fantasias,viols (5),RC 71;arr.; Dowland, John,1563?-1626.Volta;arr.; Ferrabosco, Alfonso,ca. 1575-1628.Almans,viols (5),no. 1;arr.; Ferrabosco, Alfonso,ca. 1575-1628.Pavans,viols (5),no. 4;arr.; Gabrieli, Andrea,ca. 1533-1585.Madrigali et ricercari.Ricercar del sesto tuono.; Gabrieli, Giovanni,1557-1612.Canzonas,organ,K. C46;arr.; Gabrieli, Giovanni,1557-1612.Canzoni et sonate.Canzon,voices (5) (No. 1); Gabrieli, Giovanni,1557-1612.Spiritata.; Holborne, Anthony,d. 1602.Pavans, galliards, almains, and other short ?irs.Widowes myte.; Morley, Thomas,1557-1603?.Consort lessons.17.Joyne hands;arr.; Scheidt, Samuel,1587-1654.Paduana, galliarda, couranta, alemande, intrada, canzonetto.Selections.; Simpson, Thomas,fl. 1610-1625.Opus newer Paduanen, Galliarden, Intraden, Canzonen, Ricercaren.Allmand (No. );arr.; Speer, Daniel,1636-1707.Sonatas.Selections.; St?orl, Johann Georg Christian,1675-1719.Sonatas,cornett, trombones (3),No.; Weelkes, Thomas,ca. 1575-1623.Madrigals,voices (5).Why are you ladyes staying;arr.;

Subjects: Brass quintets (Horn, trombones (2), trumpets (2)); Brass quintets (Horn, trombones (2), trumpets (2)), Arranged.;

Available copies: 1 / Total copies: 1

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Music in the baroque era, from Monteverdi to Bach. by Bukofzer, Manfred F.,1910-1955.(CARDINAL)192944;

Bibliography: pages 417-469.Chapter 1 : Renaissance versus Baroque music. Disintegration of stylistic unity ; Stylistic comparison between Renaissance and Baroque music ; The phases of Baroque music -- Chapter 2 : Early Baroque in Italy. The beginnings of the concerto style : Gabrieli ; The monody : Peri and Caccini ; Transformation of the madrigal : Monteverdi ; The influence of the dance on vocal music ; Emancipation of instrumental music : Frescobaldi ; The rise of the opera : Monteverdi ; Tradition and progress in sacred music -- Chapter 3 : Early and middle Baroque in the northern countries. The Netherlands school and its English background ; English antecedents : the abstract instrumental style ; The Netherlands: Sweelinck ; Germany and Austria in the 17th century ; Chorale and devotional song ; Chorale motet and choral concertato : Schein ; The dramatic concertato : Schütz ; Continuo Lied, opera and oratorio ; Instrumental music : Scheidt, Froberger, and Biber -- Chapter 4 : Italian music of the middle Baroque. The bel-canto style ; The chamber cantata : Luigi Rossi and Carissimi ; The oratorio : Carissimi and Stradella ; The Venetian opera school ; Instrumental music : the Bologna school -- Chapter 5 : French music under absolutism. The ballet de cour ; French reactions to Italian opera ; Comédie-ballet and the tragédie lyrique : Lully ; Cantata, oratorio, and church music ; Lute miniatures and keyboard music : Gaultier and Chambonnières ; Music in the Iberian peninsula, New Spain, and Colonial America -- Chapter 6 : English music during the commonwealth and restoration. The masque and the English opera : Lawes and Blow ; Consort music : Jenkins and Simpson ; Anglican church music : Porter, Humfrey, and Blow ; Henry Purcell, the Restoration genius.Chapter 7 : Late Baroque : luxuriant counterpoint and concerto style. The culmination of late Baroque music in Italy ; The rise of tonality ; Concerto grosso and solo concerto ; Ensemble sonata and solo sonata ; Opera seria and opera buffa : cantata and sacred music ; Late Baroque and Rococo style in France ; Ensemble and clavecin music ; Opera and cantata in France -- Chapter 8 : Fusion of national styles : Bach. The state of instrumental music in Germany before Bach ; The state of protestant church music before Bach ; Bach : the early period ; Bach the organist : Weimar ; Bach the mentor : Cöthen ; Bach the cantor : Lepzig ; Bach, the past master -- Chapter 9 : Coordination of national styles : Handel. The state of secular vocal music in Germany before Handel ; Handel : German apprentice period ; Italian journeyman period ; English master period : operas, oratorios, instrumental music ; Bach and Handel, a comparison -- Chapter 10 : Form in Baroque music. Formal principles and formal schemes ; Style and form ; Audible and inaudible order -- Chapter 11 : Musical thought of the Baroque era. Code of performance : composer and performer ; Theory and practice of composition ; Musical speculation -- Chapter 12 : Sociology of Baroque music. Courtly musical institutions of state and church : private patronage ; Civic musical institutions : collective patronage ; Social and economic aspects of music and musicians.This history of the music of the Baroque Era in Europe--roughly, from the 17th century through the first half of the 18th--covers the entire field, from Monteverdi and Schütz at its inception to the great works of Bach and Handel.--Adapted from publisher description.

Subjects: Music; Music;

Available copies: 2 / Total copies: 2

On-line resources: Suggest title for digitization;

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Magnificat Easter oratorio /. [sound recording] / by Bach, Johann Sebastian,1685-1750.(CARDINAL)139091; Agnew, Paul.; Blaze, Robin.; Davies, Neal.; Gooding, Julia.; McCord, Kimberly.; McCreesh, Paul.; Gabrieli Consort & Players.;

Subjects: Church music.; Compact Discs; Easter music; Music ;

Available copies: 1 / Total copies: 1

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