Search:

Results 1 to 10 of 15 |

Trump card [videorecording] / by D'Souza, Dinesh; D'Souza, Dinesh,1961-producer,screenwriter,director,on-screen participant.(CARDINAL)172786; Schooley, Bruce,producer,director.;
Available copies: 3 / Total copies: 3
unAPI

Vindicating Trump [videorecording] / by D'Souza, Dinesh,1961-(CARDINAL)172786; D'Souza Media,;
Wide screen (1.78:1).DVD, region 1, widescreen presentation, Dolby Digital 5.0.
Subjects: Feature films.; Documentary films.; Nonfiction films.; Documentaires.; Trump, Donald, $d1946- 1946-; Right and left (Political science); Presidents United States.; Opposition (Political science); Presidents; Conservatism ; Lawfare.; Présidents; Opposition (Science politique); Conservatisme; Présidents; Guerre juridique.; États-Unis; États-Unis;
Available copies: 1 / Total copies: 1
unAPI

Hillary's America [videorecording] : the secret history of the Democratic Party / by D'Souza, Dinesh,1961-film director,screenwriter,narrator.(CARDINAL)172786; Schooley, Bruce,film director,screenwriter.; Molen, Gerald R.,film producer.(CARDINAL)847836; Limbaugh, Stephen,composer.; Huddleston, Ben,director of photography.; D'Souza Media (Firm),production company,publisher.; Quality Flix (Firm),production company.;
Music, Stephen Limbaugh ; director of photography, Ben Huddleston.Narrator: Dinesh D'Souza.The truth about Hillary Clinton and the history that has been kept secret of the Democratic Party.Rating: PG-13.DVD; region 1; widescreen (1.78:1); Dolby Digital 5.1.
Subjects: Documentary films.; Video recordings for the hearing impaired.; Clinton, Hillary Rodham.; Democratic Party (U.S.); Women presidential candidates; Presidential candidates; Presidents;
Available copies: 7 / Total copies: 8
unAPI

Death of a nation [videorecording] / by D'Souza, Dinesh,1961-screenwriter,film director,on-screen participant.(CARDINAL)172786; Molen, Gerald R.,film producer.(CARDINAL)847836; Schooley, Bruce,film director.; Big Lie (Firm),publisher.; D'Souza Media (Firm),presenter.;
Featuring: Dinesh D'souza.Draws parallels between the dramatic fracturing of the nation over Abraham Lincoln's presidency and the presidency of Donald Trump.MPAA rating: PG-13; for strong thematic material including violence/disturbing images, some language and brief drug use.DVD, region 1, NTSC, anamorphic widescreen (1.78:1) presentation, Dolby digital 5.1.
Subjects: Documentary films.; Nonfiction films.; Historical films.; Video recordings for the hearing impaired.; Trump, Donald, 1946-; Lincoln, Abraham, 1809-1865.; Democratic Party (U.S.); Republican Party (U.S. : 1854- ); Political culture; Presidents;
Available copies: 7 / Total copies: 8
unAPI

Infidel [videorecording] / by Nowrasteh, Cyrus,film director,screenwriter,film producer.; D'Souza, Dinesh,1961-film producer.(CARDINAL)172786; D'Souza, Debbie,1966-film producer.; Caviezel, Jim,1968-actor.(CARDINAL)807247; Karvan, Claudia,1972-actor.; Ozsan, Hal,actor.; Savante, Stelio,1970-actor.; Adriani, Isabelle,actor.; Cloudburst Entertainment,presenter.; D'Souza Media,presenter.; New Path Pictures,production company.; Universal Pictures Home Entertainment (Firm),publisher.(CARDINAL)340102;
Jim Caviezel, Claudia Karvan, Hal Ozsan, Stelio Savante.A contemporary Middle East thriller starring Jim Caviezel as an American kidnapped while attending a conference in Cairo, who ends up in prison in Iran on spying charges. His wife goes to Iran, determined to get him out.Rating: R; for violence and language.DVD, wide screen (2.39:1); 5.1 Dolby, DVS 2.0; described video.
Subjects: Fiction films.; Feature films.; Video recordings for people with visual disabilities.; Action and adventure films.; Video recordings for the hearing impaired.; Journalists; Kidnapping; Prisons;
Available copies: 27 / Total copies: 29
unAPI

Death of a Nation [videorecording] can we save America a second time? / by D'Souza, Dinesh,1961-screenwriter,film director,on-screen participant.(CARDINAL)172786; Molen, Gerald R.film producer.(CARDINAL)847836; Schooley, Bruce,film director.; Big Lie (Firm)publisher.; D'Souza Media (Firm)presenter.;
Dinesh D'souza.Not since 1860 have the Democrats so fanatically refused to accept a free election. That year, their target was Lincoln. Now, their target is President Trump and his supporters. Through historical recreations and a searching examination of fascism and white supremacy, this documentary exposes hidden history and explosive truths.MPAA rating: PG-13; for strong thematic material including violence/disturbing images, some language and brief drug use.DVD, region 1, NTSC; Dolby digital 5.1.
Subjects: Documentary films.; Nonfiction films.; Video recordings for the hearing impaired.; Political culture;
Available copies: 2 / Total copies: 2
unAPI

