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The end of the affair [videorecording] / by Coffee, Lenore.aus; Cushing, Peter,1913-1994.act(CARDINAL)349055; Dmytryk, Edward.drt; Frankel, Benjamin.cmp; Goodliffe, Michael,1914-1976.act; Greene, Graham,1904-1991.(CARDINAL)139180; Johnson, Van,1916-2008.act(CARDINAL)753914; Kerr, Deborah,1921-2007.(CARDINAL)759406; Mills, John,1908-2005.act; Columbia Pictures.(CARDINAL)747663; Columbia TriStar Home Video (Firm)(CARDINAL)329614;
Music, Benjamin Frankel.Deborah Kerr, Van Johnson, John Mills, Peter Cushing, Michael Goodliffe.In England during World War II, an American writer and the bored wife of a British civil servant fall in love, then she mysteriously ends the affair.DVD, Widescreen (1.85:1) and full screen (1.33:1) presentations; Dolby digital.
Subjects: Feature films.; Video recordings for the hearing impaired.; War films.; Greene, Graham, 1904-1991; Adultery; World War, 1939-1945;
Available copies: 1 / Total copies: 2
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The Battle of the Bulge [videorecording] / by Annakin, Ken,film director.(CARDINAL)763693; Fonda, Henry,1905-1982,actor.(CARDINAL)348284; Frankel, Benjamin,composer (expression); Melson, John,1930-1983,screenwriter.; Ryan, Robert,actor.(CARDINAL)859178; Shaw, Robert,actor.(CARDINAL)185649; Sperling, Milton,1912-1988,screenwriter,film producer.; Yordan, Philip,screenwriter,film producer.; Cinerama.; United States Pictures (Firm); Warner Bros. Pictures (1923-1967)(CARDINAL)338270; Warner Home Video (Firm)(CARDINAL)218485;
Director of photography, Jack Hildard ; music, Benjamin Frankel.Henry Fonda, Robert Shaw, Robert Ryan, Dana Andrews, George Montgomery, Ty Harden, Pier Angeli, Barbara Werle, Charles Bronson, James MacArthur, Telly Savalas.It is five days after D-Day. The majority of the American army believes that the German army is broken and in disarray. The Germans, however, feel differently and launch a massive attack on the Allied troops in the hopes that ground action will buy enough time to bring in their new jets.Blu-ray, DTS HD master audio, mono, widescreen (2.35:1), NTSC.
Subjects: Feature films.; Fiction films.; Video recordings for the hearing impaired.; War films.; Ardennes, Battle of the, 1944-1945; World War, 1939-1945;
Available copies: 2 / Total copies: 2
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The night of the iguana [videorecording] by Boylan, Mary,1913-1984.; Burton, Richard,1925-1984.(CARDINAL)714841; Delevanti, Cyril.; Frankel, Benjamin.; Gardner, Ava,1922-1990.(CARDINAL)133236; Hall, Grayson,1922-1985.; Huston, John,1906-1987.(CARDINAL)137868; Kerr, Deborah,1921-2007.(CARDINAL)759406; Lyon, Sue,1946-; Stark, Ray.(CARDINAL)302005; Veiller, Anthony,1903-1965.; Ward, Skip,1932-2003.; Williams, Tennessee,1911-1983.Night of the iguana.; Metro-Goldwyn-Mayer.(CARDINAL)150193; Seven Arts Productions.; Turner Home Entertainment (Firm)(CARDINAL)216774; Warner Bros. Entertainment.(CARDINAL)340305; Warner Home Video (Firm)(CARDINAL)218485;
Bonus features: "The night of the iguana : Huston's gamble" behind-the-scenes featurette on director John Huston (10 min.); "On the trail of the iguana" promotional making-of featurette (14 min.); teaser trailer (1 min.) ; original theatrical trailer (3 min.).Director of photography, Gabriel Figueroa ; Production executive, Abe Steinberg ; production manager, Clarence Eurist ; art director, Stephen Grimes ; film editor, Ralph Kemplen ; costumes by Dorothy Jeakins ; music composed and conducted by Benjamin Frankel.Richard Burton, Ava Gardner, Deborah Kerr, Sue Lyon, Grayson Hall, James Ward, Cyril Delevanti, Mary Boylan.A defrocked, alcoholic, and emotionally-troubled minister struggles with his desire for earthly pleasures as a tour guide in Mexico. Shepherding a busload of school teachers and one libidinous 18-year old girl, he becomes entangled with the teen, suffers a nervous breakdown when discovered, and strands the group at the remote and rundown seaside hotel of his old friend Maxine. As his emotional state continues to unravel, and the group's problems increase, the hotel is joined by a travelling artist and her aged poet father, with their own secret troubles.Not rated.DVD, dual-layer; region 1; Dolby digital mono.
