Search results for [Devil Makes Three (Musical group)] at NC Cardinal

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Longjohns, boots, and a belt [sound recording] / by Devil Makes Three (Musical group),composer,performer.;

The Devil Makes Three is: Pete Bernhard, guitar, tenor banjo ; Cooper McBean, guitar, tenor banjo, musical saw ; Lucia Turino, upright bass.Recorded in July, 2004 at Mother Earth Recording.

Subjects: Country music.; Country music; Folk music; Folk-rock music; Rockabilly music.; Old-time music.;

Available copies: 1 / Total copies: 1

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Chains are broken / by Devil Makes Three (Musical group),performer.;

Performed by The Devil Makes Three (Pete Bernhard, Cooper McBean, Lucia Turino, Stefan Amidon) and accompanying musicians.Produced by Ted Hutt.

Subjects: Alternative country music.; Country music; Alternative country music.;

Available copies: 1 / Total copies: 1

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Spirits [sound recording] / by Devil Makes Three (Musical group),composer,performer.;

The Devil Makes Three (Pete Bernhard, Cooper McBean, MorganEve Swain).

Subjects: Country music.; Country music;

Available copies: 1 / Total copies: 1

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I'm a stranger here [sound recording] / by Devil Makes Three (Musical group);

Stranger -- Worse or better -- Forty days -- A moment's rest -- Dead body moving -- Hallelu -- Hand back down -- Spinning like a top -- Mr. Midnight -- Goodbye old friend.Produced by Buddy Miller.Devil Makes Three (Pete Bernhard, vocals, guitar ; Lucia Turino, bass, vocals ; Cooper McBean, vocals, guitar, banjo) ; with assisting musicians.Recorded at Easy Eye Sound Studio, Nashville, TN.

Subjects: Country music;

Available copies: 2 / Total copies: 2

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Still the king : celebrating the music of Bob Wills and his Texas Playboys / by Asleep at the Wheel (Musical group),performer.(CARDINAL)354045; Wills, Bob,1905-1975,composer.(CARDINAL)166229; Rausch, Leon,1927-performer.; Lee, Amos,performer.; Lovett, Lyle,performer.; Haggard, Merle,performer.(CARDINAL)519604; Gimble, Emily,performer.; Edmonson, Kat,1983-performer.; Benson, Ray,1951-performer.; LaFarge, Pokey,performer.; Nelson, Willie,1933-performer.(CARDINAL)166364; Strait, George,1952-performer.(CARDINAL)367813; Cook, Elizabeth,1972-performer.; Paisley, Brad,performer.(CARDINAL)432607; Miller, Buddy(Musician),performer.; Rodriguez, Carrie,performer.; Keen, Robert Earl,performer.; Johnson, Jamey,performer.; Shore, Katie,performer.; Emmanuel, Tommy,performer.; Mason, Brent(Guitarist),performer.; Briggs, Billy,1919-1994,performer.; Jennings, Shooter,1979-performer.; Texas Playboys,composer.(CARDINAL)763886; Avett Brothers,performer.(CARDINAL)552956; Old Crow Medicine Show (Musical group),performer.(CARDINAL)786773; Quebe Sisters Band,performer.; Del McCoury Band,performer.; Time Jumpers (Musical group),performer.; Devil Makes Three (Musical group),performer.; Reckless Kelly (Musical group),performer.;

Asleep at the Wheel ; with accompanying musicians.Produced by Ray Benson & Sam Seifert.

Subjects: Cover versions.; Country music; Western swing (Music);

Available copies: 2 / Total copies: 2

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The devil's rejects / by Zombie, Rob,1965-Film directorFilm producerScreenwriterdirectorproducerauthor(DLC)no 98130158; Ohoven, Michael,Film producerproducer(DLC)n 2007079546; Mehlitz, Marco,1968-Film producerproducer(DLC)n 2007079563; Gould, Andy,Film producerproducer(DLC)n 2007079567; Haig, Sid,1939-2019,Actor(DLC)no 00031794; Moseley, Bill,1951-Actor(DLC)n 2007079541; Zombie, Sheri Moon,1970-Actor(DLC)n 2007079579; Foree, Ken,1948-Actor(DLC)no2004086903; McGrory, Matthew,1973-2005,Actor(DLC)no2010100625; Parmet, Philip,Cinematographer(DLC)no2001040880; Garland, Glenn,Editor of moving image work(DLC)no2007088055; Bates, TylerComposermusical director(DLC)no2006070886; Elliott, Mike,producer(Mike R.),Film producer(DLC)n 2007079572; Forsythe, William,1955-Actor(DLC)no 98084100; Cinerenta (Firm),Presenter(DLC)no2003059556; Firm Films,Production company(DLC)n 2008002556; Lions Gate Films (Santa Monica, Calif.),Presenter(DLC)no2011018024; Lions Gate Home Entertainment,Publisher(DLC)no2002016003;