2000 mules [videorecording] / by D'Souza, Debbie,1966-film director,screenwriter.; D'Souza, Dinesh,1961-director,screenwriter,film producer.; Elder, Larry,(CARDINAL)533635; Engelbrecht, Catherine,on-screen participant.; Gorka, Sebastian,on-screen participant.(CARDINAL)601494; Kirk, Charlie,on-screen participant.(CARDINAL)823792; Metaxas, Eric,(CARDINAL)347674; Miller, Bryan E.,1965-composer (expression); Phillips, Gregg,on-screen participant.; Prager, Dennis,1948-on-screen participant.(CARDINAL)518806; Schooley, Bruce,film director,screenwriter.; D'Souza Media,presenter.; Salem Media Group,production company,publisher.;
Music, Bryan E. Miller.Featuring, Catherine Engelbrecht, Gregg Phillips, Denis Prager, Charlie Kirk, Dr. Sebastian Gorka, Eric Metaxas, Larry Elder."2000 Mules," a documentary film created by Dinesh D'Souza, exposes widespread, coordinated voter fraud in the 2020 election, sufficient to change the overall outcome. Drawing on research provided by the election integrity group True the Vote, "2000 Mules" offers two types of evidence: geotracking and video. The geotracking evidence, based on a database of 10 trillion cell phone pings, exposes an elaborate network of paid professional operatives called mules delivering fraudulent and illegal votes to mail-in dropboxes in the five key states where the election was decided. Video evidence, obtained from official surveillance cameras installed by the states themselves, confirms the geotracking evidence. The movie concludes by exploring numerous ways to prevent the fraud from happening again.DVD; NTSC, region 1; Dolby digital 5.1.
Subjects: Documentary films.; Feature films.; Nonfiction films.; Video recordings.; Elections; Presidents;
Available copies: 4 / Total copies: 6
unAPI

Look what tails can do / by Souza, D. M.(Dorothy M.)(CARDINAL)202784;
Includes bibliographical references (page 45) and index.All purpose tail -- Busy tail -- One of a kind -- Poisonous tail -- Talking tails -- A wriggling tail -- A dangerous tail -- More tails.Horn Book, April 2007Library Media Connection, March 2007School Library Journal, December 2006Science Books & Films (A.A.A.S.), November 2006Wilson's Children, October 2007Photographs and easy-to-follow text describe the different types of tails that animals have and how they use them.3.4K-3Accelerated Reader ARAccelerated Reader AR
Subjects: Tail; Tails.;
Available copies: 3 / Total copies: 3
unAPI

Elsa Gramcko : the invisible plot of things / by Gramcko, Elsa,1925-1994,aritst.(CARDINAL)872075; D'Souza, Aruna,author.(CARDINAL)354004; Farías, Luis Felipe,contributor.(CARDINAL)872230; Rangel, Gabriela,editor,author.(CARDINAL)821546; James Cohan Gallery,host institution,writer of foreword.(CARDINAL)222409; Sicardi Ayers Bacino (Gallery),publisher,host institution.;
Includes bibliographical references (page 151-153).Postwar artist Elsa Gramcko (1925-94) never identified her practice with a formal artistic movement but freely explored geometric abstraction, Surrealism and Informalism through painting, assemblage, and sculpture. She is often associated with prominent Venezuelan women artists such as Gego (Gertrude Goldschmidt), Tecla Tofano and Mercedes Pardo, who also began to expand the limits of art in the 1960s. The publication frames Gramcko's contribution to global modernism outside the doctrinal limitations of the avant-garde, offering a comprehensive survey of her artistic practice from the mid-1950s through the mid-1970s-from her paintings of graphic, biomorphic shapes to her groundbreaking assemblages made of conglomerate techniques that morphed the use of found wooden boards and planks. It includes essays by Gabriela Rangel and art historian and writer Aruna D'Souza, which examine Gramcko's critical approach to petro-modernity, along with unpublished letters the artist wrote to Alejandro Otero in the early 1960s that defined her relationship to objecthood. -- Publisher's website.
Subjects: Exhibition catalogs.; Gramcko, Elsa, 1925-1994; Art, Abstract; Art, Modern; Art, Venezuelan; Mixed media (Art); Mixed media painting; Mixed media sculpture; Painting, Abstract; Painting, Modern; Painting, Venezuelan; Sculpture, Abstract; Sculpture, Modern; Sculpture, Venezuelan;
Available copies: 1 / Total copies: 1
unAPI

Sophie Calle : Overshare / by Calle, Sophie,aritst.(CARDINAL)172379; Huldisch, Henriette,editor,writer of supplementary textual content,curator.(CARDINAL)900197; Brinkema, Eugenie,1980-contributor.(CARDINAL)900196; Finn, Courtenay.contributor.(CARDINAL)900195; D'Souza, Aruna.contributor.(CARDINAL)354004; Orange County Museum of Art (Calif.),host institution.(CARDINAL)211523; Walker Art Center,publisher,organizer,host institution.(CARDINAL)150439;
Includes bibliographical references."Sophie Calle: Overshare is the accompanying exhibition catalog to the first exhibition in North America to explore the range and depth of artist Sophie Calle's (France, b. 1953) practice across the past five decades. Through examples of major bodies of work as well as lesser-known pieces, the exhibition captures Calle's astute probing into the human condition and reveals ways that her early work anticipated the rise of social media as a space to create and share oneself. The presentation features photography, video, installations, and text-based works, highlighting the artist's virtuosic use of different media to explore broadly recognizable and emotionally resonant themes. Calle's works often combine photographs, videos, texts, and objects to examine the complex nature of relationships, whether between partners, friends, family, or strangers. She actively erodes the boundaries between private and public space, thereby both bringing the audience into moments of personal intimacy as well as hinging on our voyeuristic preoccupations with other people's lives. Across her career, Calle has continued to explore the dynamics inherent to relationships-love, trust, suspicion, intimacy, and power-and ways in which those forces also condition our sense and outward portrayal of our own identities. Her works feel particularly pressing and salient today as we continue to navigate the intractable presence of the digital realm in our lives"--
Subjects: Exhibition catalogs.; Calle, Sophie; Conceptual art; Photography, Artistic;
Available copies: 1 / Total copies: 1
unAPI

Results 1 to 10 of 15 |