Subjects: Feature films.; Fiction films.; Film adaptations.; Ex-clergy; Sexual attraction; Tourists; Triangles (Interpersonal relations);
Available copies: 6 / Total copies: 8
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Battle of the Bulge [videorecording] / by Annakin, Ken.(CARDINAL)763693; Harmon, Sidney.; Yordan, Philip.; Sperling, Milton,1912-1988.; Melson, John,1930-1983.; Hildyard, Jack.; Parsons, Derek.; Frankel, Benjamin.; Lourié, Eugene.(CARDINAL)738349; Lourie, Laure.; Hildyard, David.; McCallum, Gordon K.; Fonda, Henry,1905-1982.(CARDINAL)348284; Shaw, Robert,1927-1978.(CARDINAL)125963; Ryan, Robert,1909-1973.(CARDINAL)749120; Andrews, Dana,1909-1992.(CARDINAL)522029; Montgomery, George,1916-2000.; Hardin, Ty,1930-2017.(CARDINAL)344671; Angeli, Pier,1932-1971.; Werle, Barbara.; Bronson, Charles,1920-2003.; Blech, Hans Christian,1925-1993.; Peters, Werner,1918-1971.; MacArthur, James,1937-2010.; Rowland, Steve.(CARDINAL)214087; Woods, Robert,1936-; Thomson, David,1933-; Perez, Raoul.; Brandt, Janet,1914-2004.; Alberty, Karl Otto,1933-; Stalmaker, Charles.; Slaten, Max.; Anderson, Axel,1929-2012.; Pickering, Donald,1933-2009.; Brandt, Victor.; Savalas, Telly,1924-1994.(CARDINAL)843398; Cinerama.; New Philharmonia Orchestra.; United States Pictures (Firm); Warner Bros. Pictures (1923-1967)(CARDINAL)338270; Warner Home Video (Firm)(CARDINAL)218485;
Special features: Widescreen version -- New digital transfer from restored picture and audio elements -- 2 vintage featuarettes: The Filming of Battle of the Bulge ; History Recreated -- Theatrical trailer -- Language: English Dolby surround 5.1 -- Subtitles: English, French, Spanish.Director of photography, Jack Hildyard ; supervising editor, Derek Parsons ; music composed and conducted by Benjamin Frankel and played by the New Philharmonia Orchestra ; art direction, Eugene Lourie ; costume design, Laure DeZarate ; sound recordists, David Hildyard, Gordon McCallum.Henry Fonda, Robert Shaw, Robert Ryan, Dana Andrews, George Montgomery, Ty Hardin, Pier Angeli, Barbara Werle, Charles Bronson, Hans Christian Blech, Werner Peters, James MacArthur, Steve Rowland, Robert Woods, David Thomson, Raoul Perez, Janet Brandt, Karl Otto Alberty, Charles Stalmaker, Sebastian Cavalieri, Jack Gaskins, Max Slaten, Carl Rapp, Axel Anderson, Bud Strait, Ben Tater, Richard Zeidman, Donald Pickering, Peter Herendeen, Paul Eshelman, John Schereschewsky, Victor Brandt, William Boone, Ward Maule, Freddie Toehl, Richard Baxter, John Clark, Paul Polansky, Leland Wyler, Quinn Donoghue, Reginald Gillam, Richard Laver, Derek Robertson, Robert Royal, John Friess, Peter Grzcegorczyk, Harry Van Der Linden, Martin Rolin, Russ Stoddard, Telly Savalas.Nazi Panzer forces stage a last-ditch Belgian front offensive that could turn the tide of WWII. A spectacular recreation of a crucial campaign.MPAA rating: Not rated.DVD; region 1, NTSC; widescreen presentation enhanced for widescreen TVs; Dolby digital surround 5.1.