Disc 1. Feature film ; special features. -- Disc 2. 30 days in Hell : the making of The devil's rejects. (144 min.).Director of photography, Phil Parmet ; editor, Glenn Garland ; music, Tyler Bates ; costume designer, Yasmine Abraham ; production designer, Anthony Tremblay.Sid Haig, Bill Moseley, Sheri Moon Zombie, Ken Foree, Matthew McGrory, Leslie Easterbrook, Geoffrey Lewis, Pricilla Barnes, William Forsythe.The Texas State Police are set to make a full-scale attack against the murderous Firefly family residence for the thousand plus murders and several disappearances over the past couple of years. But three of the family members escape, including Otis, Baby Firefly and Baby's father Captain Spaulding. The evil trio go on a road trip, leaving dozens of mangled bodies in their wake. Evading a massive Texas Rangers dragnet as well as a group of equally murderous bounty hunters led by Ken Dwyer who's obsessed with finding the deadly killers, the surviving Firefly clan gather at a run-down amusement park owned by Captain Spaulding's half-brother. Charlie offers them shelter and a new base of operations for their killing spree.MPAA rating: Unrated; for sadistic violence, strong sexual content, language and drug use.DVD ; 5.1 Dolby Digital surround EX, 6.1 DTS ES digital audio ; 16x9 widescreen (1.85:1) presentation ; region 1.

Subjects: Feature films; Fiction films; Horror films; Video recordings for the hearing impaired; Murder; Murder; Families;

Available copies: 1 / Total copies: 1

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The devil's rejects [videorecording] / by Bates, Tyler.(CARDINAL)815228; Foree, Ken,1941-; Haig, Sid,1939-; McGrory, Matthew.; Moseley, Bill,1951-; Parmet, Philip.; Zombie, Rob,1966-; Zombie, Sheri Moon,1970-; Lions Gate Home Entertainment.(CARDINAL)340727;

Director of photography, Phil Parmet ; editor, Glenn Garland ; musci, Tyler Bates ; costume designer, Yasmine Abraham ; production designer, Anthony Tremblay ; visual effects supervisor, Robert Kurtzman.Sid Haig, Bill Moseley, Sheri Moon Zombie, Ken Foree, Matthew McGrory, Leslie Easterbrook, Geoffrey Lewis, Pricilla Barnes, William Forsythe.The Texas State Police are set to make a full-scale attack against the murderous Firefly family residence for the thousand plus murders and several disappearances over the past couple of years. But three of the family members escape, including Otis, Baby Firefly and Baby's father Captain Spaulding. The evil trio go on a road trip, leaving dozens of mangled bodies in their wake. Evading a massive Texas Rangers dragnet as well as a group of equally murderous bounty hunters led by Ken Dwyer who's obsessed with finding the deadly killers. The surviving Firefly clan gather at a run-down amusement park owned by Captain Spaulding's half-brother. Charlie offers them shelter and a new base of operations for their killing spree.MPAA rating: R; for sadistic violence, strong sexual content, language and drug use.DVD, region 1, full screen (1.33:1) presentation; Dolby Digital.

Subjects: Feature films.; Horror films.; Video recordings for the hearing impaired.; Families; Murder; Murder;

Available copies: 1 / Total copies: 1

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The well tempered listener / by Taylor, Deems,1885-1966.(CARDINAL)124683;

