Results 1 to 4 of 4
- Effects of light on materials in collections : data on photoflash and related sources / by Schaeffer, Terry T.(Terry Trosper),1939-(CARDINAL)214299; Getty Conservation Institute.(CARDINAL)183859;
Includes bibliographical references (pages 169-198) and index.- Subjects: Archival materials; Art; Artists' materials; Museum conservation methods.; Photochemistry.;
- Available copies: 2 / Total copies: 2
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- Tradition and innovation : advances in conservation : contributions to the Melbourne Congress, 10-14 October 2000 / by International Institute for Conservation of Historic and Artistic Works.Congress(2000 :Melbourne, Australia); Roy, Ashok,1950-(CARDINAL)302995; Smith, Perry,1944-(CARDINAL)270985; Conservation Collection (Getty Research Institute);
Includes bibliographical references.- Subjects: Conference papers and proceedings.; Museum conservation methods; Art objects;
- Available copies: 1 / Total copies: 1
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- Museum lighting : a guide for conservators and curators / by Saunders, David(David R.),author.(CARDINAL)315341; Getty Conservation Institute,issuing body.(CARDINAL)183859;
Includes bibliographical references (Page 312-322) and index.Light, Radiation, and Human Vision -- The Nature of Light -- Light, Color, and the Eye -- White Light -- Seeing Objects -- Perceiving Color -- Factors that Affect Vision -- Classifying and Measuring Color -- Color Order Systems -- Measuring Color -- Measuring Color Difference -- Classifying and Measuring Light Sources -- Classifying White Light -- Light and Ultraviolet Measurement -- White Light Sources -- Light and Ultraviolet Radiation as Agents of Deterioration -- Historical Observations of Light Damage -- Radiation-Induced Processes -- Assessing Vulnerability to Light Damage -- Ranking Vulnerability -- The Effect of Wavelength -- Synergistic Effects -- Effect of Light and Ultraviolet Radiation on Museum Objects -- Dyes and Pigments -- Metals, Stone, Glass, Ceramics, and Enamels -- Wood and Furniture -- Prints and Drawings -- Watercolors -- Books and Manuscripts -- Easel Paintings -- Wall Paintings -- Photographs and Digital Prints -- Textiles, Embroidery, Upholstery, Tapestries, Rugs, and Carpets -- Basketry, Matting, Barkcloth, and Papyrus -- Bone and Ivory -- Horn, Tortoiseshell, Hair, Fur, and Quillwork -- Leather and Skin -- Natural History and Paleontology Collections -- Plastics -- Varnishes, Resins, and Coatings -- Conservation Materials -- Light for Studying and Viewing -- Light Levels and Vision -- Color Temperature, Color Rendering, and Vision -- Age and the Viewer -- Color Preferences -- Lighting within Museum Practice -- An Outline Chronology of Museum Lighting -- Light Sources-Pros and Cons -- Recommended Light Levels in the Museum -- Practical Lighting Design I: Minimizing Damage -- Eliminating Ultraviolet and Infrared Radiation -- Minimizing Light Levels -- Minimizing Light Dose -- Keeping Track of Light -- Practical Lighting Design II: Maximizing Visibility -- Adaptation -- Contrast -- Lighting Scenarios -- Lighting Policy and Practice -- Object Lifetimes -- Developing Policy, Strategy, and Practice -- Formulating Guidelines -- Relationship to Other Museum Policies and Practices -- Future Trends in Lighting -- Appendix A: Color Equations -- A.1 Derivation of CIE Lab and CIE LCh Data -- A.2 Color Difference Equations -- Appendix B: Data Tables."Author David Saunders, former keeper of conservation and scientific research at the British Museum, explores how to balance the conflicting goals of visibility and preservation under a variety of conditions. Beginning with the science of how light, color, and vision function and interact, he proceeds to offer detailed studies of the impact of light on a wide range of objects, including paintings, manuscripts, textiles, bone, leather, and plastics. With analyses of the effects of light on visibility and deterioration, Museum Lighting provides practical information to assist curators, conservators, and other museum professionals in making critical decisions about the display and preservation of objects in their collections."--from Getty Publications website"This indispensable guide to museum lighting, written by distinguished conservation scientist David Saunders, is the first new volume of its kind in over thirty years"--- Subjects: Museums; Museum conservation methods.; Museum techniques.;
- Available copies: 1 / Total copies: 1
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- The new art museum library / by Nelson, Amelia,1979-editor,writer of preface.(CARDINAL)853638; Timmons, Traci E.,1968-editor,writer of preface,contributor.(CARDINAL)853639; Regina, Kristen A.,writer of introduction.(CARDINAL)853640; Stout, Jenna,contributor.(CARDINAL)853641; Litts, Doug,contributor.; Becks, Courtney,contributor.; Evenhaugen, Anne,contributor.; White, Tony,contributor.(CARDINAL)178479; Reigle, Alexandra,contributor.; Underschultz, Simon,contributor.; Duncan, Sumitra,contributor.; Morris, Beth,1949-contributor.; Ceperich, Lee,contributor.; Lipcan, Dan,1975-contributor.; Mayhew, Gwen,contributor.; Welte, Annalise,contributor.; Ng-He, Carol,1982-contributor.(CARDINAL)853642; Lurie, Janice Lea,contributor.(CARDINAL)892829; Fernandez-Keys, Alba,contributor.; Gottlieb-Miller, Lauren,contributor.; Bury, Stephen J.,contributor.; Lill, Jonathan,contributor.(CARDINAL)853643; Ricupero, Bryan,contributor.; Miller, Sophie Jo,contributor.; Osborne Bender, Sarah,contributor.; Pfeiffer, Carissa,contributor.; Saunders, Heather,contributor.(CARDINAL)475244; Rowman and Littlefield, Inc.,publisher.(CARDINAL)715797;
Includes bibliographical references and index."Art museum libraries are thinking about their audiences, object-based learning, and the needs of researchers in the age of digital art history. By embracing changes in technology, research, and a shifting information landscape, these libraries are positioning themselves at the nexus of digital preservation, access, and radical experimentation"--- Subjects: Case studies.; Museum libraries; Art libraries; Museum libraries; Art libraries;
- Available copies: 1 / Total copies: 1
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Results 1 to 4 of 4