Subjects: War films.; Historical films.; Feature films.; Fiction films.; Video recordings for the hearing impaired.; Feature films.; Video recordings for the hearing impaired.; Ardennes, Battle of the, 1944-1945; World War, 1939-1945;
Available copies: 11 / Total copies: 14
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The man in the white suit [videorecording] / by MacDougall, Roger.; Dighton, John,1909-1989.(CARDINAL)762587; Mackendrick, Alexander,1912-1993.(CARDINAL)373087; Balcon, Michael,1896-1977.; Guinness, Alec,1914-2000.(CARDINAL)736636; Greenwood, Joan,1921-1987.; Parker, Cecil,1897-1971.; Ealing Studios.; Studio Canal+.(CARDINAL)528339; Anchor Bay Entertainment, Inc.(CARDINAL)340087;
DVD; mono., Dolby digital, full-frame presentation.Sir Alec Guinness is Sidney Stratton, an eccentric chemist who invents a fiber that never wrinkles, wears out, or gets dirty. But when mill owners and workers realize this miracle fiber will destroy their industry, Sidney becomes the most hunted man in the nation.Alec Guinness, Joan Greenwood, Cecil Parker.Director of photography, Douglas Slocombe ; editor, Bernard Gribble ; music, Benjamin Frankel.Not rated.
Subjects: Comedy films.;
Available copies: 1 / Total copies: 1
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The importance of being earnest [videorecording] / by Asquith, Anthony,1902-1968.drtaus; Baird, Teddy.pro; Denison, Michael.act(CARDINAL)829921; Evans, Edith,Dame,1888-1976.act; Greenwood, Joan,1921-act; Hudd, Walter,1898-1963.act; Malleson, Miles.act(CARDINAL)737615; Mather, Aubrey,1885-1958.act; Redgrave, Michaelact(CARDINAL)727870; Rutherford, Margaret,1892-1972.act; Tutin, Dorothy,1930-2001act; Wattis, Richard.act; Wilde, Oscar,1854-1900.Importance of being earnest.(CARDINAL)765038; Criterion Collection (Firm)(CARDINAL)348269; Janus Films.; Rank Organisation.;
Director of photography, Desmond Dickinson ; film editor, John D. Guthridge ; music composed and conducted by Benjamin Frankel.Michael Redgrave (Ernest Worthing), Richard Wattis (Seton), Michael Denison (Algernon Moncrieff), Walter Hudd (Lane), Edith Evans (Lady Bracknell), Joan Greenwood (Gwendolyn Fairfax), Dorothy Tutin (Cecily Cardew), Margaret Rutherford (Miss Prism), Miles Malleson (Canon Chasuble), Aubrey Mather (Merriman).A witty, delightful story about a lovestruck suitor named Jack whose fiancee can only love a man named Ernest.DVD, full screen presentation; Dolby Digital, mono.