Makers : 1. The old contemporarie : Thoughts on meeting three old-timers ; Beethoven draws the line ; The wrong-note school, and how not to make an omelet ; Music as a branch of haut couture ; The unfashionable immortals -- 2. Guesswork : Bach at saint Soandso's, Mozart on a fellowship, Beethoven on a postage stamp, Berlioz in the middle west, and Wagner in Hollywood -- 3. More of the same : Concerning five who lived through a lot of trouble, and what they might do about it now ; The unimportance of crisis -- 4. Down, but hardly out : The background of an all-Wagner program ; Free-for-all in Magdeburg, trouble in Riga, more in London, most in Paris ; Respite in Dresden ; The exiled 49-er ; Bad news in Moscow ; Sunrise in Stuttgart ; The scarcity of mute Miltons -- 5. Five who died young : Concerning a group who left early, and what might have happened if they had stayed -- 6. The twilight of the gods : How mortal is an immortal? ; The infancy of an art and the difficulty of putting things down ; The struggle for elbowroom ; Survival in an album -- 7. The flood : More on survival ; 2039 looks back on the golden age -- 8. The great divide : The stage versus the platform ; The nonco-operative philosopher and the accommodating journalist ; What Puccini can do in fourteen minutes ; Wagner proves the rule ; So, incidentally, does Strauss -- 9. The fruits of condescension : The art of finding a bad opera book, and the discovery that music isn't everything ; The happy-go-lucky Russians ; Rimsky-Korsakoff stops the show -- 10. Piotr the great : Tchaikovsky worries a devotee ; Off days of the titans ; Strauss's paper music and Shakespeare the bromide ; Concerning one who said things first, and where did he get them? -- 11. The perennial victor : Uncritical ravings of an addict, interspersed with a few reminiscences of one of the minor great.12. The fat man of Passy : Origins of a genius ; Opera by the yard ; Nineteen years on the road ; The fall and rise of a barber ; Rossini waits for an overdue muse and circulates a few legends ; The swing mass -- 13. How Spillville helped : An innkeeper serves free beer, and his son turns down a silver spoon ; The polka that didn't come off, and the job that eventually did ; Brahms takes a hand and London approves ; The national conservatory ; Where Spillville comes in -- 14. Branded : Concerning the unwelcome children of a group of remorseful fathers -- 15. Finders, keepers : Remarks about family resemblances ; Who stole from whom? ; The ethics of robbing a stranger ; Unfortunate misstep of a critic ; How the playwrights and novelists feel about it ; Great men who happen to think of the same thing ; What Brahms said, and what he did with it -- 16. Guest speaker : Mr. Macdonald takes the floor ; On staring composers out of countenance, and bothering too much about personality ; What composers think of their music and how wrong they may be ; Kreisler and the eighteenth-century outrage ; Taps and the dinner call ; Never mind who did it -- 17. What makes it tick : How a composer begins, what he does in the middle, and where, if possible, he ends -- 18. Music a la carte : Hindemith and the first-rate carpenter ; A few notes on shoes ; Some who cobbled to fit ; Tchaikovsky on 1812 ; What the patrons wanted ; Music for an oil well, and the impossibility of making a useful citizen out of a composer -- 19. Aid and comfort : Where are the tunes? ; Two opinions, with explanations by Shelley and Millay ; Horror of the shelleyites ; The composers break away ; On the importance of being not too earnest.The givers : 1. The necessary evil : Pious hope of a guest conductor ; The dream of a self-starting orchestra, and the deaf-and-blind orchestra musician ; How to forget a conductor -- 2. A little rope, please : The unavoidability of giving a conductor leeway ; Sheet music as a blueprint ; How loud is pretty loud? ; Wherein Beethoven and Ravel were wrong and also right -- 3. How right is "correct"? : The advisability of disobeying orders on occasion ; Disagreements among oboes, and impossibility of keeping out of the way ; Smith, Jones, and Cesar Franck, and the futility of awarding a blue ribbon -- 4. The devil and the deep sea : A rebellious listener wants to know why ; The conductor and his "must" list ; Telepathy among the program builders -- 5. Bill of fare : Programs and cookery, with suggestions concerning what not to serve, and when ; Tristan as a sedative ; We wax specific -- 6. The irrational art : A scientist scowls at music ; The impossible violin and the regrettable piano ; How to play an imaginary horn and a nonexistent trumpet, in a scale that is all wrong ; A hint from the track team concerning the stubborn human ear -- 7. Sir Jame's umbrella : Conclusions of an astrophysicist after photographing a touch ; How a pianist pulls the trigger and steps on the brake ; Five behind a screen ; The first mate keeps the log ; Improbability of a one-note concert ; Four ways of fooling an audience -- 8. First you hear it : The shortcomings of an ear, and the difficulty of singing by one -- 9. The high-polish question : Intention and achievement and the esthetic innocence of movie houses ; The importance of giving a show, and the amateurishness of professionals ; A note on gilded violins and Iturbi in a green sash.10. Hoking it up : On relieving the strain of good singing ; The cheerful classic and the despondent hit -- 11. Bach in the grove : A president writes a letter, and bach writes a few hits ; Why not jail brahms? ; On the toughness of masterpieces and the inadvisability of writing to the times -- 12. Beethoven goes to town : Concerning the senility of swing, with a glance at Beethoven in a jam session -- 13. Hands across the C's : Singing as a branch of athletics ; A friend telephones ; His ancestor gives a party, with Mozart also present ; Of personality, and the conduct of an artist in the presence of his monster -- 14. Too good to learn : Sixteen conductors and how they grew ; The American who hates to learn his tribe -- 15. Woman's place : The lonely harpist and her nonexistent sister ; The flute runs away with the horn ; Concerning hereditary woodwinds and the social standing of an oboe -- 16. To play's the thing : Distressing incident in Connecticut ; Junior finds a champion ; The paramount importance of useless information, with no reference to Mrs. Gimmick ; The risk of sitting down at the piano ; On understanding tennis and knowing music from the inside ; The usefulness of banging and the fun of playing in a crowd -- 17. Portrait of an artist : The pursuer who never traveled ; Jascha takes a few trips to the moon ; The perfect craftsman and the hall that was cool for pianists ; Close-ups of a miracle ; Schmalz, and the reward of getting along without it ; The jealous Strad and the off-stage genius ; Heifetz and his rival.The hearers : 1. The violent ward : One who wept, and why ; Music gets into politics ; The danger of hating the wrong thing, and the difficulty of writing propaganda music ; Race and music, and the Wagner question -- 2. Euterpe and the Gestapo : Revolutionary music -- or is it? ; Three nations listen to a tune ; Tannhauser and his military march ; Those who play the words instead of the music ; A voice from not so long ago -- 3. Saying it with music : This program-music business ; Where the classic masters stopped and where Berlioz and Company began ; The value of a springboard and the utility of being told what to paint ; The "tell us a story" tendency, with a horrible example ; The trouble with labels -- 4. Landmark : Concerning a man who upset the orchestral applecart, together with remarks, by himself and others, about the first tone poem -- 5. All things to all men : The professor makes an experiment, with dire results ; Lohengrin and Gurnemanz sing a serenade ; The accommodating Valkyries -- 6. Culture the hard way : Thoughts inspired by a baffled attempt to read a book -- 7. A share of the air : The girl who kept a record ; Critics of radio and what they overlook ; Filling an eighteen-hour day ; One week's record, together with other rather dull statistics -- 8. Other people's poison : The necessity for bad music ; Grim reflections after a radio poll.9. The latecomers : The awkwardness of being introduced to Stravinsky just after meeting Brahms -- 10. Making the most of it : The small soprano and the ten-dollar set ; How to find good music on the air, and what to do about it when you have found it -- 11. The lighter side : The solemn listener and the frivolous classic ; Reflections on not being too suspicious of attractive strangers -- 12. Never mind the three B's : The American composer and the search for a champion ; Sherwood and Shakespeare ; The moral of Arizona, and the inadvisability of worrying about posterity -- 13. The swish of the bow : Six who did not look like a firing squad ; Bach and his amateurs ; Reflections concerning varieties of off-the-record music -- 14. Richard and Joseph -- and you : The stop and go schools ; Wherein is shown how Wagner shushes a listener and Verdi eggs him on -- 15. The judgment seat : The ideal music critic, what he must know and be, and where he will go when he is found ; The American critic and his annual nervous breakdown -- 16. The useful pest : Chronicler, guide, salesman, and guardian of the flame ; The trouble with critics, and how to pick a good one -- 17. Mark Twain and I : Complaints of a great American and a modern listener ; An excursion into autobiography, with particular reference to glee clubs and the contrasting musical privileges of two generations.