Subjects: Comedy films.; Feature films.; Fiction films.; Film adaptations.; Video recordings for the hearing impaired.; Wilde, Oscar, 1854-1900; Aristocracy (Social class); Man-woman relationships;
Available copies: 2 / Total copies: 2
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Catwoman [videorecording] / by Pitof.; Arbogast, Thierry.(CARDINAL)852172; Badelt, Klaus.(CARDINAL)848420; Berry, Halle.(CARDINAL)372834; Borstein, Alex.(CARDINAL)483778; Brancato, John.(CARDINAL)848038; Bratt, Benjamin,1963-(CARDINAL)786139; Brzeski, Bill.(CARDINAL)788525; Conroy, Frances.(CARDINAL)845269; Di Novi, Denise.(CARDINAL)344961; Ferris, Michael.(CARDINAL)847506; Frankel, Scott.; Hermansen, Dan.; Kane, Bob.(CARDINAL)779010; Landra, Sylvie.; Lazarowich, Tony.; Macaulay, Don.; Mann, Byron.; Massee, Michael.; McDonnell, Edward L.; Rogers, John.(CARDINAL)717754; Smith, Kim.(CARDINAL)376216; Stone, Sharon,1958-; Strathie, Angus.; Wilson, Lambert.(CARDINAL)847762; Di Novi Pictures (Firm); Village Roadshow Pictures.(CARDINAL)340620; Warner Bros. Pictures (1969- ); Warner Home Video (Firm)(CARDINAL)218485;
Director of photography, Thierry Arbogast ; art directors, Dan Hermansen, Don Macaulay ; editor, Sylvie Landra ; music, Klaus Badelt ; costume designer, Angus Strathie ; production designer, Bill Brzeski ; visual effects supervisors, Scott Frankel [and others] ; special effects director, Tony Lazarowich.Halle Berry, Benjamin Bratt, Sharon Stone, Lambert Wilson, Frances Conroy, Alex Borstein, Michael Massee, Byron Mann, Kim Smith.Sensitive and shy artist Patience Philips is a woman who can't seem to stop apologizing for her own existence. She works as a graphic designer for Hedare Beauty, a mammouth cosmetics company on the verge of releasing a revolutionary anti-aging product. When Patience inadvertently happens upon a dark secret her employer is hiding, she finds herself in the middle of a corporate conspiracy. What happens next changes Patience forever. In a mystical twist of fate, she is transformed into a woman with the strength, speed, agility and ultra-keen senses of a cat.MPAA rating: PG-13; for action violence and some sensuality.DVD, region 1, widescreen (2.40:1) presentation; Dolby Digital 5.1 surround.
Subjects: Feature films.; Video recordings for the hearing impaired.; Catwoman (Fictitious character); Kane, Bob; Aging; Conspiracies; Cosmetics industry;
Available copies: 17 / Total copies: 21
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The Hammer horror series [videorecording] : 8-film collection. by Fisher, Terence,1904-1980,director.; Francis, Freddie,1917-2007,director.; Graham Scott, Peter,1923-2007,director.; Sharp, Don,1922-2011,director.; Allen, Patrick,1927-2006,actor.; Anderson, Daphne,1922-2013,actor.; Bateson, Timothy,1926-2009,actor.; Benson, Martin,1918-2010,actor.; Bruce, Brenda,actor.; Burrell, Sheila,1922-2011,actor.; Cooper, George A.,actor.; Cushing, Peter,1913-1994,actor.; Daniel, Jennifer,1939-actor.; Davion, Alexander,1929-actor.; Dawson, Anthony,1916-1992,actor.; Denham, Maurice,1909-2002,actor.; De Souza, Edward,1932-actor.; Diamond, Arnold,1915-1992,actor.; Eles, Sandor,actor.; Evans, Clifford,1912-1985,actor.; Francis, Derek,1923-1984,actor.; Goodwin, Harold,1902-1987,actor.; Goorney, Howard,1921-2007,actor.; Gough, Michael,1916-2011,actor.; Howlett, Noel,actor.; Hunt, Martita,1900-1969,actor.; Hutcheson, David,1905-1976,actor.; Jackson, Freda,1909-1990,actor.; Jessop, Clytie,actor.; Karlin, Miriam,actor.; Knight, David,1927-actor.; Lamont, Duncan,1918-1978,actor.; Linden, Jennie,1939-actor.; Lodge, David,1921-2003,actor.; Lom, Herbert,actor.; MacGowran, Jack,1918-1973,actor.; Madden, Peter,1904-1976,actor.; Maitland, Marne,1916-1991,actor.; Malleson, Miles,actor.; Mitchell, Warren,actor.; Oscar, Henry,1891-1969,actor.; Redmond, Moira,actor.; Reed, Oliver,1938-1999,actor.; Reid, Milton,1917-actor.; Ripper, Michael,1913-2000,actor.; Romain, Yvonne,1938-actor.; Sallis, Peter,actor.; Scott, Janette,1938-actor.; Scully, Terry,1932-2001,actor.; Sears, Heather,1935-1994,actor.; Solon, Ewen,1917-1985,actor.; Walters, Thorley,1913-1991,actor.; Washbourne, Mona,1903-1988,actor.; Welsh, John,1914-1985,actor.; Willman, Noel,1918-1988,actor.; Woodbridge, George,1907-1973,actor.; Woodthorpe, Peter,actor.; Wordsworth, Richard,actor.;
Brides of Dracula: Music composed by Malcolm Williamson ; director of photography, Jack Asher ; production designer, Bernard Robinson ; editor, Alfred Cox. Curse of the werewolf: Music composed and conducted by Benjamin Frankel ; director of photography, Arthur Grant ; production designer, Bernard Robinson ; editor, Alfred Cox. Phantom of the opera: Music composed and conducted by Edwin Astley ; director of photography, Arthur Grant ; production designer, Bernard Robinson ; editor, Alfred Cox. Paranoiac: Music composed by Elisabeth Lutyens ; director of photography, Arthur Grant ; production designer, Bernard Robinson. Kiss of the vampire: Music composed by James Bernard ; director of photography, Alan Hume ; production designer, Bernard Robinson ; supervising editor, James Needs. Nightmare: Music composed by Don Banks ; director of photography, John Wilcox ; production designer, Bernard Robinson ; supervising editor, James Needs. Night creatures: Music composed by Don Banks ; musical director, Philip Martell ; director of photography, Arthur Grant ; production designer, Bernard Robinson ; editor, Eric Boyd-Perkins. Evil of Frankestein: Music composed by Don Banks ; director of photography, John Wilcox ; supervising editor, James Needs.Brides of Dracula: Peter Cushing, Freda Jackson, Martita Hunt, Yvonne Montaur, Miles Malleson, Henry Oscar, David Peel, Victor Brooks, Mona Washbourne, Michael Ripper, Andree Melly.Night creatures: Peter Cushing, Yvonne Romain, Patrick Allen, Oliver Reed, Michael Ripper, Martin Benson, David Lodge, Daphne Anderson, Derek Francis, Milton Reid, Jack MacGowran, Terry Scully, Peter Halliday, Rupert Osborn.Nightmare: David Knight, Moira Redmond, Jennie Linden, Brenda Bruce, George A. Cooper, Clytie Jessop, Irene Richmond, John Welsh, Timothy Bateson, Elizabeth Dear.Paranoiac: Janette Scott, Oliver Reed, Sheila Burrell, Maurice Denham, Alexander Davion, Liliane Brousse, Harold Lang, Arnold Diamond, John Bonney, John Stuart.Phantom of the opera: Herbert Lom, Heather Sears, Thorley Walters, Micheal Gough, Edward De Souza, Miles Malleson, Miriam Karlin, Marne Maitland, Harold Goodwin, Martin Miller, John Harvey.The curse of the werewolf: Clifford Evans, Oliver Reed, Yvonne Romain, Catherine Feller, Anthony Dawson, Anne Blake, Warren Mitchell, Michael Ripper, Peter Sallis, Ewen Solon, Hira Talfrey, George Woodbridge, Richard Wordsworth.The evil of Frankenstein: Peter Cushing, Peter Woodthorpe, Duncan Lamont, Sandor Eles, Katy Wild, David Hutcheson, James Maxwell, Howard Goorney, Kiwi Kingston.The kiss of the vampire: Clifford Evans, Edward De Souza, Noel Willman, Jennifer Daniel, Barry Warren, Brian Oulton, Noel Howlett, Jacquie Wallis, Peter Madden, Isobel Black, Vera Cook, John Harvey.An 8-movie classic horror collection! Brides of Dracula: "Vampire hunter Van Helsing returns to Transylvania to destroy handsome bloodsucker Baron Meinster, who has designs on beautiful young schoolteacher Marianne." -- The curse of the werewolf: "In eighteenth-century Spain, an adopted boy becomes a werewolf and terrorizes the inhabitants of his town." -- Phantom of the opera: "An acid-scarred composer rises from the Paris sewers to boost his favorite opera understudy's career." -- Paranoiac: "A man long believed dead returns to the family estate to claim his inheritance." -- The kiss of the vampire: "When car trouble strands a honeymooning couple in a small Southern European village, an aristocratic family in the area reaches out to help them with sinister consequences." -- Nightmare: A traumatized young woman doesn't know where her nightmares stop and insanity begins. Night creatures: "In 18th-century England, the Royal Crown sends Royal Navy Captain Collier and his crew to investigate reports of illegal smuggling and bootlegging in a coastal town where locals believe in Marsh Phantoms." -- The Evil of Frankenstein: "Upon returning to his home village to continue his experimental research, the destitute Dr. Frankenstein revives his old creature, but a hypnotist wants the monster to control for himself." -- Descriptions from IMDB.Not rated.DVD.
Subjects: Horror films.; Dracula, Count (Fictitious character); Frankenstein, Victor (Fictitious character); Vampires; Werewolves; Nightmares; Inheritance and succession; Disfigured persons; Women singers; Apparitions;
Available copies: 0 / Total copies: 1
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A history of film music / by Cooke, Mervyn.(CARDINAL)371422;
Includes bibliographical references and index.List of illustrations -- Preface and acknowledgments -- 1: Silent Cinema -- Why sound? -- Why music? -- Birth of film music -- Categories of film music -- Camille Saint-Saens and film d'art -- Cue sheets and anthologies -- Venues and ensembles -- Photoplayers and cinema organs -- Music for silent epics -- Charlie Chaplin and music for comedies -- Early film music in Europe and the Soviet Union -- Postlude: the silent-film revival -- 2: Sound On Track -- Sound debate -- New technology -- Photographing sound -- Animated sound -- Creative possibilities -- 3: Hollywood's Golden Age: Narrative Cinema And The Classical Film Score -- Studio system -- Practicalities -- Style -- Wagner and the filmic leitmotif -- Structure -- Max Steiner -- Erich Wolfgang Korngold -- Franz Waxman: horror and sophistication -- Alfred Newman -- Miklos Rozsa, Roy Webb and David Raksin: film noir and the music of psychological drama -- Dimitri Tiomkin and others -- Aaron Copland and the sounds of America -- 4: Stage And Screen -- Opera on film -- Film in opera; opera in film -- Film musical -- Scoring Shakespeare -- 5: Mainstream Divides: Post-War Horizons In Hollywood -- Epic and the intimate -- Modernism -- Bernard Herrmann: the composer as auteur -- Jazz and its influence -- 6: Never Let It Be Mediocre: Film Music In The United Kingdom -- Visitors from abroad -- Ralph Vaughan Williams -- Brian Easdale, William Alwyn and Benjamin Frankel -- William Walton and Malcolm Arnold -- Generic (re)takes: horror and comedy -- End of an era -- 7: Defectors To Television -- Documentary film -- Hanns Eisler -- Documentaries in the United States -- Information films in the United Kingdom -- Movies at war: reportage and propaganda -- Theatrical documentaries for the modern age -- Animation -- Cartoon music in the silent era -- Walt Disney and the animated musical -- Warner Bros and MGM: comic shorts -- Classical music -- Migration to the small screen -- Experimental animation -- Animation in Europe -- 8: Film Music In France -- Symphony and song -- 1930s: Maurice Jaubert and Joseph Kosma -- Georges Auric and others -- Nouvelle vague -- Jean-Luc Godard -- Francois Truffaut -- French modernism -- At home and abroad -- Poles apart: Krzysztof Kieslowski and