Subjects: Music.; Music appreciation.;

Available copies: 1 / Total copies: 1

On-line resources: Suggest title for digitization;

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Land of the lost [videorecording] / by Krofft, Marty,1937-film producer.; Krofft, Sid,1929-film producer.; Miller, Jimmy(Producer),film producer.; Henchy, Chris,1964-screenwriter.; McNicholas, Dennis,screenwriter.(CARDINAL)879283; Silberling, Bradley,film director.(CARDINAL)844275; Ferrell, Will,1967-actor.(CARDINAL)347761; Friel, Anna,1976-actor.; McBride, Danny,actor.(CARDINAL)344823; Taccone, Jorma,1977-actor.(CARDINAL)836943; Giacchino, Michael,composer.(CARDINAL)547663; Beebe, Dion,cinematographer.(CARDINAL)815188; Universal Pictures (Firm),presenter.(CARDINAL)318695; Relativity Media,presenter.(CARDINAL)551892; Sid & Marty Krofft Pictures Corp.,production company.; Mosaic Media Group (Firm),production company.(CARDINAL)848494; Universal Studios Home Entertainment (Firm)(CARDINAL)344011;

Blu-ray; wide screen (1.85:1); DTS-HD Master 5.1 surround, Dolby Digital 2.0 stereo., BD-50, 1080p High Definition; Blu-ray player required.Will Ferrell, Anna Friel, Danny McBride, Jorma Taccone.Director of photography, Dion Beebe ; editor, Peter Teschner ; music, Michael Giacchino.MPAA rating: PG-13; for crude and sexual content, and for language including a drug reference. CHV rating: PG.Three years after being kicked out of the science department for his theory of Time warps, Rick Marshall is reduced to working as a teacher at the George C. Page Museum. He meets Holly Cantrell whose finding urges him to create a tachyon amplifier to enable time warp travel. Once they activate the amplifier, Rick, Holly and their cave tour guide Will Stanton end up in a parallel universe where all timelines converge. They soon meet some ape men and Stanton unintentionally gives them the secret of fire. A T. rex chases them across a small land bridge. Holly disappears and is condemned to death by the Library of Skulls. They finally make it back to the right time and bring back a dinosaur egg to prove his theory.

Subjects: Comedy films.; Science fiction films.; Action and adventure films.; Fantasy films.; Fiction films.; Feature films.; Video recordings for the hearing impaired.; Teachers; Space and time; Time travel; Tyrannosaurus rex; Prehistoric peoples;

Available copies: 1 / Total copies: 1

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The devil's rejects [videorecording] / by Bates, Tyler.(CARDINAL)815228; Foree, Ken,1941-; Haig, Sid,1939-; McGrory, Matthew.; Moseley, Bill,1951-; Parmet, Philip.; Zombie, Rob,1966-; Zombie, Sheri Moon.; Cinerenta (Firm); Devil's Rejects Inc.; Firm Films.(CARDINAL)342954; Lions Gate Films (Santa Monica, Calif.)(CARDINAL)340342; Lions Gate Home Entertainment.(CARDINAL)340727;

Disc 1. Feature film ; special features. -- Disc 2. 30 days in Hell : the making of The devil's rejects. (144 min.).Director of photography, Phil Parmet ; editor, Glenn Garland ; music, Tyler Bates ; costume designer, Yasmine Abraham ; production designer, Anthony Tremblay ; visual effects supervisor, Robert Kurtzman.Sid Haig, Bill Moseley, Sheri Moon Zombie, Ken Foree, Matthew McGrory, Leslie Easterbrook, Geoffrey Lewis, Pricilla Barnes, William Forsythe.The Texas State Police are set to make a full-scale attack against the murderous Firefly family residence for the thousand plus murders and several disappearances over the past couple of years. But three of the family members escape, including Otis, Baby Firefly and Baby's father Captain Spaulding. The evil trio go on a road trip, leaving dozens of mangled bodies in their wake. Evading a massive Texas Rangers dragnet as well as a group of equally murderous bounty hunters led by Ken Dwyer who's obsessed with finding the deadly killers, the surviving Firefly clan gather at a run-down amusement park owned by Captain Spaulding's half-brother. Charlie offers them shelter and a new base of operations for their killing spree.MPAA rating: Unrated; for sadistic violence, strong sexual content, language and drug use.DVD, region 1, widescreen presentation; Dolby Digital.

Subjects: Feature films.; Horror films.; Horror; Video recordings for the hearing impaired.; Families; Murder; Murder;

Available copies: 2 / Total copies: 2

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