Zbigniew Preisner -- 9: Global Highlights -- Early sound films in the Soviet Union -- Dmitri Shostakovich -- Vsevolod Pudovkin and Yuri Shaporin -- Sergei Eisenstein and Sergei Prokofiev -- India: Bollywood and beyond -- Early Indian cinema -- Successes abroad: Ravi Shankar and Satyajit Ray -- Modern commercial cinema -- From Italy to Little Italy -- Federico Fellini, Nino Rota and the circus of life -- Ennio Morricone and the spaghetti western: eccentricity and populism -- Italians abroad -- Japan -- Traditional elements in silent and early sound films -- Films of Yasujiro Ozu and Akira Kurosawa -- Toru Takemitsu -- Modern composers, modern genres -- 10: Popular Music In The Cinema -- Music of youth and race -- Title songs and interpolated songs -- Compilation scores and original song scores -- Synergistic marketing -- Pop (stars) in performance -- 11: Classical music in the cinema -- Romantic concerto and war film -- Classical biopics and milieu films -- Period, nationality, class -- Stanley Kubrick -- Back to Bach -- 12: State Of The Art: Film Music Since The New Hollywood -- John Williams and the new symphonism -- Electronics, sound technology and recording -- Pop scoring, dual tracking and the modern soundtrack album -- Minimalism -- Modern auteurs: Martin Scorsese, Quentin Tarantino and David Lynch -- Modern mainstream -- Global and the glocal -- Bibliography -- Index of film titles -- General index.From the Publisher: Mervyn Cooke provides a comprehensive and lively introduction to the major trends in film scoring from the silent era to the present day, focusing not only on dominant Hollywood practices but also offering an international perspective by including case studies of the national cinemas of the UK, France, India, Italy, Japan and the early Soviet Union. The book balances wide-ranging overviews of film genres, modes of production and critical reception with detailed non-technical descriptions of the interaction between image track and soundtrack in representative individual films. In addition to the central focus on narrative cinema, separate sections are also devoted to music in documentary and animated films, film musicals and the uses of popular and classical music in the cinema. The author analyses the varying technological and aesthetic issues that have shaped the history of film music, and concludes with an account of the modern film composer's working practices.
Subjects: Motion picture music;
Available copies: 1 / Total copies: 1
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How to survive your first job (or any job) : by hundreds of happy employees / by Frankel, Ricki.(CARDINAL)483389; Reddock, Angela J.(CARDINAL)483971;
Includes bibliographical references (page 258).Plastics, Benjamin : what are you going to do with your life? -- Best foot forward : resumes, cover letters & where to look for a job -- A book by its cover : interviewing for the position -- Great expectations : how to start on the right foot -- Best friend, mortal enemy : your coworkers & you -- Got skillz? : making yourself more valuable -- Managing the man : your boss & you -- Technology & work : things you should know about the working e-world -- Company dime : on traveling & representing your employer (& yourself) -- Doing the Elaine : smart tips to help you survive the workplace -- Good times, bad times : learning experiences at work -- The next step : earning a promotion or moving on -- More to life : vacations & your life outside of work -- More wisdom : good stuff that doesn't fit anywhere else.
Subjects: Anecdotes.; Job hunting; Success in business;
Available copies: 2 / Total copies: 2
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